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Imperial Library
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Index
Foreword
Part One
Soul Food
Sex in the Head
Dusty Pink
The Irish Inheritance
Tango
Pop versus Jazz
Anarchist’s Laughter
Hyperbole and Narcissus
Foundering Fathers
Notes on Black Movies
New Thresholds, New Anatomies
Round Up the Usual Suspects
Star Mutations
Flesh
Unfair
Poetry and Politics
Out of Tragedy, Suds
Lady Zelda
The Businessman-Pimp as Hero
The Riddles of Pop
A Generation’s Clown
Crooks
Lost and Found
Kings
A Rip-off with Genius
Part Two
After Innocence
Everyday Inferno
Three
Movieland — The Bum’s Paradise
Un-People
Moments of Truth
Bloodless and Bloody
Politics and Thrills
Humanoids and Androgynes
Strawberry Jam
The Hero as Freak
Labyrinths
Survivor
Back to the Ouija Board
Killing Time
A New Voice for Hoffman
Cicely Tyson Goes to the Fountain
Love and Coca-Cola
Nicholson’s High
O Consuella!
The Street Western
The Used Madonna
A Brash Young Man
Sugarland and Badlands
Part Three
On the Future of Movies
Part Four
Lacombe, Lucien
Stuck in the Fun
The Actor and the Star
The Uprooted Artist
Taking a Chance
Spieler
When the Saints Come Marching In
Shearing the Sheep
Decadence
Dames
Fathers and Sons
A Magnetic Blur
Woman on the Road
Pure Chrome
Hardboiled Valentine
Don’t Touch Me
For Oscar’s Sake
Beverly Hills as a Big Bed
Male Revenge
Coming: Nashville
New York Self-Hatred for Fun and Profit
Talent Isn’t Enough
The Rear Guard
The Darned
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