The Harvard Classics & Fiction Collection [180 Books] (Illustrated) by Various -- Read -- Imperial Library of Trantor

Index

THE HARVARD CLASSICS & FICTION COLLECTION: 180 BOOKS THE HARVARD CLASSICS COLLECTION [51 VOLUMES] The Harvard Classics Vol. 1: The Autobiography of Benjamin Franklin, The Journal of John Woolman, and the Fruits of Solitude by William Penn

Contents Introductory Note The Autobiography of Benjamin Franklin

CHIEF EVENTS IN FRANKLIN’S LIFE

The Journal of John Woolman

INTRODUCTORY NOTE THE JOURNAL OF JOHN WOOLMAN (1720–1772) CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII THE DEATH OF JOHN WOOLMAN

Some Fruits of Solitude

INTRODUCTORY NOTE THE PREFACE SOME FRUITS OF SOLITUDE IN REFLECTIONS AND MAXIMS PART I MORE FRUITS OF SOLITUDE THE INTRODUCTION TO THE READER MORE FRUITS OF SOLITUDE BEING THE SECOND PART OF REFLECTIONS & MAXIMS

The Harvard Classics Vol. 2: Plato, Epictetus, Marcus Aurelius

Contents Introductory Note The Apology of Socrates

CRITO PHÆDO PHÆDO PHÆDO PHÆDO PHÆDO PHÆDO PHÆDO

The Golden Sayings of Epictetus

INTRODUCTORY NOTE THE GOLDEN SAYINGS OF EPICTETUS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV In the same way my friend Heraclitus, who had a trifling suit about a petty farm at Rhodes, first showed the judges that his cause was just, and then at the finish cried, “I will not entreat you; nor do I care what sentence you pass. It is you who are on your trial, not I!”—And so he ended the case.LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIV LXXV LXXVI LXXVII LXXVIII LXXIX LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC XCI XCII XCIII XCIV XCV XCVI XCVII XCVIII XCIX C CI CII CIII CIV CV CVI CVII CVIII CIX CX CXI CXII CXIII CXIV CXV CXVI CXVII CXVIII CXIX CXX CXXI CXXII CXXIII CXXIV CXXV CXXVI CXXVII CXXVIII CXXIX CXXX CXXXI CXXXII CXXXIII CXXXIV CXXXV CXXXVI CXXXVII CXXXVIII CXXXIX CXL CXLI CXLII CXLII CXLIV CXLV CXLVI CXLVII CXLVIII CXLIX CL CLI CLII CLIII CLIV CLV CLVI CLVII CLVIII CLIX CLX CLXI CLXII CLXIII CLXIV CLXV CLXVI CLXVII CLXVIII CLXIX CLXX CLXXI CLXXII CLXXIII CLXXIV CLXXV CLXXVI CLXXVII CLXXVIII CLXXIX CLXXX CLXXXI CLXXXII CLXXXIII CLXXXIV CLXXXV CLXXXVI CLXXXVII CLXXXVIII CLXXXIX

Fragments Attributed To Epictetus The Hymn of Cleanthes

5 10 15 20 25 30 35

The Meditations of Marcus Aurelius

INTRODUCTORY NOTE THE MEDITATIONS OF MARCUS AURELIUS ANTONINUS I II III IV V VI VII VIII IX X XI XII M. AURELIUS ANTONINUS, BY GEORGE LONG, M. A. THE PHILOSOPHY OF ANTONINUS, BY GEORGE LONG, M. A.

The Harvard Classics Vol. 3: Essays by Bacon, Milton, and Browne

Contents Introductory Note

THE EPISTLE DEDICATORY

Essays Or Counsels Civil And Moral

The New Atlantis

INTRODUCTORY NOTE THE NEW ATLANTIS

Areopagitica

INTRODUCTORY NOTE ORDER OF THE LONG PARLIAMENT AREOPAGITICA A SPEECH FOR THE LIBERTY OF UNLICENSED PRINTING

Milton’s Tractate On Education

INTRODUCTORY NOTE OF EDUCATION

Religio Medici

INTRODUCTORY NOTE TO THE READER RELIGIO MEDICI THE FIRST PART THE SECOND PART

The Harvard Classics Vol. 4: The Complete Poems of John Milton

Contents Introductory Note

POEMS WRITTEN AT SCHOOL AND AT COLLEGE, 1624–1632 POEMS WRITTEN AT HORTON, 1632–1638 POEMS WRITTEN DURING THE CIVIL WAR AND THE PROTECTORATE, 1642–1658

Paradise Lost

THE VERSE THE FIRST BOOK THE SECOND BOOK THE THIRD BOOK THE FOURTH BOOK THE FIFTH BOOK THE SIXTH BOOK THE SEVENTH BOOK THE EIGHTH BOOK THE NINTH BOOK THE TENTH BOOK THE ELEVENTH BOOK THE TWELFTH BOOK

