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Index
Title Page
Contents
Introduction
Chronology
The Plays
Lindbergh’s Flight
The Baden-Baden Lesson on Consent
He Said Yes/He Said No
Later additions and substitutions by Brecht
He Said No
The Decision
Textual variants
The Mother
The Exception and the Rule
The Horatians and the Curiatians
St Joan of the Stockyards
Notes and Variants
Lindbergh’s Flight
Texts by Brecht, Hindemith and the organisers
From a letter to Ernst Hardt
Music for radio
To be projected
Introductory speech
Note to the text
Explanatory notes
To the South German Radio, Stuttgart
Prologue, to be spoken before broadcasting ‘The Ocean Flight’
Editorial Notes
The Baden-Baden lesson on Consent
Texts by Brecht and Hindemith
About the ‘Lehrstück’
Music for amateurs
Programme of the premiere
Introduction to Hindemith’s piano score
Note
Note to the text printed in Versucbe 2
Editorial Notes
He Said Yes/He Said No
Texts by Brecht, Waley, Weill, Hauptmann
Note to the text
Note on Taniko and Ikeniye
From an interview with Elisabeth Hauptmann
From an interview with Kurt Weill
Weill on his school opera
From a report of discussions about He Said Yes at the Karl Marx School, Neukólln
Editorial Notes
The message of agreement
From Hauptmann’s translation to the double text
The order of events
The Decision
Texts by Brecht and Eisler
Note to the text
Open letter to the Artistic Board of the ‘Neue Musik’, Berlin, 1930
Note to the audience
Rehearsing The Decision
Some tips for rehearsal of The Decision
Questionnaire for the audience
Letter of 21.4.1956 to Paul Patera
Editorial Notes
From He Said Yes to The Decision
The order of events
THE MOTHER
Texts by Brecht and Eisler
Note on The Mother
Song of the Mother on the heroic death of the coward Vessovchikov
Notes
Optional choruses
Hanns Eisler on the Theatre Union’s production of Mother
Recommendations to Theatre Union
Projections, 1932 and 1935
Memorandum about the distortion and mutilation of the text
Discussion Jerome/Brecht/Eisler
Letter to the New York workers’ company Theatre Union’ about the play The Mother
Editorial Notes
Structure and characters
Details of changes and cuts since 1933
Appended scenes
(a) The Small Store or The Paper Overcoat
(b) Scene in a Railway Carriage
The Exception and the Rule
Texts by Brecht
Note on The Exception and the Rule
Notes
Speech
Editorial Notes
The Horatians and the Curiatians
Texts by Brecht
Note to the text
Preparatory work on The Horatians and the Curiatians
Traditional Chinese acting
Instruction for the actors
Editorial Notes
St Joan of the Stockyards
Texts by Brecht
Preliminary note to the stage script
Note to Saint Joan of the Stockyards
Meaning of Saint Joan of the Stockyards
Is Saint Joan of the Stockyards a realistic work?
Notes to Saint Joan of the Stockyards
About the drama’s way of depicting business matters
Building up a part by the inductive method
Draft for a radio talk
Notes of Uncertain Authorship
Inscriptions for the Black Straw Hats’ meeting-house
Bert Brecht Saint Joan of the Stockyards—Extracts for radio
Editorial Notes
General structure
Incomplete material
Final scene of the stage script
From the stage script to the Versuche edition of 1932
Svendborg amendments and additions
Footnote
Chapter 1
1
Imprint Page
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