The Michael Eric Dyson Reader by Dyson, Michael Eric -- Read -- Imperial Library of Trantor

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COVER PAGE TITLE PAGE COPYRIGHT PAGE FOREWORD PREFACE INTRODUCTION: WHY I AM AN INTELLECTUAL PART ONE: DYSONOGRAPHY

ONE: NOT FROM SOME ZEUS ’ SHEAD: MY INTELLECTUAL DEVELOPMENT TWO: LETTER TO MY BROTHER, EVERETT, IN PRISON THREE: THIS I BELIEVE

PART TWO: THEORIES OF RACE

FOUR: THE LIBERAL THEORY OF RACE FIVE: WHEN YOU’RE A CREDIT TO YOUR RACE, THE BILL WILL COME DUE: O.J. SIMPSON AND OUR TRIAL BY FIRE

PART THREE: AFFIRMATIVE ACTION

SIX: DEBATING AFFIRMATIVE ACTION SEVEN: A REPRIEVE FOR AFFIRMATIVE ACTION

PART FOUR: MULTICULTURALISM

EIGHT: LEONARD JEFFRIES AND THE STRUGGLE FOR THE BLACK MIND NINE: SHAKESPEARE AND SMOKEY ROBINSON: REVISITING THE CULTURE WARS

PART FIVE: WHITENESS STUDIES

TEN: THE LABOR OF WHITENESS, THE WHITENESS OF LABOR, AND THE PERILS OF WHITEWISHING ELEVEN: GIVING WHITENESS A BLACK EYE

PART SIX: GENDER VIEWS

TWELVE: THE PLIGHT OF BLACK MEN THIRTEEN: ANOTHER SATURDAY NIGHT, OR HAVE ALL THE BROTHERS GONE TO WHITE WOMEN? FOURTEEN: IN O.J.’S SHADOW: KOBE BRYANT’S PREDICAMENT

PART SEVEN: AFRO-BAPTIST RADICALISM AND RHETORIC

FIFTEEN: “ GOD ALMIGHTY HAS SPOKEN FROM WASHINGTON, D.C. ”: AMERICAN SOCIETY AND CHRISTIAN FAITH SIXTEEN: GARDNER TAYLOR: THE POET LAUREATE OF THE AMERICAN PULPIT SEVENTEEN: “ SOMEWHERE I READ OF THE FREEDOM OF SPEECH ”: CONSTRUCTING A UNIQUE VOICE

PART EIGHT: RELIGION AND SEXUALITY

EIGHTEEN: WHEN YOU DIVIDE BODY AND SOUL, PROBLEMS MULTIPLY: THE BLACK CHURCH AND SEXUALITY NINETEEN: HOMOTEXTUALITIES: THEBIBLE, SEXUALETHICS, AND THE THEOLOGY OF HOMOEROTICISM

PART NINE: BIOCRITICISM AND BLACK ICONS

TWENTY: X MARKS THE PLOTS: A CRITICAL READING OF MALCOLM’S READERS

HERO WORSHIP AND THE CONSTRUCTION OF A BLACK REVOLUTIONARY THE VOCATION OF A PUBLIC MORALIST PSYCHOBIOGRAPHY AND THE FORCES OF HISTORY VOICES IN THE WILDERNESS: REVOLUTIONARY SPARKS AND MALCOLM’ S LAST YEAR IN THE PRISON OF PRISMS: THE FUTURE OF MALCOLM’ S PAST

TWENTY-ONE: MIXED BLESSINGS: MARTIN LUTHER KING, JR., AND THE LESSONS OF AN AMBIGUOUS HEROISM TWENTY-TWO: “ GIVE ME A PAPER AND PEN”: TUPAC’S PLACE IN HIP-HOP

PART TEN: CINEMA NOIR

TWENTY-THREE: SPIKE LEE’S NEONATIONALIST VISION TWENTY-FOUR: BETWEEN APOCALYPSE AND REDEMPTION: JOHN SINGLETON’S BOYZ N THE HOOD TWENTY-FIVE: GHETTOCENTRICITY AND THE NEW BLACK CINEMA

PART ELEVEN: THE SOUL MUSICS OF BLACK FOLK

TWENTY-SIX: THE PROMISE AND PERILS OF CONTEMPORARY GOSPEL MUSI TWENTY-SEVEN: MARIAH CAREY AND “AUTHENTIC” BLACK MUSIC TWENTY-EIGHT: ARETHA FRANKLIN, VANESSA BELL ARMSTRONG, AND ME TWENTY-NINE: THE GREAT NEXT: JAZZ ORIGINS AND THE ANATOMY OF IMPROVISATION

PART TWELVE: HIP - HOP CULTURE

THIRTY: THE CULTURE OF HIP-HOP THIRTY-ONE: GANGSTA RAP AND AMERICAN CULTURE THIRTY-TWO: WE NEVER WERE WHAT WE USED TO BE: BLACK YOUTH, POP CULTURE, AND THE POLITICS OF NOSTALGIA

PART THIRTEEN: THE PREDICAMENT OF POST MODERNITY

THIRTY-THREE: MICHAEL JACKSON’S POSTMODERN SPIRITUALITY THIRTY-FOUR: BE LIKE MIKE? MICHAEL JORDAN AND THE PEDAGOGY OF DESIRE THIRTY-FIVE: IS POSTMODERNISM JUST MODERNISM IN DRAG ?

PART FOURTEEN: CODA: THE LIFE OF THE MIND

THIRTY-SIX: IT ’S NOT WHAT YOU KNOW, IT’S HOW YOU SHOW IT: BLACK PUBLIC INTELLECTUALS

NOTES

CHAPTER 4. THE LIBERAL THEORY OF RACE CHAPTER 8. LEONARD JEFFRIES AND THE STRUGGLE FOR THE BLACK MIND CHAPTER 10. THE LABOR OF WHITENESS, THE WHITENESS OF LABOR, AND THE PERILS OF WHITEWISHING CHAPTER 12. THE PLIGHT OF BLACK MEN CHAPTER 15. “ GOD ALMIGHTY HAS SPOKEN FROM WASHINGTON, D.C.”: AMERICAN SOCIETY AND CHRISTIAN FAITH CHAPTER 17. “SOMEWHERE I READ OF THE FREEDOM OF SPEECH”: CONSTRUCTING A UNIQUE VOICE CHAPTER 20. X MARKS THE PLOTS: A CRITICAL READING OF MALCOLM’S READERS CHAPTER 21 . MIXED BLESSINGS: MARTIN LUTHER KING, JR., AND THE LESSONS OF ANAMBIGUOUS H E R O IS M CHAPTER 22. “ GIVE ME A PAPER AND PEN ”: TUPAC’S PLACE IN HIP - HOP CHAPTER 24. BETWEEN APOCALYPSE AND REDEMPTION: JOHN SINGLETON’S BOYZ N THE HOOD CHAPTER 33 . MICHAEL JACKSON’S POSTMODERN SPIRITUALITY CHAPTER 34 . BE LIKE MIKE? MICHAEL JORDAN AND THE PEDAGOGY OF DESIRE

CREDITS INDEX

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