Paradise Regained

THE FIRST BOOK THE SECOND BOOK THE THIRD BOOK THE FOURTH BOOK

Milton’s Introduction To Samson Agonistes

OF THAT SORT OF DRAMATIC POEM CALLED TRAGEDY

Samson Agonistes

LINES 1–249 LINES 250–499 LINES 500–749 LINES 750–999 LINES 1000–1249 LINES 1250–1499 LINES 1500–1761

The Harvard Classics Vol. 5: Essays and English Traits by R.W. Emerson

Contents Introductory Note Essays

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII

English Traits

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX

The Harvard Classics Vol. 6: The Poems and Songs of Robert Burns

Contents Introductory Note Poems And Songs

SONG—HANDSOME NELL 1 SONG—O TIBBIE, I HAE SEEN THE DAY 2 SONG—I DREAM’D I LAY 3 SONG—IN THE CHARACTER OF A RUINED FARMER 4 TRAGIC FRAGMENT—ALL VILLAIN AS I AM 5 THE TARBOLTON LASSES 6 AH, WOE IS ME, MY MOTHER DEAR 7 SONG—MONTGOMERIE’S PEGGY 8 THE PLOUGHMAN’S LIFE 9 THE RONALDS OF THE BENNALS 10 SONG—HERE’S TO THY HEALTH, MY BONIE LASS 11 SONG—THE LASS OF CESSNOCK BANKS 12 SONG—BONIE PEGGY ALISON 13 SONG—MARY MORISON 14 WINTER: A DIRGE 15 A PRAYER UNDER THE PRESSURE OF VIOLENT ANGUISH 16 PARAPHRASE OF THE FIRST PSALM 17 THE FIRST SIX VERSES OF THE NINETIETH PSALM VERSIFIED 18 A PRAYER IN THE PROSPECT OF DEATH 19 STANZAS, ON THE SAME OCCASION 20 FICKLE FORTUNE: “A FRAGMENT” 21 SONG—RAGING FORTUNE: A FRAGMENT 22 I’LL GO AND BE A SODGER 23 SONG—NO CHURCHMAN AM I 24 MY FATHER WAS A FARMER: A BALLAD 25 JOHN BARLEYCORN: A BALLAD 26 THE DEATH AND DYING WORDS OF POOR MAILIE 27 POOR MAILIE’S ELEGY 28 SONG—THE RIGS O’ BARLEY 29 SONG—COMPOSED IN AUGUST 30 SONG—MY NANIE, O! 31 SONG—GREEN GROW THE RASHES 32 SONG—“INDEED WILL I,” QUO’ FINDLAY 33 REMORSE—A FRAGMENT 34 EPITAPH ON WILLIAM HOOD, SENIOR 35 EPITAPH ON JAMES GRIEVE 36 EPITAPH ON WILLIAM MUIR 37 EPITAPH ON MY EVER HONOURED FATHER 38 BALLAD ON THE AMERICAN WAR 39 REPLY TO AN ANNOUNCEMENT BY J. RANKINE 40 EPISTLE TO JOHN RANKINE 41 A POET’S WELCOME TO HIS LOVE-BEGOTTEN DAUGHTER 42 SONG—O LEAVE NOVELS! 43 THE MAUCHLINE LADY: A FRAGMENT 44 MY GIRL SHE’S AIRY: A FRAGMENT 45 THE BELLES OF MAUCHLINE 46 EPITAPH ON A NOISY POLEMIC 47 EPITAPH ON A HENPECKED SQUIRE 48 EPIGRAM ON THE SAID OCCASION 49 ANOTHER ON THE SAID OCCASION 50 ON TAM THE CHAPMAN 51 EPITAPH ON JOHN RANKINE 52 LINES ON THE AUTHOR’S DEATH 53 MAN WAS MADE TO MOURN: A DIRGE 54 THE TWA HERDS; OR, THE HOLY TULYIE 55 EPISTLE TO DAVIE, A BROTHER POET 56 HOLY WILLIE’S PRAYER 57 EPITAPH ON HOLY WILLIE 58 DEATH AND DR. HORNBOOK 59 EPISTLE ON J. LAPRAIK 60 SECOND EPISTLE TO J. LAPRAIK 61 EPISTLE TO WILLIAM SIMSON 62 ONE NIGHT AS I DID WANDER 63 FRAGMENT OF SONG—“MY JEAN!” 64 SONG—RANTIN, ROVIN ROBIN 65 ELEGY ON THE DEATH OF ROBERT RUISSEAUX 66 EPISTLE TO JOHN GOLDIE, IN KILMARNOCK 67 THE HOLY FAIR 68 THIRD EPISTLE TO J. LAPRAIK 69 EPISTLE TO THE REV. JOHN M’MATH 70 SECOND EPISTLE TO DAVIE 71 SONG—YOUNG PEGGY BLOOMS 72 SONG—FAREWELL TO BALLOCHMYLE 73 FRAGMENT—HER FLWOING LOCKS 74 HALLOWEEN 75 TO A MOUSE 76 EPITAPH ON JOHN DOVE, INNKEEPER 77 EPITAPH FOR JAMES SMITH 78 ADAM ARMOUR’S PRAYER 79 THE JOLLY BEGGARS: A CANTATA 80 SONG—FOR A’ THAT 81 SONG—KISSING MY KATIE 82 THE COTTER’S SATURDAY NIGHT 83 ADDRESS TO THE DEIL 84 SCOTCH DRINK 86 THE TWA DOGS 87 THE AUTHOR’S EARNEST CRY AND PRAYER 88 THE ORDINATION 89 EPISTLE TO JAMES SMITH 90 THE VISION 91 SUPPRESSED STANZAS OF “THE VISION” 92 THE RANTIN DOG, THE DADDIE O’T 93 HERE’S HIS HEALTH IN WATER 94 ADDRESS TO THE UNCO GUID 95 THE INVENTORY 96 TO JOHN KENNEDY, DUMFRIES HOUSE 97 TO MR. M’ADAM, OF CRAIGEN-GILLAN 98 TO A LOUSE 99 INSCRIBED ON A WORK OF HANNAH MORE’S 100 SONG—COMPOSED IN SPRING 101 TO A MOUNTAIN DAISY 102 TO RUIN 103 THE LAMENT 104 DESPONDENCY: AN ODE 105 TO GAVIN HAMILTON, ESQ., MAUCHLINE, RECOMMENDING A BOY 106 VERSIFIED REPLY TO AN INVITATION 107 SONG—WILL YE GO TO THE INDIES, MY MARY? 108 MY HIGHLAND LASSIE, O 109 EPISTLE TO A YOUNG FRIEND 110 ADDRESS TO BEELZEBUB 111 A DREAM 112 A DEDICATION TO GAVIN HAMILTON, ESQ. 113 VERSIFIED NOTE TO DR. MACKENZIE, MAUCHLINE 114 THE FAREWELL TO THE BRETHREN OF ST. JAMES’S LODGE, TARBOLTON 115 ON A SCOTCH BARD, GONE TO THE WEST INDIES 116 SONG—FAREWELL TO ELIZA 117 A BARD’S EPITAPH 118 EPITAPH FOR ROBERT AIKEN, ESQ. 119 EPITAPH FOR GAVIN HAMILTON, ESQ. 120 EPITAPH ON “WEE JOHNNIE” 121 THE LASS O’ BALLOCHMYLE 122 LINES TO AN OLD SWEETHEART 123 MOTTO PREFIXED TO THE AUTHOR’S FIRST PUBLICATION 124 LINES TO MR. JOHN KENNEDY 125 LINES WRITTEN ON A BANK-NOTE 126 STANZAS ON NAETHING 127 THE FAREWELL 128 THE CALF 129 NATURE’S LAW: A POEM 130 SONG—WILLIE CHALMERS 131 REPLY TO A TRIMMING EPISTLE, RECEIVED FROM A TAILOR 132 THE BRIGS OF AYR 133 FRAGMENT OF SONG—THE NIGHT WAS STILL 134 EPIGRAM ON ROUGH ROADS 135 PRAYER—O THOU DREAD POWER 136 SONG—FAREWELL TO THE BANKS OF AYR 137 ADDRESS TO THE TOOTHACHE 138 LINES ON MEETING WITH LORD DAER 139 MASONIC SONG—YE SONS OF OLD KILLIE 140 TAM SAMSON’S ELEGY 141 EPISTLE TO MAJOR LOGAN 142 FRAGMENT ON SENSIBILITY 143 A WINTER NIGHT 144 SONG—YON WILD MOSSY MOUNTAINS 145 ADDRESS TO EDINBURGH 146 ADDRESS TO A HAGGIS 147 TO MISS LOGAN 148 MR. WILLIAM SMELLIE: A SKETCH 149 SONG—RATTLIN, ROARIN WILLIE 150 SONG—BONIE DUNDEE: A FRAGMENT 151 EXTEMPORE IN THE COURT OF SESSION 152 INSCRIPTION FOR THE HEADSTONE OF FERGUSSON THE POET 153 LINES INSCRIBED UNDER FERGUSSON’S PORTRAIT 154 EPISTLE TO MRS. SCOTT 155 VERSES INSCRIBED UNDER A NOBLE EARL’S PICTURE 156 PROLOGUE, SPOKEN BY MR. WOODS AT EDINBURGH 157 SONG—THE BONIE MOOR-HEN 158 SONG—MY LORD A-HUNTING HE IS GANE 159 EPIGRAM AT ROSLININN 160 EPIGRAM ADDRESSED TO AN ARTIST 161 THE BOOKWORMS 162 ON ELPHINSTONE’S TRANSLATION OF MARTIAL’S EPIGRAMS 163 SONG—A BOTTLE AND FRIEND 164 LINES WRITTEN UNDER THE PICTURE OF MISS BURNS 165 EPITAPH FOR WILLIAM NICOL, HIGH SCHOOL, EDINBURGH 166 EPITAPH FOR MR. WILLIAM MICHIE, SCHOOLMASTER 167 BOAT SONG—HEY, CA’ THRO’ 168 ADDRESS TO WM. TYTLER, ESQ., OF WOODHOUSELEE 169 EPIGRAM TO MISS AINSLIE IN CHURCH 170 BURLESQUE LAMENT FO WM. CREECH’S ABSENCE 171 NOTE TO MR. RENTON OF LAMERTON 172 ELEGY ON STELLA 173 THE BARD AT INVERARY 174 EPIGRAM TO MISS JEAN SCOTT 175 ON THE DEATH OF JOHN M’LEOD, ESQ. 176 ELEGY ON THE DEATH OF SIR JAMES HUNTER BLAIR 177 IMPROMPTU ON CARRON IRON WORKS 178 TO MISS FERRIER, ENCLOSING ELEGY ON SIR J. H. BLAIR 179 WRITTEN BY SOMEBODY ON THE WINDOW OF AN INN AT STIRLING 180 REPLY TO THE THREAT OF A CENSORIOUS CRITIC 181 THE LIBELLER’S SELF-REPROOF 182 VERSES WRITTEN WITH A PENCIL AT THE INN AT KENMORE 183 SONG—THE BIRKS OF ABERFELDY 184 THE HUMBLE PETITION OF BRUAR WATER 185 LINES ON THE FALL OF FYERS 186 EPIGRAM ON PARTING WITH A KIND HOST IN THE HIGHLANDS 187 SONG—STRATHALLAN’S LAMENT 188 VERSES ON CASTLE GORDON 189 SONG—LADY ONLIE, HONEST LUCKIE 190 SONG—THENIEL MENZIES’ BONIE MARY 191 SONG—THE BONIE LASS OF ALBANY 193 SONG—BLYTHE WAS SHE 194 SONG—A ROSE-BUD BY MY EARLY WALK 196 SONG—THE BANKS OF THE DEVON 197 SONG—BRAVING ANGRY WINER’S STORMS 198 SONG—MY PEGGY’S CHARMS 199 SONG—THE YOUNG HIGHLAND ROVER 204 SONG—GO ON, SWEET BIRD, AND SOOTHE MY CARE 205 SONG—CLARINA, MISTRESS OF MY SOUL 206 SONG—I’M O’ER YOUNG TO MARRY YET 207 SONG—TO THE WEAVER’S GIN YE GO 208 SONG—M’PHERSON’S FAREWELL 209 SONG—STAY MY CHARMER 210 SONG—MY HOGGIE 211 SONG—RAVING WINDS AROUND HER BLOWING 212 SONG—UP IN THE MORNING EARLY 213 SONG—HOW LONG AND DREARY IS THE NIGHT 214 SONG—HEY, THE DUSTY MILLER 215 SONG—DUNCAN DAVISON 216 SONG—THE LAD THEY CA’ JUMPIN JOHN 217 SONG—TALK OF HIM THAT’S FAR AWA 218 SONG—TO DAUNTON ME 219 SONG—THE WINTER IT IS PAST 220 SONG—THE BONIE LAD THAT’S FAR AWA 222 SONG—THE CHEVALIER’S LAMENT 224 SONG—OF A’ THE AIRTS THE WIND CAN BLAW 225 SONG—I HAE A WIFE O’ MY AIN 228 SONG—ANNA, THY CHARMS 231 SONG—THE DAY RETURNS 232 SONG—O WERE I ON PARNASSUS HILL 234 SONG—THE FALL OF THE LEAF 235 SONG—I REIGN IN JEANIE’S BOSOM 236 SONG—IT IS NA, JEAN, THY BONIE FACE 237 SONG—AULD LANG SYNE 238 SONG—MY BONIE MARY 249 SONG—SHE’S FAIR AND FAUSE 255 SONG—BEWARE O’ BONIE ANN 262 SONG—THE GARDENER WI’ HIS PAIDLE 263 SONG—ON A BANK OF FLOWERS 264 SONG—YOUNG JOCKIE WAS THE BLYTHEST LAD 265 SONG—THE BANKS OF NITH 266 SONG—JAMIE, COME TRY ME 267 SONG—I LOVE MY LOVE IN SECRET 268 SONG—SWEET TIBBIE DUNBAR 269 SONG—THE CAPTAIN’S LADY 270 SONG—JOHN ANDERSON, MY JO 271 SONG—MY LOVE SHE’S BUT A LASSIE YET 272 SONG—TAM GLEN 273 SONG—CARLE, AN’ THE KING COME 274 SONG—THE LADDIE’S DEAR SEL’ 275 SONG—WHISTLE O’ER THE LAVE O’T 276 SONG—MY EPPIE ADAIR 282 SONG—WILLIE BREW’D A PECK O’ MAUT 283 SONG—CA’ THE YOWES TO THE KNOWES (OLDER SET) 284 SONG—I GAED A WAEFU’ GATE YESTREEN 285 SONG—HIGHLAND HARRY BACK AGAIN 286 SONG—THE BATTLE OF SHERRAMUIR 287 SONG—THE BRAES O’ KILLIECRANKIE 288 SONG—AWA,’ WHIGS, AWA’ 289 SONG—A WAUKRIFE MINNIE 290 SONG—THE CAPTIVE RIBBAND 291 SONG—FAREWELL TO THE HIGHLANDS 293 SONG—TO MARY IN HEAVEN 302 SONG—THE GOWDEN LOCKS OF ANNA 303 SONG—I MURDER HATE 304 SONG—GUDEWIFE, COUNT THE LAWIN 313 SONG—THERE’LL NEVER BE PEACE TILL JAMIE COMES HAME 314 SONG—OUT OVER THE FORTH 315 SONG—THE BANKS O’ DOON (FIRST VERSION) 316 SONG—THE BANKS O’ DOON (SECOND VERSION) 317 SONG—THE BANKS O’ DOON (THIRD VERSION) 320 SONG—CRAIGIEBURN WOOD 321 SONG—THE BONIE WEE THING 323 SONG—THE CHARMS OF LOVELY DAVIES 324 SONG—WHAT CAN A YOUNG LASSIE DO WI’ AN AULD MAN? 325 SONG—THE POSIE 329 SONG—THE GALLANT WEAVER 331 SONG—YOU’RE WELCOME, WILLIE STEWART 332 SONG—LOVELY POLLY STEWART 333 SONG—FRAGMENT—DAMON AND SYLVIA 334 SONG—FRAGMENT—JOHNIE LAD, COCK UP YOUR BEAVER 335 SONG—MY EPPIE MACNAB 336 SONG—FRAGMENT—ALTHO’ HE HAS LEFT ME 337 SONG—MY TOCHER’S THE JEWEL 338 SONG—O FOR ANE AN’ TWENTY, TAM 339 SONG—THOU FAIR ELIZA 340 SONG—MY BONIE BELL 341 SONG—SWEET AFTON 343 SONG—NITHDALE’S WELCOME HAME 344 SONG—FRAE THE FRIENDS AND LAND I LOVE 345 SONG—SUCH A PARCEL OF ROGUES IN A NATION 346 SONG—YE JACOBITES BY NAME 347 SONG—I HAE BEEN AT CROOKIEDEN 348 SONG—KENMURE’S ON AND AWA, WILLIE 358 SONG—O MAY, THY MORN 359 SONG—AE FOND KISS 360 SONG—BEHOLD THE HOUR, THE BOAT, ARRIVE 361 SONG—THOU GLOOMY DECEMBER 362 SONG—MY NATIVE LAND SAE FAR AWA 365 SONG—THE WEARY PUND O’ TOW 366 SONG—WHEN SHE CAM BEN SHE BOBBED 367 SONG—SCROGGAM, MY DEARIE 368 SONG—MY COLLIER LADDIE 369 SONG—SIC A WIFE AS WILLIE HAD 370 SONG—LADY MARY ANN 371 SONG—KELLYBURN BRAES 372 SONG—THE SLAVE’S LAMENT 373 SONG—O CAN YE LABOUR LEA? 374 SONG—THE DEUKS DANG O’ER MY DADDIE 375 SONG—THE DEIL’S AWA WI’ THE EXCISEMAN 376 SONG—THE COUNTRY LASS 377 SONG—BESSY AND HER SPINNIN WHEEL 378 SONG—FRAGMENT—LOVE FOR LOVE 379 SONG—SAW YE BONIE LESLEY 380 SONG—FRAGMENT—NO COLD APPROACH 381 SONG—I’LL MEET THEE ON THE LEA RIG 382 SONG—MY WIFE’S A WINSOME WEE THING 383 SONG—HIGHLAND MARY 384 SONG—AULD ROB MORRIS 388 SONG—DUNCAN GRAY 389 SONG—A HEALTH TO THEM THAT’S AWA 391 SONG—POORTITH CAULD AND RESTLESS LOVE 393 SONG—BRAW LADS O’ GALA WATER 395 SONG—WANDERING WILLIE 396 SONG—WANDERING WILLIE 398 SONG—OPEN THE DOOR TO ME, OH 399 SONG—LOVELY YOUNG JESSIE 400 SONG—MEG O’ THE MILL 401 SONG—MEG O’ THE MILL 414 SONG—THE LAST TIME I CAM O’ER THE MOOR 415 SONG—LOGAN BRAES 416 SONG—BLYTHE HAE I BEEN ON YON HILL 417 SONG—O WERE MY LOVE YOU LILAC FAIR 423 SONG—PHILLIS THE FAIR 424 SONG—HAD I A CAVE 425 SONG—BY ALLAN STREAM 426 SONG—WHISTLE AND I’LL COME TO YOU 427 SONG—PHILLIS THE QUEEN O’ THE FAIR 428 SONG—COME LET ME TAKE THEE TO MY BREAST 429 SONG—DAINTY DAVIE 430 SONG—ROBERT BRUCE’S MARCH TO BANNOCKBURN 431 SONG—BEHOLD THE HOUR, ETC. (SECOND VERSION) 432 SONG—DOWN THE BURN, DAVIE LOVE 433 SONG—THOU HAST LEFT ME EVER, JAMIE 434 SONG—WHERE ARE THE JOYS I HAVE MET 435 SONG—DELUDED SWAIN, THE PLEASURE 436 SONG—THINE AM I, MY FAITHFUL FAIR 438 SONG—MY SPOUSE NANCY 442 SONG—WILT THOU BE MY DEARIE 443 SONG—A FIDDLER IN THE NORTH 446 SONG—A RED, RED ROSE 447 SONG—YOUNG JAMIE, PRIDE OF A’ THE PLAIN 448 SONG—THE FLOWERY BANKS OF CREE 459 SONG—THE LOVELY LASS O’ INVERNESS 460 SONG—CHARLIE, HE’S MY DARLING 461 SONG—THE BANNOCKS O’ BEAR MEAL 462 SONG—THE HIGHLAND BALOU 464 SONG—IT WAS A’ FOR OUR RIGHTFU’ KING 467 SONG—ON THE SEAS AND FAR AWAY 468 SONG—CA’ THE YOWES TO THE KNOWES 469 SONG—SHE SAYS SHE LOES ME BEST OF A’ 481 SONG—PRETTY PEG, MY DEARIE 483 SONG—SAW YOU MY DEAR, MY PHILLY 484 SONG—HOW LANG AND DREARY IS THE NIGHT 485 SONG—INCONSTANCY IN LOVE 487 SONG—THE WINTER OF LIFE 488 SONG—BEHOLD, MY LOVE, HOW GREEN THE GROVES 489 SONG—THE CHARMING MONTH OF MAY 490 SONG—LASSIE WI’ THE LINT-WHITE LOCKS 491 DIALOGUE SONG—PHILLY AND WILLY 492 SONG—CONTENTED WI’ LITTLE, AND CANTIE WI’ MAIR 493 SONG—FAREWELL THOU STREAM THAT WINDING FLOWS 494 SONG—CANST THOU LEAVE ME THUS, MY KATIE 495 SONG—MY NANIE’S AWA 496 SONG—THE TEAR-DROP—“WAE IS MY HEART” 497 SONG—FOR THE SAKE O’ SOMEBODY 498 SONG—A MAN’S A MAN FOR A’ THAT 499 SONG—CRAIGIEBURN WOOD (SECOND VERSION) 506 SONG—BONIE PEG-A-RAMSAY 508 SONG—FRAGMENT—THERE WAS A BONIE LASS 509 SONG—FRAGMENT—WEE WILLIE GRAY 510 SONG—O AYE MY WIFE SHE DANG ME 511 SONG—GUID ALE KEEPS THE HEART ABOON 512 SONG—STEER HER UP AND HAUD HER GAUN 513 SONG—THE LASS O’ ECCLEFECHAN 514 SONG—O LET ME IN THIS AE NIGHT 515 SONG—I’LL AYE CA’ IN BY YON TOWN 516 SONG—O WAT YE WHA’S IN YON TOWN 521 SONG—THE CARDIN O’T, THE SPINNING O’T 522 SONG—THE COOPER O’ CUDDY 523 SONG—THE LASS THAT MADE THE BED TO ME 524 SONG—HAD I THE WYTE, SHE BADE ME 525 SONG—THE DUMFRIES VOLUNTEERS 526 SONG—ADDRESS TO THE WOODLARK 527 SONG—ON CHLORIS BEING ILL 528 SONG—HOW CRUEL ARE THE PARENTS 529 SONG—YONDER POMP OF COSTLY FASHION 530 SONG—‘TWAS NA HER BONIE BLUE E’E 531 SONG—THEIR GROVES O’ SWEET MYRTLE 532 SONG—FORLORN, MY LOVE, NO COMFORT HERE 533 SONG—FRAGMENT—WHY TELL THE LOVER 534 SONG—THE BRAW WOOER 535 SONG—THIS IS NO MY AIN LASSIE 536 SONG—O BONIE WAS YON ROSY BRIER 537 SONG—NOW SPRING HAS CLAD THE GROVE IN GREEN 538 SONG—O THAT’S THE LASSIE O’ MY HEART 540 SONG—FRAGMENT—LEEZIE LINDSAY 541 SONG—FRAGMENT—THE WREN’S NEST 542 SONG—NEWS, LASSIES, NEWS 543 SONG—CROWDIE EVER MAIR 544 SONG—MALLY’S MEEK, MALLY’S SWEET 545 SONG—JOCKIE’S TAEN THE PARTING KISS 549 SONG—A LASS WI’ A TOCHER 552 SONG—O LAY THY LOOF IN MINE, LASS 553 SONG—A HEALTH TO ANE I LOE DEAR 554 SONG—O WERT THOU IN THE CAULD BLAST 555 INSCRIPTION TO JESSIE LEWARS 556 SONG—FAIREST MAID ON DEVON’S BANKS

The Harvard Classics Vol. 7: Confessions of St. Augustine & The Imitation of Christ

Contents Introductory Note The Confessions of St. Augustine

THE FIRST BOOK THE SECOND BOOK THE THIRD BOOK THE FOURTH BOOK THE FIFTH BOOK THE SIXTH BOOK THE SEVENTH BOOK THE EIGHTH BOOK THE NINTH BOOK THE TENTH BOOK

The Imitation of Christ

INTRODUCTORY NOTE THE IMITATION OF CHRIST

The First Book Admonitions Profitable For The Spiritual Life

The Second Book Admonitions Concerning The Inner Life

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

The Third Book On Inward Consolation

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV CHAPTER LV CHAPTER LVI CHAPTER LVII CHAPTER LVIII CHAPTER LIX

The Fourth Book Of The Sacrament of The Altar

The Harvard Classics Vol. 8: Nine Greek Dramas

Contents Introductory Note The House of Atreus

AGAMEMNON THE HOUSE OF ATREUS THE LIBATION-BEARERS THE HOUSE OF ATREUS THE FURIES

Prometheus Bound Œdipus The King And Antigone of Sophocles

INTRODUCTORY NOTE ŒDIUPS THE KING OF SOPHOCLES

Antigone of Sophocles Hippolytus And The Bacchae of Euripides

INTRODUCTORY NOTE HIPPOLYTUS OF EURIPIDES

The Bacchae of Euripides The Frogs of Aristophanes

INTRODUCTORY NOTE THE FROGS OF ARISTOPHANES

The Harvard Classics Vol. 9: Letters and Treatises of Cicero and Pliny

Contents Introductory Note On Friendship On Old Age Letters of Cicero

INTRODUCTORY NOTE LETTERS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI

Letters of Pliny

INTRODUCTORY NOTE LETTERS I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIV LXXV LXXVI LXXVII LXXVIII LXXIX LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX XC XCI XCII XCIII XCIV XCV XCVI XCVII XCVIII XCIX C CI CII CIII CIV CV CVI CVII CVIII CIX CX

Correspondence With The Emperor Trajan

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIV LXXV LXXVI LXXVII LXXVIII LXXIX LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVI LXXXVIII LXXXIX XC XCI XCII XCIII XCIV XCV XCVI XCVII XCVIII XCIX C CI CII CIII CIV CV CVI CVII CVIII CIX CX CXI CXII CXIII CXIV CXV CXVI CXVII CXVIII CXIX CXX CXXI CXXII

The Harvard Classics Vol. 10: An Inquiry into the Nature and Causes of the Wealth of Nations

Contents Introductory Note

INTRODUCTION AND PLAN OF THE WORK

An Inquiry Into The Nature And Causes of The Wealth of Nations Book I

CHAPTER I OF THE DIVISION OF LABOUR CHAPTER II OF THE PRINCIPLE WHICH GIVES OCCASION TO THE DIVISION OF LABOUR CHAPTER III THAT THE DIVISION OF LABOUR IS LIMITED BY THE EXTENT OF THE MARKET CHAPTER IV OF THE ORIGIN AND USE OF MONEY CHAPTER V OF THE REAL AND NOMINAL PRICE OF COMMODITIES, OR OF THEIR PRICE IN LABOUR, AND THEIR PRICE IN MONEY CHAPTER VI OF THE COMPONENT PARTS OF THE PRICE OF COMMODITIES CHAPTER VII OF THE NATURAL AND MARKET PRICE OF COMMODITIES CHAPTER VIII OF THE WAGES OF LABOUR CHAPTER IX OF THE PROFIT OF STOCK CHAPTER X OF WAGES AND PROFIT IN THE DIFFERENT EMPLOYMENTS OF LABOUR AND STOCK CHAPTER XI OF THE RENT OF LAND

