Report on the Aeginetan Sculptures · With Historical Supplements by Wagner, Johann Martin -- Read -- Imperial Library of Trantor

Index

Cover Title Copyright Contents List of Illustrations A Note on This Translation Translator’s Acknowledgments A Brief Timeline for the Aegina Marbles Translator’s Historical Introduction

Nation and Imperialism, or, “Archaeology” and the Grand Tour Lord Byron and the Elgin Precedent From Athens to Aegina Johann Martin Wagner in Greece From Athens to Rome, and the Production of Wagner’s Report Schelling as Editor From Rome to Munich, at Last Introduction Endnotes

Editor’s Preface Table of Contents Introduction Editor’s Notes 1. Description of the Aeginetan Figures by Classification

i. Freestanding (Female) Figures ii. Advancing Figures, or Fighting Soldiers iii. Kneeling Figures, or Archers iv. Supine Figures, or Wounded Figures

2. Fragments That Belong Either to the Aeginetan Figures or to the Temple

A.A. Three Heads of Warriors B.B. Fragments of Thighs, Legs, and Feet C.C. Fragments of Arms and Hands D.D. E.E. F.F. Note from the Editor Note from the Editor

3. On the Style of These Figures

Editor’s Notes

Editor’s Appendix

5. On Mechanical Matters, or the Working of the Marble 6. On the Epoch in Which These Figures Were Probably Completed

Editor’s Appendix

7. How and Where These Figures Were Originally Arranged 8. On the Meaning or Idea [Vorstellung] of These Figures

Editor’s Appendix

9. On the Painting [Bemalung] of the Figures and of the Temple Conclusion Endnotes Editor’s Concluding Remarks

Departure from Italy The Crossing Problems of Gunpowder Diplomacy Landfall at Zante The Greek Mainland to Athens Athens Return to Rome

Endnotes to the Appendices

Bibliography Index Back Cover