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Index
Cover Title Page Copyright Contents The Passionate Critic Snapshots of A Berlin Childhood The Peripatetic Philosophy Student Kant and Neo-Kantianism Apriorism Phenomenology Pro- Or Anti-zionism? “What were you doing on 4 August 1914?” Betrayal and Revolution How to Avoid Conscription Friendship with Gershom Scholem Greek Tragedy Trauerspiel or Mourning Play On Language The Experience of Freedom The Experience of Colour German Romantic Art Criticism The Concept of Ruination Parental Strife The Failed Editor Conflict with the George Circle The Story of Elective Affinities Benjamin’s Affinities The Task of the Critic The Task of the Translator The Bookman ... And the Media Man Riegl Versus Wölfflin The Transition from Haptic to Optic The Aesthetics of Disintegration Riegl’s Structuralism The Task of the Art Critic Children’s Books Line or Colour? The Optic of Technology The Collector Benjamin the Nomad Introduction to Marxism Mediation Reification The Bolshevik Verdict The Porosity of Naples Spatial and Temporal Porosity A Dictator’s Visit Introducing the Arcade Looking Ahead … Past, Present and Future Moscow Diary Sovereign Violence The Religion of Capitalism The Origin of German Tragic Drama What is “Baroque”? Political Theologies A Nihilistic Toy-box Symbol, Allegory and Ruination A University Scandal A Fairytale for Academics One-way Street Scenes from One-way Street: Writing ... And Technology Benjamin, the Surrealist Teddy and Bert The Frankfurt Institute Dissimilar Similarities “The Hard Thing Gives Way” “The Presence of the past, Now” The Art of Montage The Dark Age Begins The Great Dictator … … Seen as Charlie Chaplin The Author as Producer The Age of Reproduction The Painter and the Camera-man Mass Reproduction History of the Aura The Decay of the Aura Uncertainties and Ambiguities Criticisms of Benjamin’s Position Kafka and Benjamin’s Mysticism The Kabbala Which Benjamin? Origins of the Arcades Project A Central Architectural Motif A Marathon Project Materialist Ventriloquism The Maverick Historian Phantasmagoria and Dialectical Images Paris, Capital of the Nineteenth Century 1. Fourier, or the Arcades 2. Daguerre, or the Panoramas 3. Grandville, or the World Exhibitions 4. Louis Philippe, or the Interior 5. Baudelaire, or the Streets of Paris 6. Haussmann, or the Barricades Troubles with the Institute The Exile in Danger Last Exit … Theology and History Samples From the “Theses” Time Runs Out … In Transit The Last Day Further Reading Biographies of Walter Benjamin Acknowledgements The Authors
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