Book II

OF THE NATURE, ACCUMULATION, AND EMPLOYMENT OF STOCK INTRODUCTION CHAPTER I OF THE DIVISION OF STOCK CHAPTER II OF MONEY CONSIDERED AS A PARTICULAR BRANCH OF THE GENERAL STOCK OF THE SOCIETY, OR OF THE EXPENCE OF MAINTAINING THE NATIONAL CAPITAL CHAPTER III OF THE ACCUMULATION OF CAPITAL, OR OF PRODUCTIVE AND UNPRODUCTIVE LABOUR CHAPTER IV OF STOCK LENT AT INTEREST CHAPTER V OF THE DIFFERENT EMPLOYMENT OF CAPITALS

Book III

OF THE DIFFERENT PROGRESS OF OPULENCE IN DIFFERENT NATIONS CHAPTER I OF THE NATURAL PROGRESS OF OPULENCE

Book IV

OF SYSTEMS OF POLITICAL ŒCONOMY INTRODUCTION CHAPTER I OF THE PRINCIPLE OF THE COMMERCIAL OR MERCANTILE SYSTEM CHAPTER II OF RESTRAINTS UPON THE IMPORTATION FROM FOREIGN COUNTRIES OF SUCH GOODS AS CAN BE PRODUCED AT HOME CHAPTER III OF THE EXTRAORDINARY RESTRAINTS UPON THE IMPORTATION OF GOODS OF ALMOST ALL KINDS, FROM THOSE COUNTRIES WITH WHICH THE BALANCE IS SUPPOSED TO BE DISADVANTAGEOUS CHAPTER IV OF DRAWBACKS CHAPTER V OF BOUNTIES CHAPTER VI OF TREATIES OF COMMERCE CHAPTER VII OF COLONIES CHAPTER VIII CONCLUSION OF THE MERCANTILE SYSTEM CHAPTER IX OF THE AGRICULTURAL SYSTEMS, OR OF THE SYSTEMS OF POLITICAL ŒCONOMY, WHICH REPRESENT THE PRODUCE OF LAND AS EITHER THE SOLE OR THE PRINCIPAL SOURCE OF THE REVENUE AND WEALTH OF EVERY COUNTRY

Book V

OF THE REVENUE OF THE SOVEREIGN OR COMMONWEALTH CHAPTER I OF THE EXPENCES OF THE SOVEREIGN OR COMMONWEALTH CHAPTER II OF THE SOURCES OF THE GENERAL OR PUBLIC REVENUE OF THE SOCIETY CHAPTER III OF PUBLIC DEBTS

The Harvard Classics Vol. 11: Origin of the Species by Charles Darwin

Contents Introductory Note An Historical Sketch of The Progress of Opinion On The Origin of Species

INTRODUCTION

Origin of Species

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV GLOSSARY OF THE PRINCIPAL SCIENTIFIC TERMS USED IN THE PRESENT VOLUME

The Harvard Classics Vol. 12: Plutarch’s Lives

Contents Introductory Note Themistocles Pericles Aristides Alcibiades Coriolanus Comparison of Alcibiades With Coriolanus Demosthenes Cicero Comparison of Demosthenes And Cicero Cæsar Antony

The Harvard Classics Vol. 13: Virgil’s Aeneid, Translated by John Dryden

Contents Introductory Note

DEDICATION

Virgil’s Aeneid

THE FIRST BOOK OF THE ÆNEIS THE SECOND BOOK OF THE ÆNEIS THE THIRD BOOK OF THE ÆNEIS THE FOURTH BOOK OF THE ÆNEIS THE FIFTH BOOK OF THE ÆNEIS THE SIXTH BOOK OF THE ÆNEIS THE SEVENTH BOOK OF THE ÆNEIS THE EIGHTH BOOK OF THE ÆNEIS THE NINTH BOOK OF THE ÆNEIS THE TENTH BOOK OF THE ÆNEIS THE ELEVENTH BOOK OF THE ÆNEIS THE TWELFTH BOOK OF THE ÆNEIS POSTSCRIPT TO THE READER

The Harvard Classics Vol. 14: Don Quixote, part 1 by Miguel Cervantes

Contents Introductory Note

TRANSLATOR’S DEDICATION THE AUTHOR’S PREFACE TO THE READER SONNETS

The Delightful History of The Most Ingenious Knight Don Quixote of The Mancha The First Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII

The Second Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

The Third Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII

The Fourth Book

The Harvard Classics Vol. 15: Pilgrim’s Progress, Walton’s Biographies of Donne and Herbert

Contents Introductory Note

THE AUTHOR’S APOLOGY FOR HIS BOOK

The Pilgrim’s Progress

THE CONCLUSION THE PILGRIM’S PROGRESS THE SECOND PART THE AUTHOR’S WAY OF SENDING FORTH HIS SECOND PART OF THE PILGRIM THE PILGRIM’S PROGRESS IN THE SIMILITUDE OF A DREAM THE SECOND PART THE AUTHOR’S VINDICATION OF HIS PILGRIM

The Life of Dr. Donne

INTRODUCTORY NOTE THE LIFE OF DR. DONNE AN HYMN TO MR. GEORGE HERBERT GEORGE HERBERT AN HYMN TO GOD, MY GOD, IN MY SICKNESS JOHANNES DONNE,

The Life of Mr. George Herbert

INTRODUCTORY NOTE THE LIFE OF MR. GEORGE HERBERT

The Harvard Classics Vol. 16: Stories from The Thousand and One Nights

Contents Introductory Note

INTRODUCTION

Stories From The Thousand And One Nights

APPENDIX

The Harvard Classics Vol. 17: Folklore and Fable, Aesop, Grimm, Anderson

Contents Introductory Note Folk-Lore And Fable Æsop’s Fables

THE COCK AND THE PEARL THE WOLF AND THE LAMB THE DOG AND THE SHADOW THE LION’S SHARE THE WOLF AND THE CRANE THE MAN AND THE SERPENT THE TOWN MOUSE AND THE COUNTRY MOUSE THE FOX AND THE CROW THE SICK LION THE ASS AND THE LAPDOG THE LION AND THE MOUSE THE SWALLOW AND THE OTHER BIRDS THE FROGS DESIRING A KING THE MOUNTAINS IN LABOUR THE HARES AND THE FROGS THE WOLF AND THE KID THE WOODMAN AND THE SERPENT THE BALD MAN AND THE FLY THE FOX AND THE STORK THE FOX AND THE MASK THE JAY AND THE PEACOCK THE FROG AND THE OX ANDROCLES THE BAT, THE BIRDS, AND THE BEASTS THE HART AND THE HUNTER THE SERPENT AND THE FILE THE MAN AND THE WOOD THE DOG AND THE WOLF THE BELLY AND THE MEMBERS THE HART IN THE OX-STALL THE FOX AND THE GRAPES THE HORSE, HUNTER, AND STAG THE PEACOCK AND JUNO THE FOX AND THE LION THE LION AND THE STATUE THE ANT AND THE GRASSHOPPER THE TREE AND THE REED THE FOX AND THE CAT THE WOLF IN SHEEP’S CLOTHING THE DOG IN THE MANGER THE MAN AND THE WOODEN GOD THE FISHER THE SHEPHERD’S BOY THE YOUNG THIEF AND HIS MOTHER THE MAN AND HIS TWO WIVES THE NURSE AND THE WOLF THE TORTOISE AND THE BIRDS THE TWO CRABS THE ASS IN THE LION’S SKIN THE TWO FELLOWS AND THE BEAR THE TWO POTS THE FOUR OXEN AND THE LION THE FISHER AND THE LITTLE FISH AVARICIOUS AND ENVIOUS THE CROW AND THE PITCHER THE MAN AND THE SATYR THE GOOSE WITH THE GOLDEN EGG THE LABOURER AND THE NIGHTINGALE THE FOX, THE COCK, AND THE DOG THE WIND AND THE SUN HERCULES AND THE WAGGONER THE MAN, THE BOY, AND THE DONKEY THE MISER AND HIS GOLD THE FOX AND THE MOSQUITOES THE FOX WITHOUT A TAIL THE ONE-EYED DOE BELLING THE CAT THE HARE AND THE TORTOISE THE OLD MAN AND DEATH THE HARE WITH MANY FRIENDS THE LION IN LOVE THE BUNDLE OF STICKS THE LION, THE FOX, AND THE BEASTS THE ASS’S BRAINS THE EAGLE AND THE ARROW THE MILKMAID AND HER PAIL THE CAT-MAIDEN THE HORSE AND THE ASS THE TRUMPETER TAKEN PRISONER THE BUFFOON AND THE COUNTRYMAN THE OLD WOMAN AND THE WINE-JAR THE FOX AND THE GOAT

Grimm’s Household Tales

INTRODUCTORY NOTE FOLK-LORE AND FABLE GRIMM’S TALES THE FROG-KING, OR IRON HENRY OUR LADY’S CHILD THE WOLF AND THE SEVEN LITTLE KIDS FAITHFUL JOHN THE PACK OF RAGAMUFFINS RAPUNZEL THE THREE LITTLE MEN IN THE WOOD THE THREE SPINNERS HÄNSEL AND GRETHEL THE FISHERMAN AND HIS WIFE THE VALIANT LITTLE TAILOR CINDERELLA MOTHER HOLLE THE SEVEN RAVENS LITTLE RED-CAP THE BREMEN TOWN-MUSICIANS THE GIRL WITHOUT HANDS CLEVER ELSIE THUMBLING THUMBLING AS JOURNEYMAN THE SIX SWANS LITTLE BRIAR-ROSE FUNDEVOGEL KING THRUSHBEARD LITTLE SNOW-WHITE RUMPELSTILTSKIN THE THREE FEATHERS THE GOLDEN GOOSE ALLERLEIRAUH THE WOLF AND THE FOX HANS IN LUCK THE GOOSE-GIRL THE PEASANT’S WISE DAUGHTER THE SPIRIT IN THE BOTTLE BEARSKIN THE WILLOW-WREN AND THE BEAR WISE FOLKS THE SHROUD THE TWO KINGS’ CHILDREN THE SEVEN SWABIANS ONE-EYE, TWO-EYES, AND THREE-EYES SNOW-WHITE AND ROSE-RED

Tales From Hans Christian Andersen

INTRODUCTORY NOTE FOLK-LORE AND FABLE ANDERSEN’S TALES THE UGLY DUCKLING THE SWINEHERD THE EMPEROR’S NEW CLOTHES THE LITTLE SEA-MAID THE ELFIN MOUND THE WILD SWANS THE GARDEN OF PARADISE THE CONSTANT TIN SOLDIER THE DAISY THE NIGHTINGALE THE STORKS THE DARNING-NEEDLE THE SHADOW THE RED SHOES LITTLE IDA’S FLOWERS THE ANGEL THE FLYING TRUNK THE TINDER-BOX THE BUCKWHEAT THE BELL

The Harvard Classics Vol. 18: Modern English Drama

Contents Introductory Note

DEDICATION PREFACE PROLOGUE

All For Love Or The World Well Lost

ACT I ACT II ACT III ACT IV ACT V EPILOGUE

The School For Scandal

INTRODUCTORY NOTE A PORTRAIT PROLOGUE THE SCHOOL FOR SCANDAL ACT FIRST ACT SECOND ACT THIRD ACT FOURTH ACT FIFTH EPILOGUE

She Stoops To Conquer

INTRODUCTORY NOTE PROLOGUE SHE STOOPS TO CONQUER OR THE MISTAKES OF A NIGHT ACT THE FIRST ACT THE SECOND ACT THE THIRD ACT THE FOURTH ACT THE FIFTH

The Cenci

INTRODUCTORY NOTE DEDICATION PREFACE THE CENCI ACT I ACT II ACT III ACT IV ACT V

A Blot In The ’Scutcheon

INTRODUCTORY NOTE A BLOT IN THE ’SCUTCHEON ACT I ACT II ACT III

Manfred

INTRODUCTORY NOTE MANFRED ACT I ACT II ACT III

The Harvard Classics Vol. 19: Johann Wolfgang von Goethe & Christopher Marlowe

Contents Introductory Note Johann Wolfgang Von Goethe & Christopher Marlowe

DEDICATION PROLOGUE FOR THE THEATRE PROLOGUE IN HEAVEN PART I THE TRAGICAL HISTORY OF DR. FAUSTUS INTRODUCTORY NOTE THE TRAGICAL HISTORY OF DR. FAUSTUS EGMONT INTRODUCTORY NOTE EGMONT ACT II ACT III ACT IV ACT V HERMANN AND DOROTHEA INTRODUCTORY NOTE HERMANN AND DOROTHEA CALLIOPE TERPSICHORE THALIA EUTERPE POLYHYMNIA CLIO ERATO MELPOMENE URANIA

The Harvard Classics Vol. 20: The Divine Comedy by Dante

Contents Introductory Note The Divine Comedy Inferno [Hell]

CANTO I CANTO II CANTO III CANTO IV CANTO V CANTO VI CANTO VII CANTO VIII CANTO IX CANTO X CANTO XI CANTO XII CANTO XIII CANTO XIV CANTO XV CANTO XVI CANTO XVII CANTO XVIII CANTO XIX CANTO XX CANTO XXI CANTO XXII CANTO XXIII CANTO XXIV CANTO XXV CANTO XXVI CANTO XXVII CANTO XXVIII CANTO XXIX CANTO XXX CANTO XXXI CANTO XXXII CANTO XXXIII CANTO XXXIV

Purgatory

Paradise

Glossary

The Harvard Classics Vol. 21: I Promessi Sposi by Alessandro Manzoni

Contents Introductory Note I Promessi Sposi

The Harvard Classics Vol. 22: The Odyssey of Homer

Contents Introductory Note

EPIGRAM

The Odyssey

BOOK I BOOK II BOOK III BOOK IV BOOK V BOOK VI BOOK VII BOOK VIII BOOK IX BOOK X BOOK XI BOOK XII BOOK XIII BOOK XIV BOOK XV BOOK XVI BOOK XVII BOOK XVIII BOOK XIX BOOK XX BOOK XXI BOOK XXII BOOK XXIII BOOK XXIV CONCLUDING SONNET

The Harvard Classics Vol. 23: Two Years Before the Mast

Contents Introductory Note

PREFACE

Two Years Before The Mast

The Harvard Classics Vol. 24: Edmund Burke

Contents General Introduction

PREFACE

On Taste

INTRODUCTORY DISCOURSE A PHILOSOPHICAL INQUIRY INTO THE ORIGIN OF OUR IDEAS OF THE SUBLIME AND BEAUTIFUL WITH SEVERAL OTHER ADDITIONS INTRODUCTORY NOTE

The Sublime And Beautiful Part I

SECTION I—NOVELTY SECTION II—PAIN AND PLEASURE SECTION III—THE DIFFERENCE BETWEEN THE REMOVAL OF PAIN, AND POSITIVE PLEASURE SECTION IV—OF DELIGHT AND PLEASURE AS OPPOSED TO EACH OTHER SECTION V—JOY AND GRIEF SECTION VI—OF THE PASSIONS WHICH BELONG TO SELF-PRESERVATION SECTION VII—OF THE SUBLIME SECTION VIII—OF THE PASSIONS WHICH BELONG TO SOCIETY SECTION IX—THE FINAL CAUSE OF THE DIFFERENCE BETWEEN THE PASSIONS BELONGING TO SELF-PRESERVATION AND THOSE WHICH REGARD THE SOCIETY OF THE SEXES SECTION X—OF BEAUTY SECTION XI—SOCIETY AND SOLITUDE SECTION XII—SYMPATHY, IMITATION, AND AMBITION SECTION XIII—SYMPATHY SECTION XIV—THE EFFECTS OF SYMPATHY IN THE DISTRESSES OF OTHERS SECTION XV—OF THE EFFECTS OF TRAGEDY SECTION XVI—IMITATION SECTION XVII—AMBITION SECTION XVIII—THE RECAPITULATION SECTION XIX—THE CONCLUSION

Part II

SECTION I—OF THE PASSION CAUSED BY THE SUBLIME SECTION II—TERROR SECTION III—OBSCURITY SECTION IV—OF THE DIFFERENCE BETWEEN CLEARNESS AND OBSCURITY WITH REGARD TO THE PASSIONS SECTION [IV]—THE SAME SUBJECT CONTINUED SECTION V—POWER SECTION VI—PRIVATION SECTION VII—VASTNESS SECTION VIII—INFINITY SECTION IX—SUCCESSION AND UNIFORMITY SECTION X—MAGNITUDE IN BUILDING SECTION XI—INFINITY IN PLEASING OBJECTS SECTION XII—DIFFICULTY SECTION XIII—MAGNIFICENCE SECTION XIV—LIGHT SECTION XV—LIGHT IN BUILDING SECTION XVI—COLOUR CONSIDERED AS PRODUCTIVE OF THE SUBLIME SECTION XVII—SOUND AND LOUDNESS SECTION XVIII—SUDDENNESS SECTION XIX—INTERMITTING SECTION XX—THE CRIES OF ANIMALS SECTION XXI—SMELL AND TASTE. BITTERS AND STENCHES SECTION XXII—FEELING. PAIN

