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Index
Cover Page
Title Page
Copyright Page
Dedication
Acknowledgments
Contents
Contributors
The Hearing Eye
INTRODUCTION The Hearing Eye
i
ONE “Selling That Stuff ”: Advertising Art and Early Blues on 78s
TWO Blues on the Brush: Rose Piper’s Blues and Negro Folk Songs Paintings of the 1940s
ii
THREE Michael Cummings: Stitching in Tempo
iii
FOUR “Pure Eye Music”: Norman Lewis, Abstract Expressionism, and Bebop
FIVE Sam Middleton: The Painter as Improvising Soloist
SIX The Enigma of Bob Thompson
SEVEN Wadsworth Jarrell and AFRICOBRA: Sheets of Color, Sheets of Sound
iv
EIGHT “We Used to Say ‘Stashed’ ”: Romare Bearden Paints the Blues
NINE “Blues and the Abstract Truth”: Or, Did Romare Bearden Really Paint Jazz?
v
TEN Joe Overstreet: Light in Darkness
ELEVEN Royalty, Heroism, and the Streets: The Art of Jean-Michel Basquiat
TWELVE Ellen Banks: The Geometries of the Score
vi
THIRTEEN “And You Slip into the Breaks and Look Around”: Jazz and Everyday Life in the Photographs of Roy DeCarava
vii
FOURTEEN A Jackson in the House: Musicians Talk Painters
INDEX
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