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Imperial Library
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Index
Cover
Title Page
Copyright
Dedication
Contents
Introduction
1 Some Thoughts on the History and Historiography of Russian Music
2 For Ukraine, He’s a Native Son, Regardless
3 “Classicism” à la Russe
4 A Wonderful Beginning
5 Dargomïzhsky and His Stone Guest
6 Pathetic Symphonist: Chaikovsky, Russia, Sexuality, and the Study of Music
7 Chaikovsky and the Literary Folk: A Study in Misplaced Derision
8 The Great Symbolist Opera
9 Chaikovsky as Symphonist
10 Russian Originals, De- and Re-Edited
11 A New, New Boris?
12 Christian Themes in Russian Opera: A Millennial Essay
13 The Case for Rimsky-Korsakov
14 Kitezh: Religious Art of an Atheist
15 Sex and Race, Russian Style
16 Yevreyi and Zhidy: A Memoir, a Survey, and a Plea
17 The Antiliterary Man: Diaghilev and Music
18 From Fairy Tale to Opera in Four Moves
19 To Cross That Sacred Edge: Notes on a Fiery Angel
20 Prokofieff’s Return
21 Tone, Style, and Form in Prokofieff’s Soviet Operas
22 Great Artists Serving Stalin Like a Dog
23 Stalin Lives On in the Concert Hall, but Why?
24 The Last Symphony?
25 For Russian Music Mavens, a Fabled Beast Is Bagged
26 Restoring Comrade Roslavets
27 When Serious Music Mattered
28 Casting a Great Composer as a Fictional Hero
29 Shostakovich’s Bach: A Pill to Purge Stalinism
30 Five Operas and a Symphony
31 Hearing Cycles
32 Of Mice and Mendelssohn
33 Current Chronicle: Molchanov’s The Dawns Are Quiet Here
34 The Rising Soviet Mists Yield Up Another Voice
35 Where Is Russia’s New Music? Iowa, That’s Where
36 North (Europe) by Northwest (America)
Index
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