Part III

SECTION I—OF BEAUTY SECTION II—PROPORTION NOT THE CAUSE OF BEAUTY IN VEGETABLES SECTION III—PROPORTION NOT THE CAUSE OF BEAUTY IN ANIMALS SECTION IV—PROPORTION NOT THE CAUSE OF BEAUTY IN THE HUMAN SPECIES SECTION V—PROPORTION FURTHER CONSIDERED SECTION VI—FITNESS NOT THE CAUSE OF BEAUTY SECTION VII—THE REAL EFFECTS OF FITNESS SECTION VIII—THE RECAPITULATION SECTION IX—PERFECTION NOT THE CAUSE OF BEAUTY SECTION X—HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO THE QUALITIES OF THE MIND SECTION XI—HOW FAR THE IDEA OF BEAUTY MAY BE APPLIED TO VIRTUE SECTION XII—THE REAL CAUSE OF BEAUTY SECTION XIII—BEAUTIFUL OBJECTS SMALL SECTION XIV—SMOOTHNESS SECTION XV—GRADUAL VARIATION SECTION XVI—DELICACY SECTION XVII—BEAUTY IN COLOUR SECTION XVIII—RECAPITULATION SECTION XIX—THE PHYSIOGNOMY SECTION XX—THE EYE SECTION XXI—UGLINESS SECTION XXII—GRACE SECTION XXIII—ELEGANCE AND SPECIOUSNESS SECTION XXIV—THE BEAUTIFUL IN FEELING SECTION XXV—THE BEAUTIFUL IN SOUNDS SECTION XXVI—TASTE AND SMELL SECTION XXVII—THE SUBLIME AND BEAUTIFUL COMPARED

Part IV

SECTION I—OF THE EFFICIENT CAUSE OF THE SUBLIME AND BEAUTIFUL SECTION II—ASSOCIATION SECTION III—CAUSE OF PAIN AND FEAR SECTION IV—CONTINUED SECTION V—HOW THE SUBLIME IS PRODUCED SECTION VI—HOW PAIN CAN BE A CAUSE OF DELIGHT SECTION VII—EXERCISE NECESSARY FOR THE FINER ORGANS SECTION VIII—WHY THINGS NOT DANGEROUS PRODUCE A PASSION LIKE TERROR SECTION IX—WHY VISUAL OBJECTS OF GREAT DIMENSIONS ARE SUBLIME SECTION X—UNITY, WHY REQUISITE TO VASTNESS SECTION XI—THE ARTIFICIAL INFINITE SECTION XII—THE VIBRATIONS MUST BE SIMILAR SECTION XIII—THE EFFECTS OF SUCCESSION IN VISUAL OBJECTS EXPLAINED SECTION XIV—LOCKE’S OPINION CONCERNING DARKNESS CONSIDERED SECTION XV—DARKNESS TERRIBLE IN ITS OWN NATURE SECTION XVI—WHY DARKNESS IS TERRIBLE SECTION XVII—THE EFFECTS OF BLACKNESS SECTION XVIII—THE EFFECTS OF BLACKNESS MODERATED SECTION XIX—THE PHYSICAL CAUSE OF LOVE SECTION XX—WHY SMOOTHNESS IS BEAUTIFUL SECTION XXI—SWEETNESS, ITS NATURE SECTION XXII—SWEETNESS, RELAXING SECTION XXIII—VARIATION, WHY BEAUTIFUL SECTION XXIV—CONCERNING SMALLNESS SECTION XXV—OF COLOUR

Part V

SECTION I—OF WORDS SECTION II—THE COMMON EFFECTS OF POETRY, NOT BY RAISING IDEAS OF THINGS SECTION III—GENERAL WORDS BEFORE IDEAS SECTION IV—THE EFFECT OF WORDS SECTION V—EXAMPLES THAT WORDS MAY AFFECT WITHOUT RAISING IMAGES SECTION VI—POETRY NOT STRICTLY AN IMITATIVE ART SECTION VII—HOW WORDS INFLUENCE THE PASSIONS

Reflections On The Revolution In France

INTRODUCTORY NOTE REFLECTIONS ON THE REVOLUTION IN FRANCE IN A LETTER

A Letter From The Right Hon. Edmund Burke To A Noble Lord

INTRODUCTORY NOTE A LETTER FROM THE RIGHT HON. EDMUND BURKE TO A NOBLE LORD

The Harvard Classics Vol. 25: John Stuart Mill and Thomas Carlyle

Contents Introductory Note Autobiography John Stuart Mill

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

On Liberty

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V

Characteristics

INTRODUCTORY NOTE CHARACTERISTICS

Inaugural Address At Edinburgh University Sir Walter Scott

The Harvard Classics Vol. 26: Continental Drama

Contents Introductory Note Life Is A Dream

ACT I

Polyeucte

INTRODUCTORY NOTE POLYEUCTE ACT I

Phædra

INTRODUCTORY NOTE PHÆDRA

Tartuffe Or The Hypocrite

INTRODUCTORY NOTE TARTUFFE ACT I

Minna Von Barnhelm Or The Soldier’s Fortune

INTRODUCTORY NOTE MINNA VON BARNHELM

Wilhelm Tell By Johann Christoph Freidrich Von Schiller

INTRODUCTORY NOTE WILHELM TELL

The Harvard Classics Vol. 27: English Essays: Sidney to MacAulay

Contents Introductory Note The Defense of Poesy On Shakespeare On Bacon

INTRODUCTORY NOTE BEN JONSON ON SHAKESPEARE BEN JONSON ON BACON

Of Agriculture

INTRODUCTORY NOTE OF AGRICULTURE

The Vision of Mizra And Westminster Abbey

INTRODUCTORY NOTE THE VISION OF MIRZA

Westminster Abbey The Spectator Club

INTRODUCTORY NOTE THE SPECTATOR CLUB

Hints Towards An Essay On Conversation

INTRODUCTORY NOTE HINTS TOWARDS AN ESSAY ON CONVERSATION

A Treatise On Good Manners And Good Breeding A Letter of Advice To A Young Poet On The Death of Esther Johnson The Shortest-Way With The Dissenters

INTRODUCTORY NOTE THE SHORTEST-WAY WITH THE DISSENTERS

The Education of Women Life of Addison

INTRODUCTORY NOTE LIFE OF ADDISON

Of The Standard of Taste

INTRODUCTORY NOTE OF THE STANDARD OF TASTE

Fallacies of Anti-Reformers

INTRODUCTORY NOTE FALLACIES OF ANTI-REFORMERS

On Poesy Or Art

INTRODUCTORY NOTE ON POESY OR ART

Of Persons One Would Wish To Have Seen

INTRODUCTORY NOTE OF PERSONS ONE WOULD WISH TO HAVE SEEN

Deaths of Little Children On The Realities of Imagination

INTRODUCTORY NOTE DEATHS OF LITTLE CHILDREN

On The Realities of Imagination On The Tragedies of Shakspere

INTRODUCTORY NOTE ON THE TRAGEDIES OF SHAKESPEARE

Levana And Our Ladies of Sorrow

INTRODUCTORY NOTE LEVANA AND OUR LADIES OF SORROW

A Defence of Poetry

INTRODUCTORY NOTE A DEFENCE OF POETRY

Machiavelli

INTRODUCTORY NOTE MACHIAVELLI

The Harvard Classics Vol. 28: Essays English and American

Contents Introductory Note Jonathan Swift The Idea of A University

THE IDEA OF A UNIVERSITY I. WHAT IS A UNIVERSITY? II. SITE OF A UNIVERSITY III. UNIVERSITY LIFE AT ATHENS

The Study of Poetry

INTRODUCTORY NOTE THE STUDY OF POETRY1

Sesame And Lilies

INTRODUCTORY NOTE LECTURE I.—SESAME LECTURE II.—LILIES19

John Milton

INTRODUCTORY NOTE JOHN MILTON

Science And Culture

INTRODUCTORY NOTE SCIENCE AND CULTURE

Race And Language

INTRODUCTORY NOTE RACE AND LANGUAGE

Truth of Intercourse

INTRODUCTORY NOTE TRUTH OF INTERCOURSE

Samuel Pepys On The Elevation of The Laboring Classes

INTRODUCTORY NOTE INTRODUCTORY REMARKS ON THE ELEVATION OF THE LABORING CLASSES LECTURE II

The Poetic Principle

INTRODUCTORY NOTE THE POETIC PRINCIPLE

Walking

INTRODUCTORY NOTE WALKING

The Old Marlborough Road Abraham Lincoln Democracy

INTRODUCTORY NOTE ABRAHAM LINCOLN DEMOCRACY INAUGURAL ADDRESS ON ASSUMING THE PRESIDENCY OF THE BIRMINGHAM AND MIDLAND INSTITUTE, BIRMINGHAM, ENGLAND, 6 OCTOBER, 1884

The Harvard Classics Vol. 29: Voyage of the Beagle by Charles Darwin

Contents Introductory Note

PREFACE

The Voyage of The Beagle

The Harvard Classics Vol. 30: Scientific Papers by Faraday, Helmholtz, Kelvin, Newcomb, etc.

Contents Introductory Note The Forces of Matter, Delivered Before A Juvenile Auditory At The Royal Institution of Great Britain During The Christmas Holidays of 1859–60

LECTURE I. THE FORCE OF GRAVITATION LECTURE II. GRAVITATION—COHESION LECTURE III. COHESION—CHEMICAL AFFINITY LECTURE IV. CHEMICAL AFFINITY—HEAT LECTURE V. MAGNETISM—ELECTRICITY LECTURE VI. THE CORRELATION OF THE PHYSICAL FORCES

The Chemical History of A Candle

LECTURE I. A CANDLE: THE FLAME—ITS SOURCES—STRUCTURE—MOBILITY—BRIGHTNESS LECTURE II. A CANDLE: BRIGHTNESS OF THE FLAMES—AIR NECESSARY FOR COMBUSTION—PRODUCTION OF WATER LECTURE III. PRODUCTS: WATER FROM THE COMBUSTION—NATURE OF WATER—A COMPOUND—HYDROGEN LECTURE IV. HYDROGEN IN THE CANDLE—BURNS INTO WATER—THE OTHER PART OF WATER—OXYGEN LECTURE V. OXYGEN PRESENT IN THE AIR—NATURE OF THE ATMOSPHERE—ITS PROPERTIES—OTHER PRODUCTS FROM THE CANDLE—CARBONIC ACID—ITS PROPERTIES LECTURE VI. CARBON OR CHARCOAL—COAL-GAS—RESPIRATION AND ITS ANALOGY TO THE BURNING OF A CANDLE—CONCLUSION

On The Conservation of Force Ice And Glaciers

INTRODUCTORY NOTE ON THE CONSERVATION OF FORCE INTRODUCTION TO A SERIES OF LECTURES DELIVERED AT CARLSRUHE IN THE WINTER OF 1862–1863 ICE AND GLACIERS A LECTURE DELIVERED AT FRANKFORT-ON-THE-MAIN, AND AT HEIDELBERG, IN FEBRUARY, 1865 ADDITIONS

The Wave Theory of Light The Tides

INTRODUCTORY NOTE THE WAVE THEORY OF LIGHT [A LECTURE DELIVERED AT THE ACADEMY OF MUSIC, PHILADELPHIA, UNDER THE AUSPICES OF THE FRANKLIN INSTITUTE, SEPTEMBER 29TH, 1884] THE TIDES [EVENING LECTURE TO THE BRITISH ASSOCIATION AT THE SOUTHAMPTON MEETING, FRIDAY, AUGUST 25TH, 1882] THE TIDES APPENDIX A

