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Imperial Library
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Index
Title Page
Copyright Page
Dedication Page
Acknowledgments
Contents
Introduction
The Minimalist
A New Perspective on Photographing Men
Take Control: Invest in Your Client’s Personal Image
What I Learned as a Portrait and Fashion Photographer
My Method: Think Ahead
Bonus Video
Part I: Defining Features
Chapter 1. Face Shapes
Studying Face Shapes
Square
Round
Triangular
Oblong
Oval
Diamond
Heart
Making Decisions Based on Your Subject’s Face Shape
Choosing the Right Lens
Contouring Faces: My Method
Contouring Faces in Adobe Photoshop: Dodge and Burn
Chapter 2. Body Types
Ectomorph (Skinny)
Mesomorph (Athletic)
Endomorph (Heavy/Large)
Chapter 3. Perceived Flaws
Baldness or a Large Forehead
Lighting
Background
Depth of Field
Lens Choice
Acne, Scars, and Wrinkles
Lighting
Post-Production
Redness or Rosacea
Lighting
Post-Production
Double Chin
Posing your Subjects
Lighting
Lens Position and Lens Choice
White or Graying Hair
Lighting
Background
Depth of Field
Post-Production
Glasses
Lighting
Turning your Subject’s Head
Putting your Subject in Shade
Shifting the Position of the Glasses
Embracing it
Part II: Posing and Styling
Chapter 4. Understanding Body Language
The Importance of Nonverbal Communication in Photography
Body Language Made Easy
Using Triangles and Negative Space to Your Advantage
Analyzing Your Subject and His Environment
Posing versus Directing Your Subjects
Chapter 5. Standing Poses
Hands in Pocket with Feet Shoulder-Width Apart
One Hand on Shoulder, Other Hand in Pocket, with Legs Shoulder-Width Apart
Hands in Pockets and Legs Apart
Arms and Legs Crossed
Hand Touching Face, Arms Crossed, Legs Crossed
Jacket over Shoulder, Hand in Pocket, Legs Crossed
Jacket over Shoulder, Arm Relaxed, Walking Toward Camera
Hand in Pocket, Holding Triceps, Walking Toward Camera
Additional Inspiration
Chapter 6. Sitting Poses
Hands Over Legs, Leaning Forward, Facing Camera
Legs Up, Hand on Leg, Hand on Face
Legs Apart, One Hand in Pocket, Other Hand on Knee
Arms Crossed, Legs Crossed, Facing Camera
Arms Crossed, Legs Crossed, Facing Sideways
Leaning into Knee, Arms on Legs, Legs Out
Sitting on a Stool
Sitting on a Stool, Facing the Camera
Additional Inspiration
Chapter 7. Lying Poses
Leg Extended, Back Leg Bent, Hand on Knee, Body Supported by Elbow
Leg Extended Facing Camera, Leg Up, Elbow on Knee, Body Supported by Right Hand
Both Elbows on Floor, Back Leg Bent
Lying on Side with Head Propped on Hand, Arm on Stomach
Lying on Side with Head Propped on Hand, Other Arm over Head
Additional Inspiration
Chapter 8. Styling 101
Why Fit Matters More Than Style
How a Suit Should Really Fit
The Shoulders
The Torso
The Rear
Sleeve Length
Jacket Length
The Break (Hem Length)
The Collar
Styling Tools for Your Studio
Mini Spring Clamps or Binder Clips
Garment Steamer
Blotting Paper
Underarm Shields or Sanitary Napkins
Chapter 9. Styling Difficult Features
Bigger, Broader Men
Wear Light Layers
Avoid Showing Bare Skin
Wear Suspenders Instead of Belts
Trim Facial Hair
Wear a Hat
Use a Pocket Square
Pay Attention to the Background
Taller, Skinnier Men
Shorter Men
Double Chins and Shorter or Wider Necks
Long or Skinny Necks
Part III: Lighting Men
Chapter 10. Introduction to Lighting Men
Artificial Light versus Natural Light
Hard Light versus Soft Light
Lighting Gear
Barn Doors
Beauty Dishes
Diffusion Material
Flags
Gels
Honeycomb Grids
Octaboxes
Reflector Dishes
Softboxes
Stripboxes
Umbrellas
Chapter 11. Portrait Photography
The Classic Man
Clean Background
Clean Portrait
Dramatic Portrait
The Refined Man
Painterly Portrait
The Polished Man
Signature Style
Chapter 12. Commercial Photography
Men’s Fragrance Campaign: Window Light
Men’s Fragrance Campaign: Speedlights
Fitness and Yoga Equipment
Sports Equipment I
Men’s Catalog
Sports Equipment II
Muscle Magazine
Grit
Chapter 13. Fashion Photography
Window Light
The Snapshot
Eyewear Campaign I
Eyewear Campaign II
Luxury Campaign
Simple Texture
Natural Light
Eyewear Campaign III
Index
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