The Extent of The Universe

INTRODUCTORY NOTE THE EXTENT OF THE UNIVERSE

Geographical Evolution

INTRODUCTORY NOTE GEOGRAPHICAL EVOLUTION

The Harvard Classics Vol. 31: The Autobiography of Benvenuto Cellini

Contents Introductory Note Benvenuto Cellini’s Autobiography Book First

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI Just then I met with Federigo Ginori, a young man of a very lofty spirit. He had lived some years in Naples, and being endowed with great charms of person and presence, had been the lover of a Neapolitan princess. He wanted to have a medal made, with Atlas bearing the world upon his shoulders, and applied to Michel Agnolo for a design. Michel Agnolo made this answer: “Go and find out a young goldsmith named Benvenuto; he will serve you admirably, and certainly he does not stand in need of sketches by me. However, to prevent your thinking that I want to save myself the trouble of so slight a matter, I will gladly sketch you something; but meanwhile speak to Benvenuto, and let him also make a model; he can then execute the better of the two designs.” Federigo Ginori came to me, and told me what he wanted, adding thereto how Michel Agnolo had praised me, and how he had suggested I should make a waxen model while he undertook to supply a sketch. The words of that great man so heartened me, that I set myself to work at once with eagerness upon the model; and when I had finished it, a painter who was intimate with Michel Agnolo, called Giuliano Bugiardini, brought me the drawing of Atlas.On the same occasion I showed Giuliano my little model in wax, which was very different from Michel Agnolo’s drawing; and Federigo, in concert with Bugiardini, agreed that I should work upon my model. So I took it in hand, and when Michel Agnolo saw it, he praised me to the skies. This was a figure, as I have said, chiselled on a plate of gold; Atlas had the heaven upon his back, made out of a crystal ball, engraved with the zodiac upon a field of lapis-lazuli. The whole composition produced an indescribably fine effect; and under it ran the legend Summa tulisse juvat!3 Federigo was so thoroughly well pleased that he paid me very liberally. Aluigi Alamanni was at that time in Florence. Federigo Ginori, who enjoyed his friendship, brought him often to my workshop, and through this introduction we became very intimate together.XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX At the proper hour, toward nightfall, I had him buried with due ceremony in the church of the Florentines; and afterwards I erected to his memory a very handsome monument of marble, upon which I caused trophies and banners to be carved. I must not omit to mention that one of his friends had asked him who the man was that had killed him, and if he could recognise him; to which he answered that he could, and gave his description. My brother, indeed, attempted to prevent this coming to my ears; but I got it very well impressed upon my mind, as will appear in the sequel.L LI LII LIII I went on working assiduously at the button, and at the same time laboured for the Mint, when certain pieces of false money got abroad in Rome, stamped with my own dies. They were brought at once to the Pope, who, hearing things against me, said to Giacopo Balducci, the Master of the Mint, “Take every means in your power to find the criminal; for we are sure that Benvenuto is an honest fellow.” That traitor of a master, being in fact my enemy, replied: “Would God, most blessed Father, that it may turn out as you say; for we have some proofs against him.” Upon this the Pope turned to the Governor of Rome, and bade him see he found the malefactor. During those days the Pope sent for me, and leading cautiously in conversation to the topic of the coins, asked me at the fitting moment: “Benvenuto, should you have the heart to coin false money?” To this I replied that I thought I could do so better than all the rascals who gave their minds to such vile work; for fellows who practice lewd trades of that sort are not capable of earning money, nor are they men of much ability. I, on the contrary, with my poor wits could gain enough to keep me comfortably; for when I set dies for the Mint, each morning before dinner I put at least three crowns into my pocket; this was the customary payment for the dies, and the Master of the Mint bore me a grudge, because he would have liked to have them cheaper; so then, what I earned with God’s grace and the world’s, sufficed me, and by coining false money I should not have made so much. The pope very well perceived my drift; and whereas he had formerly given orders that they should see I did not fly from Rome, he now told them to look well about and have no heed of me, seeing he was ill-disposed to anger me, and in this way run the risk of losing me. The officials who received these orders were certain clerks of the Camera, who made the proper search, as was their duty, and soon found the rogue. He was a stamper in the service of the Mint, named Cesare Macherone, and a Roman citizen. Together with this man they detected a metal-founder of the Mint.LIV LV When I had nearly finished my piece, there happened that terrible inundation which flooded the whole of Rome.I waited to see what would happen; the day was well-nigh spent, for the clocks struck twenty-two and the water went on rising formidably. Now the front of my house and shop faced the Banchi, but the back was several yards higher, because it turned toward Monte Giordano; accordingly, bethinking me first of my own safety and in the next place of my honour, I filled my pockets with the jewels, and gave the gold-piece into the custody of my workmen, and then descended barefoot from the back-windows, and waded as well as I could until I reached Monte Cavallo. There I sought out Messer Giovanni Gaddi, clerk of the Camera, and Bastiano Veneziano, the painter. To the former I confided the precious stones, to keep in safety: he had the same regard for me as though I had been his brother. A few days later, when the rage of the river was spent, I returned to my workshop, and finished the piece with such good fortune, through God’s grace and my own great industry, that it was held to be the finest masterpiece which had been ever seen in Rome.When then I took it to the Pope, he was insatiable in praising me, and said: “Were I but a wealthy emperor, I would give my Benvenuto as much land as his eyes could survey; yet being nowadays but needy bankrupt potentates, we will at any rate give him bread enough to satisfy his modest wishes.” I let the Pope run on to the end of his rhodomontade,3 and then asked him for a mace-bearer’s place which happened to be vacant. He replied that he would grant me something of far greater consequence. I begged his Holiness to bestow this little thing on me meanwhile by way of earnest. He began to laugh, and said he was willing, but that he did not wish me to serve, and that I must make some arrangement with the other mace-bearers to be exempted. He would allow them through me a certain favour, for which they had already petitioned, namely, the right of recovering their fees at law. This was accordingly done, and that mace-bearer’s office brought me in little less than 200 crowns a year.LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI LXXII LXXIII LXXIV LXXV LXXVI LXXVII LXXVIII LXXIX LXXX Two days afterward I brought some drawings which his Excellency had commissioned for gold-work he wanted to give his wife, who was at that time still in Naples.I again asked him to settle my affairs. Then his Excellency told me that he should like me first to execute the die of his portrait in fine style, as I had done for Pope Clement. I began it in wax; and the Duke gave orders, while I was at work upon it, that whenever I went to take his portrait, I should be admitted. Perceiving that I had a lengthy piece of business on my hands, I sent for a certain Pietro Pagolo from Monte Ritondo, in the Roman district, who had been with me from his boyhood in Rome.I found him with one Bernardonaccio,8 a goldsmith, who did not treat him well; so I brought him away from there, and taught him minutely how to strike coins from those dies. Meanwhile, I went on making the Duke’s portrait; and oftentimes I found him napping after dinner with that Lorenzino of his, who afterwards murdered him, and no other company; and much I marvelled that a Duke of that sort showed such confidence about his safety.LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI This bad turn had been done me by Giorgetto Vassellario of Arezzo,2 the painter; perchance in recompense for many benefits conferred on him. I had harboured him in Rome and provided for his costs, while he had turned my whole house upside down; for the man was subject to a species of dry scab, which he was always in the habit of scratching with his hands. It happened, then, that sleeping in the same bed as an excellent workman, named Manno, who was in my service, when he meant to scratch himself, he tore the skin from one of Manno’s legs with his filthy claws, the nails of which he never used to cut. The said Manno left my service, and was resolutely bent on killing him. I made the quarrel up, and afterwards got Giorgio into Cardinal de’ Medici’s household, and continually helped him. For these deserts, then, he told Duke Alessandro that I had abused his Excellency, and had bragged I meant to be the first to leap upon the walls of Florence with his foes the exiles. These words, as I afterwards learned, had been put into Vasari’s lips by that excellent fellow,3 Ottaviano de’ Medici, who wanted to revenge himself for the Duke’s irritation against him, on account of the coinage and my departure from Florence. I, being innocent of the crime falsely ascribed to me, felt no fear whatever. Meanwhile that able physician Francesco da Monte Varchi attended to my cure with great skill. He had been brought by my very dear friend Luca Martini, who passed the larger portion of the day with me.LXXXVII LXXXVIII LXXXIX The following day Bettini came to my shop and said: “There is no need to spend money in couriers, for you know things before they happen. What spirit tells them to you?” Then he informed me that Cosimo de’ Medici, the son of Signor Giovanni, was made Duke; but that certain conditions had been imposed at his election, which would hold him back from kicking up his heels at his own pleasure. I now had my opportunity for laughing at them, and saying: “Those men of Florence have set a young man upon a mettlesome horse; next they have buckled spurs upon his heels, and put the bridle freely in his hands, and turned him out upon a magnificent field, full of flowers and fruits and all delightful things; next they have bidden him not to cross certain indicated limits: now tell me, you, who there is that can hold him back, whenever he has but the mind to cross them? Laws cannot be imposed on him who is the master of the law.” So they left me alone, and gave me no further annoyance.XC XCI XCII On this I took my leave; and the Pope praised me in the presence of his household, among whom was the fellow Latino Juvenale, whom I have previously mentioned. This man, having become my enemy, assiduously strove to do me hurt; and noticing that the Pope talked of me with so much affection and warmth, he put in his word: “There is no doubt at all that Benvenuto is a person of very remarkable genius; but while every one is naturally bound to feel more goodwill for his own countrymen than for others, still one ought to consider maturely what language it is right and proper to use when speaking of a Pope. He has had the audacity to say that Pope Clement indeed was the handsomest sovereign that ever reigned, and no less gifted; only that luck was always against him: and he says that your Holiness is quite the opposite; that the tiara seems to weep for rage upon your head; that you look like a truss of straw with clothes on, and that there is nothing in you except good luck.” These words, reported by a man who knew most excellently how to say them, had such force that they gained credit with the Pope. Far from having uttered them, such things had never come into my head. If the Pope could have done so without losing credit, he would certainly have taken fierce revenge upon me; but being a man of great tact and talent, he made a show of turning it off with a laugh. Nevertheless he harboured in his heart a deep vindictive feeling against me, of which I was not slow to be aware, since I had no longer the same easy access to his apartments as formerly, but found the greatest difficulty in procuring audience. As I had now for many years been familiar with the manners of the Roman court, I conceived that some one had done me a bad turn; and on making dexterous inquiries, I was told the whole, but not the name of my calumniator. I could not imagine who the man was; had I but found him out, my vengeance would not have been measured by troy weight.XCIII XCIV XCV XCVI XCVII XCVIII XCIX C CI CII CIII CIV I had secured the attachment of all the guards and many soldiers of the castle. Now the Pope used to come at times to sup there, and on those occasions no watch was kept, but the place stood open like an ordinary palace. Consequently, while the Pope was there, the prisoners used to be shut up with great precautions; none such, however, were taken with me, who had the license to go where I liked, even at those times, about it precincts. Often then those soldiers told me that I ought to escape, and that they would aid and abet me, knowing as they did how greatly I had been wronged. I answered that I had given my parole to the castellan, who was such a worthy man, and had done me such kind offices. One very brave and clever soldier used to say to me: “My Benvenuto, you must know that a prisoner is not obliged, and cannot be obliged, to keep faith, any more than aught else which befits a free man. Do what I tell you; escape from that rascal of a Pope and that bastard his son, for both are bent on having your life by villainy.” I had, however, made my mind up rather to lose my life than to break the promise I had given that good man the castellan. So I bore the extreme discomforts of my situation, and had for companion of misery a friar of the Palavisina house, who was a very famous preacher.CV CVI CVII CVIII CIX CX CXI CXII CXIII CXIV CXV CXVI CXVII CXVIII CXIX CXX CXXI CXXII CXXIII CXXIV CXXV CXXVI CXXVII CXXVIII

Second Book

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX When he left me, he returned and told his Majesty, who laughed awhile, and then said: “Now I wish him to know my object in sending those letters of naturalisation. Go and install him lord of the castle of the Little Nello, where he lives, and which is a part of my demesne, He will know what that means better than he understood about the letters of naturalisation.” A messenger brought me the patent, upon which I wanted to give him a gratuity. He refused to accept it, saying that his Majesty had so ordered. These letters of naturalisation, together with the patent for the castle, I brought with me when I returned to Italy; wherever I go and wherever I may end my days, I shall endeavour to preserve them.XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV Meanwhile, I completed my work in a style which did me the greatest credit. Next I set about to cast it in bronze. This entailed some difficulties, to relate which would be interesting from the point of view of art; but since the whole history would occupy too much space, I must omit it. Suffice it to say, that the figure came out splendidly, and was as fine a specimen of foundry as had ever been seen.XXXVI XXXVII XXXVIII XXXIX XL This hint was enough for me, and next morning I had recourse to arms; and though the job cost me some trouble, I enjoyed it. Each day that followed, I made an attack with stones, pikes and arquebuses, firing, however, without ball; nevertheless, I inspired such terror that no one dared to help my antagonist. Accordingly, when I noticed one day that his defence was feeble, I entered the house by force, and expelled the fellow, turning all his goods and chattels into the street. Then I betook me to the King, and told him that I had done precisely as his Majesty had ordered, by defending myself against every one who sought to hinder me in his service. The King laughed at the matter, and made me out new letters-patent to secure me from further molestation.XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII When I returned to my inn, I found that the Duke had sent me abundance to eat and drink of very excellent quality. I made a hearty meal, then mounted and rode toward Florence. There I found my sister with six daughters, the eldest of whom was marriageable and the youngest still at nurse. Her husband, by reason of divers circumstances in the city, had lost employment from his trade. I had sent gems and French jewellery, more than a year earlier, to the amount of about two thousand ducats, and now brought with me the same wares to the value of about one thousand crowns. I discovered that, whereas I made them an allowance of four golden crowns a month, they always drew considerable sums from the current sale of these articles. My brother-in-law was such an honest fellow, that, fearing to give me cause for anger, he had pawned nearly everything he possessed, and was devoured by interest, in his anxiety to leave my monies untouched. It seems that my allowance, made by way of charity, did not suffice for the needs of the family. When then I found him so honest in his dealings, I felt inclined to raise his pension; and it was my intention, before leaving Florence, to make some arrangement for all of his daughters.LIII LIV LV LVI LVII LVIII LIX LX LXI LXII LXIII LXIV LXV LXVI LXVII LXVIII LXIX LXX LXXI The fellow could not stand quiet to hear the damning errors of his Cacus in their turn enumerated. For one thing, I was telling the truth; for another, I was unmasking him to the Duke and all the people present, who showed by face and gesture first their surprise, and next their conviction that what I said was true. All at once he burst out: “Ah, you slanderous tongue! why don’t you speak about my design?” I retorted: “A good draughtsman can never produce bad works; therefore I am inclined to believe that your drawing is no better than your statues.” When he saw the amused expression on the Duke’s face and the cutting gestures of the bystanders, he let his insolence get the better of him, and turned to me with that most hideous face of his, screaming aloud: “Oh, hold your tongue, you ugly . . .”1 At these words the Duke frowned, and the others pursed their lips up and looked with knitted grows toward him. The horrible affront half maddened me with fury; but in a moment I recovered presence of mind enough to turn it off with a jest; “You madman! you exceed the bounds of decency. Yet would to God that I understood so noble an art as you allude to; they say that Jove used it with Ganymede in paradise, and here upon this earth it is practised by some of the greatest emperors and kings. I, however, am but a poor humble creature, who neither have the power nor the intelligence to perplex my wits with anything so admirable.” When I had finished this speech, the Duke and his attendants could control themselves no longer, but broke into such shouts of laughter that one never heard the like. You must know, gentle readers, that though I put on this appearance of pleasantry, my heart was bursting in my body to think that a fellow, the foulest villain who ever breathed, should have dared in the presence of so great a prince to cast an insult of that atrocious nature in my teeth; but you must also know that he insulted the Duke, and not me; for had I not stood in that august presence, I should have felled him dead to earth. When the dirty stupid scoundrel observed that those gentlemen kept on laughing, he tried to change the subject, and divert them from deriding him; so he began as follows: “This fellow Benvenuto goes about boasting that I have promised him a piece of marble.” I took him up at once. “What! did you not send to tell me by your journeyman, Francesco, that if I wished to work in marble you would give me a block? I accepted it, and mean to have it.” He retorted: “Be very well assured that you will never get it.” Still smarting as I was under the calumnious insults he had flung at me, I lost my self-control, forgot I was in the presence of the Duke, and called out in a storm of fury: “I swear to you that if you do not send the marble to my house, you had better look out for another world, for if you stay upon this earth I will most certainly rip the wind out of your carcass.Then suddenly awaking to the fact that I was standing in the presence of so great a duke, I turned submissively to his Excellency and said: “My lord, one fool makes a hundred; the follies of this man have blinded me for a moment to the glory of your most illustrious Excellency and to myself. I humbly crave your pardon.” Then the Duke said to Bandinello: “Is it true that you promised him the marble?” He replied that it was true. Upon this the Duke addressed me: “Go to the Opera, and choose a piece according to your taste.” I demurred that the man had promised to sent it home to me. The words that passed between us were awful, and I refused to take the stone in any other way. Next morning a piece of marble was brought to my house. On asking who had sent it, they told me it was Bandinello, and that this was the very block which he had promised.LXXII LXXIII LXXIV LXXV LXXVI LXXVII LXXVIII Having now ascertained how successfully my work had been accomplished, I lost no time in hurrying to Pisa, where I found the Duke. He gave me a most gracious reception, as did also the Duchess; and although the majordomo had informed them of the whole proceedings, their Excellencies deemed my performance far more stupendous and astonishing when they heard the tale from my own mouth. When I arrived at the foot of Perseus, and said it had not come out perfect, just as I previously warned his Excellency, I saw an expression of wonder pass over his face, while he related to the Duchess how I had predicted this beforehand. Observing the princes to be so well disposed towards me, I begged leave from the Duke to go to Rome. He granted it in most obliging terms, and bade me return as soon as possible to complete his Perseus; giving me letters of recommendation meanwhile to his ambassador, Averardo Serristori. We were then in the first years of Pope Giulio de Monti.LXXIX LXXX LXXXI LXXXII LXXXIII LXXXIV LXXXV LXXXVI LXXXVII LXXXVIII LXXXIX Both the incident and the verses went the round of the palace, giving the Duke and Duchess much amusement. But, before the man himself knew what I had been up to, crowds of people stopped to read the lines and laughed immoderately at them. Since they were looking towards the mint and fixing their eyes on Bernardone, his son, Maestro Baccio, taking notice of their gestures, tore the paper down with fury. The elder bit his thumb, shrieking threats out with that hideous voice of his, which comes forth through his nose; indeed he made a brave defiance.XC XCI XCII XCIII XCIV XCV XCVI XCVII XCVIII XCIX C CI CII CIII CIV CV CVI CVII CVIII CIX CX CXI CXII CXIII

The Harvard Classics Vol. 32: Literary and Philosophical Essays

Contents Introductory Note

THE AUTHOR TO THE READER

That We Should Not Judge of Our Happiness Until After Our Death That To Philosophise Is To Learne How To Die Of The Institution And Education of Children

TO THE LADIE DIANA OF FOIX, COUNTESSE OF GURSON

Of Friendship Of Bookes Montaigne What Is A Classic?

INTRODUCTORY NOTE MONTAIGNE WHAT IS A CLASSIC?

The Poetry of The Celtic Races

INTRODUCTORY NOTE THE POETRY OF THE CELTIC RACES I II III IV V VI

The Education of The Human Race

INTRODUCTORY NOTE THE EDUCATION OF THE HUMAN RACE

Letters Upon The Æsthetic Education of Man

INTRODUCTORY NOTE LETTERS UPON THE ÆSTHETIC EDUCATION OF MAN LETTER I LETTER II LETTER III LETTER IV LETTER V LETTER VI LETTER VII LETTER VIII LETTER IX LETTER X LETTER XI LETTER XII LETTER XIII LETTER XIV LETTER XV LETTER XVI LETTER XVII LETTER XVIII LETTER XIX LETTER XX LETTER XXI LETTER XXII LETTER XXIII LETTER XXIV LETTER XXV LETTER XXVI LETTER XXVII

Fundamental Principles of The Metaphysic of Morals

INTRODUCTORY NOTE PREFACE

Fundamental Principles of The Metaphysic of Morals

FIRST SECTION TRANSITION FROM THE COMMON RATIONAL KNOWLEDGE OF MORALITY TO THE PHILOSOPHICAL SECOND SECTION TRANSITION FROM POPULAR MORAL PHILOSOPHY TO THE METAPHYSIC OF MORALS THIRD SECTION TRANSITION FROM THE METAPHYSIC OF MORALS TO THE CRITIQUE OF PURE PRACTICAL REASON

Byron And Goethe

INTRODUCTORY NOTE BYRON AND GOETHE

The Harvard Classics Vol. 33: Voyages and Travels

Contents Introductory Note An Account of Egypt

BEING THE SECOND BOOK OF HIS HISTORIES CALLED EUTERPE

Tacitus On Germany

INTRODUCTORY NOTE TACITUS ON GERMANY

Sir Francis Drake Revived

INTRODUCTORY NOTE SIR FRANCIS DRAKE REVIVED

Sir Francis Drake’s Famous Voyage Round The World Drake’s Great Armada

INTRODUCTION DRAKE’S GREAT ARMADA

Sir Humphrey Gilbert’s Voyage To Newfoundland

INTRODUCTORY NOTE SIR HUMPHREY GILBERT’S VOYAGE TO NEWFOUNDLAND

The Discovery of Guiana

INTRODUCTORY NOTE DEDICATION TO THE READER THE DISCOVERY3 OF GUIANA4

The Harvard Classics Vol. 34: French and English Philosophers (Descartes, Rousseau, Voltaire, Hobbes)

Contents Introductory Note

PREFATORY NOTE BY THE AUTHOR

Discourse On The Method of Rightly Conducting The Reason And Seeking The Truth In The Sciences

PART I PART II PART III PART IV PART V PART VI

Letters On The English

INTRODUCTORY NOTE LETTERS ON THE ENGLISH LETTER I LETTER II LETTER III LETTER IV LETTER V LETTER VI LETTER VII LETTER VIII LETTER IX LETTER X LETTER XI LETTER XII LETTER XIII LETTER XIV LETTER XV LETTER XVII LETTER XVIII LETTER XIX LETTER XX LETTER XXI LETTER XXII LETTER XXIII LETTER XXIV

On The Inequality Among Mankind

INTRODUCTORY NOTE QUESTION PROPOSED BY THE ACADEMY OF DIJON

A Discourse Upon The Origin And The Foundation of The Inequality Among Mankind

DISCOURSE FIRST PART SECOND PART

Profession of Faith of A Savoyard Vicar

INTRODUCTION PROFESSION OF FAITH OF A SAVOYARD VICAR

Of Man,

INTRODUCTORY NOTE INTRODUCTION

Of Man, Being The First Part of Leviathan

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI

The Harvard Classics Vol. 35: Chronicle and Romance

Contents Introductory Note The Campaign of Crecy

HOW THE KING OF ENGLAND CAME OVER THE SEA AGAIN, TO RESCUE THEM IN AIGUILLON HOW THE KING OF ENGLAND RODE IN THREE BATTLES THROUGH NORMANDY OF THE GREAT ASSEMBLY THAT THE FRENCH KING MADE TO RESIST THE KING OF ENGLAND OF THE BATTLE OF CAEN, AND HOW THE ENGLISHMEN TOOK THE TOWN HOW SIR GODFREY OF HARCOURT FOUGHT WITH THEM OF AMIENS BEFORE PARIS HOW THE FRENCH KING FOLLOWED THE KING OF ENGLAND IN BEAUVOISINOIS OF THE BATTLE OF BLANCHE-TAQUE BETWEEN THE KING OF ENGLAND AND SIR GODEMAR DU FAY OF THE ORDER OF THE ENGLISHMEN AT CRESSY, AND HOW THEY MADE THREE BATTLES AFOOT THE ORDER OF THE FRENCHMEN AT CRESSY, AND HOW THEY BEHELD THE DEMEANOUR OF THE ENGLISHMEN OF THE BATTLE OF CRESSY BETWEEN THE KING OF ENGLAND AND THE FRENCH KING HOW THE NEXT DAY AFTER THE BATTLE THE ENGLISHMEN DISCOMFITED DIVERS FRENCHMEN HOW THE NEXT DAY AFTER THE BATTLE OF CRESSY THEY THAT WERE DEAD WERE NUMBERED BY THE ENGLISHMEN

The Battle of Poitiers

Wat Tyler’s Rebellion

HOW THE COMMONS OF ENGLAND REBELLED AGAINST THE NOBLEMEN THE EVIL DEEDS THAT THESE COMMONS OF ENGLAND DID TO THE KING’S OFFICERS, AND HOW THEY SENT A KNIGHT TO SPEAK WITH THE KING HOW THE COMMONS OF ENGLAND ENTERED INTO LONDON, AND OF THE GREAT EVIL THAT THEY DID, AND OF THE DEATH OF THE BISHOP OF CANTERBURY AND DIVERS OTHER HOW THE NOBLES OF ENGLAND WERE IN GREAT PERIL TO HAVE BEEN DESTROYED, AND HOW THESE REBELS WERE PUNISHED AND SENT HOME TO THEIR OWN HOUSES

The Battle of Otterburn

HOW THE EARL DOUGLAS WON THE PENNON OF SIR HENRY PERCY AT THE BARRIERS BEFORE NEWCASTLE-UPON-TYNE, AND HOW THE SCOTS BRENT THE CASTLE OF PONTLAND, AND HOW SIR HENRY PERCY AND SIR RALPH HIS BROTHER TOOK ADVICE TO FOLLOW THE SCOTS TO CONQUER AGAIN THE PENNON THAT WAS LOST AT THE SCRIMMISH HOW SIR HENRY PERCY AND HIS BROTHER WITH A GOOD NUMBER OF MEN OF ARMS AND ARCHERS WENT AFTER THE SCOTS, TO WIN AGAIN HIS PENNON THAT THE EARL DOUGLAS HAD WON BEFORE NEWCASTLE-UPON-TYNE, AND HOW THEY ASSAILED THE SCOTS BEFORE OTTERBURN IN THEIR LODGINGS HOW THE EARL JAMES DOUGLAS BY HIS VALIANTNESS ENCOURAGED HIS MEN, WHO WERE RECULED AND IN A MANNER DISCOMFITED, AND IN HIS SO DOING HE WAS WOUNDED TO DEATH HOW IN THIS BATTLE SIR RALPH PERCY WAS SORE HURT AND TAKEN PRISONER BY A SCOTTISH KNIGHT HOW THE SCOTS WON THE BATTLE AGAINST THE ENGLISHMEN BESIDE OTTERBURN, AND THERE WAS TAKEN PRISONERS SIR HENRY AND SIR RALPH PERCY, AND HOW AN ENGLISH SQUIRE WOULD NOT YIELD HIM, NO MORE WOULD A SCOTTISH SUIRE, AND SO DIED BOTH; AND HOW THE BISHOP OF DURHAM AND HIS COMPANY WERE DISCOMFITED AMONG THEMSELVES HOW SIR MATTHEW REDMEN DEPARTED FROM THE BATTLE TO SAVE HIMSELF; AND HOW SIR JAMES LINDSAY WAS TAKEN PRISONER BY THE BISHOP OF DURHAM; AND HOW AFTER THE BATTLE SCURRERS WERE SENT FORTH TO DISCOVER THE COUNTRY HOW THE SCOTS DEPARTED AND CARRIED WITH THEM THE EARL DOUGLAS DEAD, AND BURIED HIM IN THE ABBEY OF MELROSE; AND HOW SIR ARCHAMBAULT DOUGLAS AND HIS COMPANY DEPARTED FROM BEFORE CARLISLE AND RETURNED INTO SCOTLAND

The Holy Grail From The Book of King Arthur

INTRODUCTORY NOTE THE HOLY GRAIL

The Thirteenth Book

The Fourteenth Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

The Fifteenth Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

The Sixteenth Book

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII

The Seventeenth Book

A Description of Elizabethan England

INTRODUCTORY NOTE

A Description of Elizabethan England

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII I cannot make as yet any just report how many sorts of hawks are bred within this realm. Howbeit which of those that are usually had among us are disclosed within this land, I think it more easy and less difficult to set down. First of all, therefore, that we have the eagle common experience doth evidently confirm, and divers of our rocks whereon they breed, if speech did serve, could well declare the same. But the most excellent eyrie of all is not much from Chester, at a castle called Dinas Bren, sometime builded by Brennus, as our writers do remember. Certes this castle is no great thing, but yet a pile sometime very strong and inaccessible for enemies, though now all ruinous as many others are. It standeth upon a hard rock, in the side whereof an eagle breedeth every year. This also is notable in the overthrow of her nest (a thing oft attempted), that he which goeth thither must be sure of two large baskets, and so provide to be let down thereto, that he may sit in the one and be covered with the other: for otherwise the eagle would kill him and tear the flesh from his bones with her sharp talons, though his apparel were never so good. The common people call this fowl an erne; but, as I am ignorant whether the word eagle and erne do shew any difference of sex, I mean between the male and the female, so we have great store of them. And, near to the places where they breed, the commons complain of great harm to be done by them in their fields; for they are able to bear a young lamb or kid unto their nests, therewith to feed their young and come again for more. I was once of the opinion that there was a diversity of kind between the eagle and the erne, till I perceived that our nation used the word erne in most places for the eagle. We have also the lanner and the lanneret, the tersel and the goshawk, the musket and the sparhawk, the jack and the hobby, and finally some (though very few) marleons. And these are all the hawks that I do hear as yet to be bred within this island. Howbeit, as these are not wanting with us, so are they not very plentiful: wherefore such as delight in hawking do make their chief purveyance and provision for the same out of Danske, Germany, and the eastern countries, from whence we have them in great abundance and at excellent prices, whereas at home and where they be bred they are sold for almost right nought, and usually brought to the markets as chickens, pullets, and pigeons are with us, and there bought up to be eaten (as we do the aforesaid fowl) almost of every man. It is said that the sparhawk pryeth not upon the fowl in the morning, that she taketh over even, but as loath to have double benefit by one seelie fowl doth let it go to make some shift for itself. But hereof as I stand in some doubt. So this I find among the writers worthy the noting: that the sparhawk is enemy to young children, as is also the ape, but of the peacock she is marvellously afraid, and so appalled that all courage and stomach for a time is taken from her upon the sight thereof. But to proceed with the rest. Of other ravenous birds we have also very great plenty, as the buzzard, the kite, the ringtail, dunkite, and such as often annoy our country dames by spoiling of their young breeds of chickens, ducks, and goslings, whereunto our very ravens and crows have learned also the way: and so much are ravens given to this kind of spoil that some idle and curious heads of set purpose have manned, reclaimed, and used them instead of hawks, when other could not be had. Some do imagine that the raven should be the vulture, and I was almost persuaded in times past to believe the same; but, finding of late, a description of the vulture, which better agreeth with the form of a second kind of eagle, I freely surcease to be longer of that opinion: for, as it hath, after a sort, the shape, colour, and quantity of an eagle, so are the legs and feet more hairy and rough, their sides under their wings better covered with thick down (wherewith also their gorge or a part of their breast under their throats is armed, and not with feathers) than are the like parts of the eagle, and unto which portraiture there is no member of the raven (who is almost black of colour) that can have any resemblance: we have none of them in England to my knowledge; if we have, they go generally under the name of eagle or erne. Neither have we the pygargus or grip, wherefore I have no occasion to treat further. I have seen the carrion crows so cunning also by their own industry of late that they have used to soar over great rivers (as the Thames for example) and, suddenly coming down, have caught a small fish in their feet and gone away withal without wetting of their wings. And even at this present the aforesaid river is not without some of them, a thing (in my opinion) not a little to be wondered at. We have also ospreys, which breed with us in parks and woods, whereby the keepers of the same do reap in breeding time no small commodity; for, so soon almost as the young are hatched, they tie them to the butt ends or ground ends of sundry trees, where the old ones, finding them, do never cease to bring fish unto them, which the keepers take and eat from them, and commonly is such as is well fed or not of the worst sort. It hath not been my hap hitherto to see any of these fowl, and partly through mine own negligence; but I hear that it hath one foot like a hawk, to catch hold withal, and another resembling a goose, wherewith to swim; but, whether it be so or not so, I refer the further search and trial thereof unto some other. This nevertheless is certain, that both alive and dead, yea even her very oil, is a deadly terror to such fish as come within the wind of it. There is no cause whereof I should describe the cormorant amongst hawks, of which some be black and many pied, chiefly about the Isle of Ely, where they are taken for the night raven, except I should call him a water hawk. But, sith such dealing is not convenient, let us now see what may be said of our venomous worms, and how many kinds we have of them within our realm and country.CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII

The Harvard Classics Vol. 36: Machiavelli, More, Luther

Contents Introductory Note

DEDICATION

The Prince

The Life of Sir Thomas More Utopia

THE SECOND BOOK OF THE CITIES, AND NAMELY OF AMAUROTE OF THE MAGISTRATES OF SCIENCES, CRAFTS, AND OCCUPATION OF THEIR LIVING AND MUTUAL CONVERSATION TOGETHER OF THEIR JOURNEYING OR TRAVELLING ABROAD, WITH DIVERS OTHER MATTERS CUNNINGLY REASONED, AND WITTILY DISCUSSED OF BONDMEN, SICK PERSONS, WEDLOCK, AND DIVERS OTHER MATTERS OF WARFARE OF THE RELIGIONS IN UTOPIA

The Ninety-Five Theses Address To The German Nobility Concerning Christian Liberty

INTRODUCTORY NOTE INTRODUCTORY LETTER

The Ninety-Five Theses Disputation of Dr. Martin Luther Concerning Penitence And Indulgences

PROTESTATION DEDICATORY LETTER

Address To The Nobility

INTRODUCTION THE THREE WALLS OF THE ROMANISTS (A) THE FIRST WALL (B) THE SECOND WALL (C) THE THIRD WALL OF THE MATTERS TO BE CONSIDERED IN THE COUNCILS TWENTY-SEVEN ARTICLES RESPECTING THE REFORMATION OF THE CHRISTIAN ESTATE

Concerning Christian Liberty Letter of Martin Luther To Pope Leo X

CONCERNING CHRISTIAN LIBERTY

The Harvard Classics Vol. 37: The English Philosophers of the 17th and 18th Centuries

Contents Introductory Note

DEDICATION

Some Thoughts Concerning Education

SECTIONS 1–10 SECTIONS 11–20 SECTIONS 21–30 SECTIONS 31–40 SECTIONS 41–50 SECTIONS 51–60 SECTIONS 61–70 SECTIONS 71–80 SECTIONS 81–90 SECTIONS 91–100 SECTIONS 101–110 SECTIONS 111–120 SECTIONS 121–130 SECTIONS 131–140 SECTIONS 141–150 SECTIONS 151–160 SECTIONS 161–170 SECTIONS 171–180 SECTIONS 181–190 SECTIONS 191–200 SECTIONS 201–210 SECTIONS 211–217

Three Dialogues Between Hylas And Philonous, Etc.

INTRODUCTORY NOTE THREE DIALOGUES BETWEEN HYLAS AND PHILONOUS THE FIRST DIALOGUE THE SECOND DIALOGUE THE THIRD DIALOGUE

An Enquiry Concerning Human Understanding

INTRODUCTORY NOTE AN ENQUIRY CONCERNING HUMAN UNDERSTANDING SECTION I SECTION II Here, therefore, is a proposition, which not only seems, in itself, simple and intelligible; but, if a proper use were made of it, might render every dispute equally intelligible, and banish all that jargon, which has so long taken possession of metaphysical reasonings, and drawn disgrace upon them. All ideas, especially abstract ones, are naturally faint and obscure: the mind has but a slender hold of them: they are apt to be confounded with other resembling ideas; and when we have often employed any term, though without a distinct meaning, we are apt to imagine it has a determinate idea annexed to it. On the contrary, all impressions, that is, all sensations, either outward or inward, are strong and vivid: the limits between them are more exactly determined; nor is it easy to fall into any error or mistake with regard to them. When we entertain therefore, any suspicion that a philosophical term is employed without any meaning or idea (as is but too frequent), we need but enquire, from what impression is that supposed idea derived? And if it be impossible to assign any, this will serve to confirm our suspicion. By bringing ideas into so clear a light we may reasonably hope to remove all dispute, which may arise, concerning their nature and reality.SECTION III SECTION IV SECTION IV SECTION V SECTION V SECTION VI SECTION VII First, it seems to me that this theory of the universal energy and operation of the Supreme Being is too bold ever to carry conviction with it to a man, sufficiently apprized of the weakness of human reason, and the narrow limits to which it is confined in all its operations. Though the chain of arguments which conduct to it were ever so logical, there must arise a strong suspicion, if not an absolute assurance, that it has carried us quite beyond the reach of our faculties, when it leads to conclusions so extraordinary, and so remote from common life and experience. We are got into fairy land, long ere we have reached the last steps of our theory; and there we have no reason to trust our common methods of argument, or to think that our usual analogies and probabilities have any authority. Our line is too short to fathom such immense abysses. And however we may flatter ourselves that we are guided, in every step which we take, by a kind of verisimilitude and experience, we may be assured that this fancied experience has no authority when we thus apply it to subjects that lie entirely out of the sphere of experience. But on this we shall have occasion to touch afterwards.Secondly, I cannot perceive any force in the arguments on which this theory is founded. We are ignorant, it is true, of the manner in which bodies operate on each other: their force or energy is entirely incomprehensible: but are we not equally ignorant of the manner or force by which a mind, even the supreme mind, operates either on itself or on body? Whence, I beseech you, do we acquire any idea of it? We have no sentiment or consciousness of this power in ourselves. We have no idea of the Supreme Being but what we learn from reflection on our own faculties. Were our ignorance, therefore, a good reason for rejecting any thing, we should be led into that principle of denying all energy in the Supreme Being as much as in the grossest matter. We surely comprehend as little the operations of one as of the other. Is it more difficult to conceive that motion may arise from impulse than that it may arise from volition? All we know is our profound ignorance in both cases.SECTION VII SECTION VIII SECTION VIII SECTION IX SECTION X SECTION X SECTION XI SECTION XII SECTION XII SECTION XII

The Harvard Classics Vol. 38: Scientific Papers by Harvey, Jenner, Lister, Pasteur

Contents Introductory Note The Oath of Hippocrates The Law of Hippocrates Journeys In Diverse Places

INTRODUCTORY NOTE JOURNEYS IN DIVERSE PLACES THE JOURNEY TO TURIN. 1537 THE JOURNEY TO MAROLLE AND LOW BRITTANY. 1543 THE JOURNEY TO PERPIGNAN. 1543 THE JOURNEY TO LANDRESY. 1544 THE JOURNEY TO BOULOGNE. 1545 THE JOURNEY TO GERMANY. 1552 THE JOURNEY TO DANVILLIERS. 1552 THE JOURNEY TO CHATEAU LE COMTE. 1552 THE JOURNEY TO METZ. 1552 THE JOURNEY TO HESDIN. 1553 BATTLE OF SAINT QUENTIN. 1557 THE JOURNEY TO THE CAMP AT AMIENS. 1558 THE JOURNEY TO BOURGES. 1562 THE JOURNEY TO ROUEN. 1562 THE BATTLE OF DREUX. 1562 THE JOURNEY TO HAVRE DE GRACE. 1563 THE JOURNEY TO BAYONNE. 1564 BATTLE OF SAINT DENIS. 1567 VOYAGE OF THE BATTLE OF MONCONTOUR. 1569 THE JOURNEY TO FLANDERS. 1569

On The Motion of The Heart And Blood In Animals

INTRODUCTORY NOTE DEDICATION INTRODUCTION ON THE MOTION OF THE HEART AND BLOOD IN ANIMALS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII

The Three Original Publications On Vaccination Against Smallpox

INTRODUCTORY NOTE VACCINATION AGAINST SMALLPOX I II III

The Contagiousness of Puerperal Fever

INTRODUCTORY NOTE THE CONTAGIOUSNESS OF PUERPERAL FEVER ADDITIONAL REFERENCES AND CASES

On The Antiseptic Principle of The Practice of Surgery

INTRODUCTORY NOTE ON THE ANTISEPTIC PRINCIPLE OF THE PRACTICE OF SURGERY INTRODUCTORY NOTE AUTHOR’S PREFACE

The Physiological Theory of Fermentation The Germ Theory And Its Applications To Medicine And Surgery1 On The Extension of The Germ Theory To The Etiology of Certain Common Diseases1 Prejudices Which Have Retarded The Progress of Geology

INTRODUCTORY NOTE

The Progress of Geology1

Uniformity of Change

Terrasque, tractusque maris, cœlumque profundum.The Harvard Classics Vol. 39: Prefaces and Prologues to Famous Books

Contents Introductory Note Prefaces And Epilogues*

TITLE AND PROLOGUE TO BOOK I EPILOGUE TO BOOK II EPILOGUE TO BOOK III

Dictes And Sayings of The Philosophers

FIRST EDITION (1477). EPILOGUE

Golden Legend

FIRST EDITION (1483). PROLOGUE

Caton (1483)

PROLOGUE

Aesop (1483)

EPILOGUE

Chaucer’s Canterbury Tales

PROEM

Prologue To Malory’s King Arthur (1485)

PROLOGUE

Prologue To Eneydos (1490)

PROLOGUE

Dedication of The Institutes of The Christian Religion*

GENERAL SYLLABUS

Dedication of The Revolutions of The Heavenly Bodies*

TO POPE PAUL III

Preface To The History of The Reformation In Scotland* Prefatory Letter To Sir Walter Raleigh On The Faerie Queene* Preface To The History of The World* Proœmium, Epistle Dedicatory, Preface, And Plan of The Instauratio Magna, Etc.

FRANCIS OF VERULAM REASONED THUS WITH HIMSELF, EPISTLE DEDICATORY TO THE INSTAURATIO MAGNA PREFACE TO THE INSTAURATIO MAGNA THE PLAN OF THE INSTAURATIO MAGNA

Preface TO THE NOVUM ORGANUM Preface To The First Folio Edition of Shakespeare’s Plays* Preface To The Philosophiae Naturalis Principia Mathematica* Preface To Fables, Ancient And Modern* Preface To Joseph Andrews* Preface To The English Dictionary* Preface To Shakespeare Introduction To The Propyläen* Prefaces To Various Volumes of Poems Preface To Lyrical Ballads Appendix To Lyrical Ballads Preface To Poems Essay Supplementary To Preface Preface To Cromwell* Preface To Leaves of Grass* Introduction To The History of English Literature*

I II III IV V VI VIII VIII

The Harvard Classics Vol. 40–42: Complete English Poetry: Chaucer to Whitman (3 vols.)

Contents Introductory Note Geoffrey Chaucer Traditional Ballads Anonymous Sir Thomas Wyatt Henry Howard, Earl of Surrey George Gascoigne Nicholas Breton Anonymous Anthony Munday Richard Edwardes Sir Walter Raleigh Sir Edward Dyer John Lyly Sir Philip Sidney Thomas Lodge George Peele Robert Southwell Samuel Daniel Michael Drayton Henry Constable Edmund Spenser William Habington Christopher Marlowe Richard Rowlands Thomas Nashe William Shakespeare Robert Greene Richard Barnfield Thomas Campion Robert Devereux, Earl of Essex Sir Henry Wotton Edward De Vere, Earl of Oxford Ben Jonson John Donne Joshua Sylvester William Alexander, Earl of Stirling Richard Corbet Thomas Heywood Thomas Dekker Francis Beaumont John Fletcher John Webster Anonymous William Drummond George Wither William Browne (?) Robert Herrick Francis Quarles George Herbert Henry Vaughan Francis Bacon, Viscount St. Alban James Shirley Thomas Carew Sir John Suckling Sir William D’avenant Richard Lovelace Edmund Waller William Cartwright James Graham, Marquis of Montrose Richard Crashaw Thomas Jordan Abraham Cowley Alexander Brome Andrew Marvell Anonymous Earl of Rochester Sir Charles Sedley John Dryden Matthew Prior Isaac Watts Lady Grisel Baillie Joseph Addison Allan Ramsay John Gay Henry Carey Alexander Pope Ambrose Philips Colley Cibber James Thomson Thomas Gray George Bubb Dodington, Lord Melcombe William Collins George Sewell Alison Rutherford Cockburn Jane Elliot Christopher Smart Anonymous John Logan Henry Fielding Charles Dibdin Samuel Johnson Oliver Goldsmith Robert Graham of Gartmore Adam Austin William Cowper Richard Brinsley Sheridan Anna Laetitia Barbauld Isobel Pagan (?) Lady Anne Lindsay Thomas Chatterton Carolina Oliphant, Lady Nairne Alexander Ross John Skinner Michael Bruce George Halket William Hamilton of Bangour Hector Macneil Sir William Jones Susanna Blamire Anne Hunter John Dunlop Samuel Rogers William Blake John Collins Robert Tannahill William Wordsworth William Lisle Bowles Samuel Taylor Coleridge Robert Southey Charles Lamb Sir Walter Scott James Hogg Robert Surtees Thomas Campbell J. Campbell Allan Cunningham George Gordon, Lord Byron Thomas Moore Charles Wolfe Percy Bysshe Shelley James Henry Leigh Hunt John Keats Walter Savage Landor Thomas Hood Sir Aubrey De Vere Hartley Coleridge Joseph Blanco White George Darley Thomas Babington Macaulay, Lord Macaulay Sir William Edmondstoune Aytoun Hugh Miller Helen Selina, Lady Dufferin Charles Tennyson Turner Sir Samuel Ferguson Elizabeth Barrett Browning Edward Fitzgerald Alfred, Lord Tennyson Richard Monckton Milnes, Lord Houghton William Makepeace Thackeray Charles Kingsley J. Wilson (?) Robert Browning Emily Bronte Robert Stephen Hawker Coventry Patmore William (Johnson) Cory Sydney Dobell William Allingham George Mac Donald Edward, Earl of Lytton Arthur Hugh Clough Matthew Arnold George Meredith Alexander Smith Charles Dickens Thomas Edward Brown James Thomson (B. V.) Dante Gabriel Rossetti Christina Georgina Rossetti William Morris John Boyle O’reilly Arthur William Edgar O’shaughnessy Robert Williams Buchanan Algernon Charles Swinburne William Ernest Henley Robert Louis Stevenson William Cullen Bryant Edgar Allan Poe Ralph Waldo Emerson Henry Wadsworth Longfellow John Greenleaf Whittier Oliver Wendell Holmes James Russell Lowell Sindey Lanier Bret Harte Walt Whitman

The Harvard Classics Vol. 43: American Historical Documents

Contents Introductory Note American Historical Documents The Voyages To Vinland (C. 1000) The Letter of Columbus To Luis De Sant Angel Announcing His Discovery (1493) Amerigo Vespucci’s Account of His First Voyage (1497) John Cabot’s Discovery of North America (1497) First Charter of Virginia (1606) The Mayflower Compact (1620) The Fundamental Orders of Connecticut (1639) The Massachusetts Body of Liberties (1641) Arbitrary Government Described And The Government of The Massachusetts Vindicated From That Aspersion, By John Winthrop (1644) The Instrument of Government (1653) A Healing Question, By Sir Henry Vane. (1656) John Eliot’s Brief Narrative (1670) Declaration of Rights (1765) The Declaration of Independence (1776) The Mecklenburg Declaration of Independence (1775) Articles of Confederation (1777) Articles of Capitulation, Yorktown (1781) Treaty With Great Britain (1783) Constitution of The United States (1787) The Federalist, Nos. 1 And 2 (1787) For The Independent Journal The Federalist, No. I By Alexander Hamilton Opinion of Chief Justice Marshall, In The Case of Mcculloch Vs. The State of Maryland (1819) Washington’s First Inaugural Address (1789) Treaty With The Six Nations (1794) Washington’s Farewell Address (1796) Treaty With France (Louisiana Purchase) (1803) Treaty With Great Britain (End of War of 1812) (1814) Arrangement As To The Naval Force To Be Respectively Maintained On The American Lakes (1817) Treaty With Spain (Acquisition of Florida) (1819) The Monroe Doctrine (1823) Webster-Ashburton Treaty With Great Britain (1842) Treaty With Mexico (1848) Fugitive Slave Act (1850) Lincoln’s First Inaugural Address (1861) Emancipation Proclamation (1863) Haskell’s Account of The Battle of Gettysburg Lincoln’s Gettysburg Address (1863) Proclamation of Amnesty (1863) Lincoln’s Letter To Mrs. Bixby (1864) Terms of Lee’s Surrender At Appomattox (1865) Lee’s Farewell To His Army (1865) Lincoln’s Second Inaugural Address (1865) Proclamation Declaring The Insurrection At An End (1866) Treaty With Russia (Alaska Purchase) (1867) Annexation of The Hawaiian Islands (1898) Recognition of The Independence of Cuba (1898) Treaty With Spain (Cession of Porto Rico And The Philippines) (1898) Convention Between The United States And The Republic of Panama (1904)

The Harvard Classics Vol. 44 & 45: Complete Sacred Writings (2 vols.)

Contents Introductory Note The Sayings of Confucius The Book of Job

INTRODUCTORY NOTE THE BOOK OF JOB

The Book of Psalms

INTRODUCTORY NOTE THE BOOK OF PSALMS BOOK I BOOK II BOOK III BOOK IV BOOK V

Ecclesiastes Or, The Preacher

INTRODUCTORY NOTE ECCLESIASTES OR, THE PREACHER

The Gospel According To Luke

INTRODUCTORY NOTE THE GOSPEL ACCORDING TO LUKE

The Acts of The Apostles

INTRODUCTORY NOTE THE ACTS OF THE APOSTLES INTRODUCTORY NOTE THE FIRST EPISTLE OF PAUL TO THE CORINTHIANS THE SECOND EPISTLE OF PAUL TO THE CORINTHIANS

Hyms of The Christian Church

GREEK HYMNS LATIN HYMNS MODERN HYMNS

Buddhist Writings

INTRODUCTORY NOTE

I. The Buddha

THE BIRTH OF THE BUDDHA THE ATTAINMENT OF BUDDHASHIP FIRST EVENTS AFTER THE ATTAINMENT THE BUDDHA’S DAILY HABITS THE DEATH OF THE BUDDHA

Ii. The Doctrine

THERE IS NO EGO THE MIDDLE DOCTRINE KARMA FRUITFUL AND BARREN KARMA GOOD AND BAD KARMA REBIRTH IS NOT TRANSMIGRATION DEATH’S MESSENGERS THE DEVOTED WIFE THE HARE-MARK IN THE MOON THE WAY OF PURITY CONCENTRATION THE CONVERSION OF ANIMALS LOVE FOR ANIMALS SARIPUTTA AND THE TWO DEMONS THE SUMMUM BONUM THE TRANCE OF CESSATION THE ATTAINMENT OF NIRVANA

Iii. The Order

THE MENDICANT IDEAL “AND HATE NOT HIS FATHER AND MOTHER” THE STORY OF VISAKHA

The Bhagavad-Gita Or Song Celestial

INTRODUCTORY NOTE THE BHAGAVAD-GITA OR SONG CELESTIAL CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII

Chapters From The Koran

INTRODUCTORY NOTE THE CHAPTERS FROM THE KORAN CHAPTER FROM THE KORAN

The Harvard Classics Vol. 46 & 47: Complete Elizabethan Drama (2 vols.)

Contents Introductory Note Edward The Second The Tragedy of Hamlet Prince of Denmark

INTRODUCTORY NOTE THE TRAGEDY OF HAMLET PRINCE OF DENMARK

The Tragedy of King Lear

INTRODUCTORY NOTE THE TRAGEDY OF KING LEAR

The Tragedy of Macbeth

INTRODUCTORY NOTE THE TRAGEDY OF MACBETH

The Tempest

INTRODUCTORY NOTE THE TEMPEST EPILOGUE

The Shoemaker’s Holiday

INTRODUCTORY NOTE THE SHOEMAKER’S HOLIDAY

The Alchemist

INTRODUCTORY NOTE ARGUMENT PROLOGUE THE ALCHEMIST

Philaster Or Love Lies A-Bleeding

INTRODUCTORY NOTE

Philaster The Duchess of Malfi

INTRODUCTORY NOTE THE DUCHESS OF MALFI

A New Way To Pay Old Debts

INTRODUCTORY NOTE A NEW WAY TO PAY OLD DEBTS THE EPILOGUE

The Harvard Classics Vol. 48: Blaise Pascal: Thoughts, Letters, and Minor Works

Contents Introductory Note Pascal’s Thoughts

SECTION I SECTION II SECTION III SECTION IV SECTION V SECTION VI SECTION VII SECTION VIII SECTION IX SECTION X SECTION XI SECTION XII SECTION XIII SECTION XIV

Letters of Pascal Minor Works of Pascal

The Harvard Classics Vol. 49: Epic and Saga

Contents Introductory Note Beowulf

I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII

The Song of Roland

INTRODUCTORY NOTE THE SONG OF ROLAND PART I THE TREASON OF GANELON PART II THE PRELUDE OF THE GREAT BATTLE PART III THE REPRISALS

The Destruction of Dá Derga’s Hostel

INTRODUCTORY NOTE THE DESTRUCTION OF DÁ DERGA’S HOSTEL THE ROOM OF CORMAC CONDLONGAS THE ROOM OF CORMAC’S NINE COMRADES THE ROOM OF THE PICTS, THIS THE ROOM OF THE PIPERS THE ROOM OF CONAIRE’S MAJORDOMO THE ROOM OF MAC CECHT, CONAIRE’S BATTLE-SOLDIER THE ROOM OF CONAIRE’S THREE SONS, OBALL AND OBLIN AND CORPRE THE ROOM OF THE FOMORIANS THE ROOM OF MUNREMAR SON OF GERRCHENN AND BIRDERG SON OF RUAN AND MÁL SON OF TELBAND THE ROOM OF CONALL CERNACH THE ROOM OF CONAIRE HIMSELF THE ROOM OF THE REARGUARDS LE FRI FLAITH SON OF CONAIRE, WHOSE LIKENESS THIS IS THE ROOM OF THE CUPBEARERS THE ROOM OF TULCHINNE THE JUGGLER THE ROOM OF THE SWINEHERDS THE ROOM OF THE PRINCIPAL CHARIOTEERS THE ROOM OF CUSCRAD SON OF CONCHOBAR THE ROOM OF THE UNDER-CHARIOTEERS THE ROOM OF THE ENGLISHMEN THE ROOM OF THE EQUERRIES THE ROOM OF THE JUDGES THE ROOM OF THE HARPERS THE ROOM OF THE CONJURERS THE ROOM OF THE THREE LAMPOONERS THE ROOM OF THE BADBS THE ROOM OF THE KITCHENERS THE ROOM OF THE SERVANT-GUARDS THE ROOM OF THE KING’S GUARDSMEN THE ROOM OF NIA AND BRUTHNE, CONAIRE’S TWO WAITERS THE ROOM OF SENCHA AND DUBTHACH AND GOBNIU SON OF LURGNECH THE ROOM OF THE THREE MANX GIANTS THE ROOM OF DÁ DERGA THE ROOM OF THE THREE CHAMPIONS FROM THE ELFMOUNDS THE ROOM OF THE DOORWARDS THE ROOM OF FER CAILLE THE ROOM OF THE THREE SONS OF BÁLTHIS OF BRITAIN THE ROOM OF THE MIMES THE ROOM OF THE CUPBEARERS THE ROOM OF NÁR THE SQUINTER-WITH-THE-LEFT-EYE

The Story of The Volsungs And Niblungs

TRANSLATOR’S PREFACE THE STORY OF THE VOLSUNGS AND NIBLUNGS

Certain Songs From The Elder Edda

PART OF THE SECOND LAY OF HELGI HUNDING’S-BANE PART OF THE LAY OF SIGRDRIFA THE LAY CALLED THE SHORT LAY OF SIGURD THE HELL-RIDE OF BRYNHILD FRAGMENTS OF THE LAY OF BRYNHILD THE SECOND OR ANCIENT LAY OF GUDRUN THE SONG OF ATLI THE WHETTING OF GUDRUN THE LAY OF HAMDIR THE LAMENT OF ODDRUN

The Harvard Classics Vol. 50: Introduction, Reader’s Guide and Indexes

Contents The Editor’s Introduction To The Harvard Classics The Editor’s Second Introduction List of Volume Numbers As Designated In The Following Indexes Class I A The History of Civilization B Religion And Philosophy C Education D Science E Politics F Voyages And Travels G Criticism of Literature And The Fine Arts Class II A Drama B Biography And Letters C Essays D Narrative Poetry And Prose Fiction Chronological Index

The Harvard Classics Vol. 51: Lectures

Contents Introduction History

I. GENERAL INTRODUCTION II. ANCIENT HISTORY III. THE RENAISSANCE IV. THE FRENCH REVOLUTION V. THE TERRITORIAL DEVELOPMENT OF THE UNITED STATES

Poetry

I. GENERAL INTRODUCTION II. HOMER AND THE EPIC III. DANTE IV. THE POEMS OF JOHN MILTON and the best in succeeding generations have echoed the sentiment. Sceptics may question parts of Milton’s doctrine; but they will not easily shake its center, for that is embedded in the pertinacious moral convictions of the English peoples. The noblest American tradition, which founded the New England commonwealths, and from which to depart is a kind of betrayal of our inmost selves, is precisely that ideal of freedom from man’s dominion and conscientious obedience to God’s stern will, which is the very spirit of Milton. To commune with him is therefore to gain patriotic enlightenment as well as religious insight and poetical culture.V. THE ENGLISH ANTHOLOGY

Natural Science

I. GENERAL INTRODUCTION II. ASTRONOMY III. PHYSICS AND CHEMISTRY IV. THE BIOLOGICAL SCIENCES V. KELVIN ON “LIGHT” AND “THE TIDES”

Philosophy

I. GENERAL INTRODUCTION II. SOCRATES, PLATO, AND THE ROMAN STOICS III. THE RISE OF MODERN PHILOSOPHY IV. INTRODUCTION TO KANT V. EMERSON

Biography

I. GENERAL INTRODUCTION II. PLUTARCH III. BENVENUTO CELLINI IV. FRANKLIN AND WOOLMAN V. JOHN STUART MILL

Prose Fiction

I. GENERAL INTRODUCTION II. POPULAR PROSE FICTION III. MALORY IV. CERVANTES V. MANZONI

Criticism And The Essay

I. GENERAL INTRODUCTION II. WHAT THE MIDDLE AGES READ III. THEORIES OF POETRY IV. ÆSTHETIC CRITICISM IN GERMANY V. THE COMPOSITION OF A CRITICISM

Education

I. GENERAL INTRODUCTION II. FRANCIS BACON III. LOCKE AND MILTON These two essays were written some three hundred years ago. They reflect many customs, standards, and traditions foreign to modern thought. They name men and books most modern readers never heard of. Their authors were not even imbued with some of the most forward-looking conceptions and ideals of their own day. But, these things admitted, we must also admit that the essays are essentially fresh and valuable still—and profit by their wisdom if we can.IV. CARLYLE AND NEWMAN V. HUXLEY ON SCIENCE AND CULTURE

Political Science

I. GENERAL INTRODUCTION II. THEORIES OF GOVERNMENT IN THE RENAISSANCE III. ADAM SMITH AND THE “WEALTH OF NATIONS” IV. THE GROWTH OF THE AMERICAN CONSTITUTION V. LAW AND LIBERTY

Drama

I. GENERAL INTRODUCTION II. GREEK TRAGEDY III. THE ELIZABETHAN DRAMA IV. THE FAUST LEGEND And thus everything in the whole drama, all its incidents and all its characters, become episodes in the rounding out of this grand, all-comprehensive personality. Gretchen and Helena, Wagner and Mephisto, Homunculus and Euphorion, the Emperor’s court and the shades of the Greek past, the broodings of mediæval mysticism and the practical tasks of modern industrialism, the enlightened despotism of the eighteenth century and the ideal democracy of the future—all this and a great deal more enters into Faust’s being and is absorbed by him. He strides on from experience to experience, from task to task, expiating guilt by doing, losing himself, and finding himself again. Blinded in old age by Dame Care, he feels a new light kindled within. Dying, he gazes into a far future. And even in the heavenly regions he goes on ever changing into new and higher and finer forms. It is this irrepressible spirit of striving which makes Goethe’s “Faust” the Bible of modern humanity.V. MODERN ENGLISH DRAMA

Voyages And Travel

I. GENERAL INTRODUCTION II. HERODOTUS ON EGYPT III. THE ELIZABETHAN ADVENTURERS IV. THE ERA OF DISCOVERY This colonizing movement went hand in hand with the exploration of the interior. During the seventeenth century the Great Lakes and the Mississippi were traversed by the French voyageurs, while the hinterlands of the New England colonies were penetrated by the English fur traders. Missionaries followed in the footsteps of the traders and in due course the two chief colonizing powers of North America were using both as agents for enlarging their respective spheres of influence. Even before the earliest settlements were made to the westward of the Alleghenies, the initial skirmishes of a long struggle for the possession of these territories were taking place. The French colonists, though inferior in numbers and in material resources, were far more daring, more enterprising as explorers and as coureurs-des-bois, and more persevering than their southern neighbors—that is why the task of securing and enlarging the English frontiers proved so difficult. But in the end sheer numerical superiority determined the issue, and England, for the time being, became master of the whole area from the Atlantic to the Mississippi.V. DARWIN’S VOYAGE OF THE BEAGLE

Religion

I. GENERAL INTRODUCTION II. BUDDHISM III. CONFUCIANISM IV. GREEK RELIGION V. PASCAL

THE HARVARD FICTION COLLECTION [20 VOLUMES] The Harvard Fiction Vol. 1: The History of Tom Jones, vol. 1

Contents General Introduction To The Harvard Classics Shelf of Fiction The Novel In England

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

The History of Tom Jones A Foundling Book I

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII

Book II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

Book III

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

Book IV

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Book V

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

Book VI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Book VII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV

Book VIII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

The Harvard Fiction Vol. 2: The History of Tom Jones, vol. 2

Contents Book VIII—Continued

CHAPTER XV

Book IX

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Book X

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

Book XI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

Book XII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Book XIII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

Book XIV

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

Book XV

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

Book XVI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

Book XVII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

Book XVIII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER THE LAST

The Harvard Fiction Vol. 3: Laurence Sterne and Jane Austen

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

A Sentimental Journey Through France And Italy Pride And Prejudice

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS PRIDE AND PREJUDICE CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV CHAPTER LV CHAPTER LVI CHAPTER LVII CHAPTER LVIII CHAPTER LIX CHAPTER LX CHAPTER LXI

The Harvard Fiction Vol. 4: Guy Mannering

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS INTRODUCTION TO GUY MANNERING OR THE ASTROLOGER (1829) ADDITIONAL NOTE GALWEGIAN LOCALITIES AND PERSONAGES WHICH HAVE BEEN SUPPOSED TO BE ALLUDED TO IN THE NOVEL

Guy Mannering Or The Astrologer

The Harvard Fiction Vol. 5 Vanity Fair, vol. 1

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

A Novel Without A Hero

The Harvard Fiction Vol. 6 Vanity Fair, vol. 2

Contents Vanity Fair Part II

The Harvard Fiction Vol. 7: David Copperfield, vol. 1

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS PREFACE TO THE FIRST EDITION PREFACE TO THE “CHARLES DICKENS” EDITION

The Personal History And Experience of David Copperfield The Younger

The Harvard Fiction Vol. 8: David Copperfield, vol. 2

Contents The Personal History And Experience of David Copperfield The Younger

CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV CHAPTER LV CHAPTER LVI CHAPTER LVII CHAPTER LVIII CHAPTER LIX CHAPTER LX CHAPTER LXI CHAPTER LXII CHAPTER LXIII CHAPTER LXIV

The Harvard Fiction Vol. 9: The Mill on the Floss

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

The Mill On The Floss Book I

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII

Book II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Book III

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

Book IV

CHAPTER I CHAPTER II CHAPTER III

Book V

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Book VI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Book VII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V

The Harvard Fiction Vol. 10: American Fiction

Contents Fiction In America The Scarlet Letter Rappaccini’s Daughter

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS INTRODUCTORY TO “THE SCARLET LETTER” THE SCARLET LETTER CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV

Rappaccini’s Daughter Rip Van Winkle The Legend of Sleepy Hollow

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS RIP VAN WINKLE

The Legend of Sleepy Hollow

POSTSCRIPT

Eleonora The Fall of The House of Usher The Purloined Letter

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS ELEONORA THE FALL OF THE HOUSE OF USHER THE PURLOINED LETTER

The Luck of Roaring Camp The Outcasts of Poker Flat The Idyl of Red Gulch

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS THE LUCK OF ROARING CAMP* THE OUTCASTS OF POKER FLAT* THE IDYL OF RED GULCH*

Jim Smily And His Jumping Frog

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS JIM SMILY AND HIS JUMPING FROG

The Man Without A Country

BIOGRAPHICAL NOTE CRITICISM AND INTERPRETATION THE MAN WITHOUT A COUNTRY

The Harvard Fiction Vol. 11: The Portrait of a Lady

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS THE PORTRAIT OF A LADY CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV CHAPTER XLVI CHAPTER XLVII CHAPTER XLVIII CHAPTER XLIX CHAPTER L CHAPTER LI CHAPTER LII CHAPTER LIII CHAPTER LIV CHAPTER LV

The Harvard Fiction Vol. 12: Notre Dame de Paris

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

Notre Dame De Paris Book I

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

Book II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Book III

CHAPTER I CHAPTER II

Book IV

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

Book V

CHAPTER I CHAPTER II

Book VI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V

Book VII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII

Book VIII

CHAPTER I CHAPTER II CHAPTER III CHAPTER V CHAPTER VI

Book IX

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

Book X

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Book XI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER I, “THE GREAT HALL,” BEGAN THUS IN THE MANUSCRIPT:

The Harvard Fiction Vol. 13: French Fiction

Contents The Novel In France Old Goriot

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS OLD GORIOT

The Devil’s Pool

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS AUTHOR’S PREFACE THE AUTHOR TO THE READER THE DEVIL’S POOL CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI APPENDIX CHAPTER I CHAPTER II CHAPTER III CHAPTER IV

The Story of A White Blackbird

BIOGRAPHICAL NOTE CRITICISM AND INTERPRETATION THE STORY OF A WHITE BLACKBIRD CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

The Siege of Berlin, The Last Class, The Child Spy, The Game of Billiards, The Bad Zouave

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS THE SIEGE OF BERLIN THE LAST CLASS THE STORY OF A LITTLE ALSATIAN THE CHILD SPY THE GAME OF BILLIARDS THE BAD ZOUAVE

Walter Schnaffs’ Adventure, Two Friends, The Cripple

BIOGRAPHICAL NOTE CRITICISM AND INTERPRETATION WALTER SCHNAFFS’ ADVENTURE TWO FRIENDS THE CRIPPLE

The Harvard Fiction Vol. 14: Wilhelm Meister’s Apprenticeship

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS TRANSLATOR’S PREFACE LIST OF CHARACTERS

Wilhelm Meister’s Apprenticeship Book I

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII

Book II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Book III

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

Book IV

Book V

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI

Book VI Book VII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX

Book VIII

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X

The Harvard Fiction Vol. 15: German Fiction

Contents The Novel In Germany The Sorrows of Werther

CRITICISM AND INTERPRETATION THE SORROWS OF WERTHER BOOK I BOOK II THE EDITOR TO THE READER

The Banner of The Upright Seven

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS THE BANNER OF THE UPRIGHT SEVEN

The Rider On The White Horse

BIOGRAPHICAL NOTE CRITICISM AND INTERPRETATION THE RIDER ON THE WHITE HORSE

Trials And Tribulations

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS TRIALS AND TRIBULATIONS CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI

The Harvard Fiction Vol. 16: Anna Karenin, vol. 1

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

Anna Karenin Part I

Part II

Part III

Part IV

The Harvard Fiction Vol. 17: Anna Karenin, vol. 2 and Ivan the Fool

Contents Anna Karenin Part V

Part VI

Part VII

Part VIII

Ivan The Fool

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

The Harvard Fiction Vol. 18: Crime and Punishment

Contents Biographical Note

CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS

Crime And Punishment Part I

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Part II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII

Part III

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

Part IV

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI

Part V

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V

Part VI

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII

Epilogue

I II

The Harvard Fiction Vol. 19: A House of Gentlefolk, Fathers and Children, by Ivan Turgenev

Contents The Novel In Russia A House of Gentlefolk

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS LIST OF CHARACTERS A HOUSE OF GENTLEFOLK CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII CHAPTER XXIX CHAPTER XXX CHAPTER XXXI CHAPTER XXXII CHAPTER XXXIII CHAPTER XXXIV CHAPTER XXXV CHAPTER XXXVI CHAPTER XXXVII CHAPTER XXXVIII CHAPTER XXXIX CHAPTER XL CHAPTER XLI CHAPTER XLII CHAPTER XLIII CHAPTER XLIV CHAPTER XLV EPILOGUE

Fathers And Children

LIST OF CHARACTERS FATHERS AND CHILDREN CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV CHAPTER XVI CHAPTER XVII CHAPTER XVIII CHAPTER XIX CHAPTER XX CHAPTER XXI CHAPTER XXII CHAPTER XXIII CHAPTER XXIV CHAPTER XXV CHAPTER XXVI CHAPTER XXVII CHAPTER XXVIII

The Harvard Fiction Vol. 20: Pepita Jimenez, A Happy Boy, and Skipper Worse

Contents The Novel In Spain

BIOGRAPHICAL NOTE CRITICISM AND INTERPRETATION LIST OF CHARACTERS AUTHOR’S PREFACE TO THE FIRST AMERICAN EDITION

Pepita Jiménez Part I Part II

CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV

Part III

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS A HAPPY BOY CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII

Skipper Worse

BIOGRAPHICAL NOTE CRITICISMS AND INTERPRETATIONS SKIPPER WORSE CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV CHAPTER XV

Index of Authors Index of Titles

ILLUSTRATIONS

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