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Index
Half-Title Page
Title Page
Copyright
Dedication
Contents
Preface
CHAPTER 1: INTRODUCTION: CONTESTED MEMORY
KOREA AND HISTORIOGRAPHY
SITES, MEMORY, IDENTITY
SEOUL
SEOUL AND NEW MEDIA
CHAPTER 2: ERASURE AND REINVENTION: KOREA TO 1945
SEOUL AND KOREA BEFORE COLONIZATION
COLONIZATION
ERASURE OR RADICAL BREAK?
THE PROBLEM OF HISTORIOGRAPHY
CHAPTER 3: RE-IMAG(IN)ING THE NATION: SEOUL AND PARK CHUNG-HEE
PARK CHUNG-HEE
PARK AND THE CITY
RE-IMAG(IN)ING THE CITY
THE CITY AND CHRISTIANITY
CHAPTER 4: ERASURE AS HERITAGE: READING SEOUL
DIALECTICAL IMAGE, MONTAGE, COLLAGE
SEOUL AS COLLAGE
SEOUL AS LINES
SEOUL AS ASSEMBLAGE AND THE PLACE OF MEMORY
CHAPTER 5: NEW CULTURE: SEOUL IN THE KOREAN WAVE
MEDIA AND THEIR CONTENTS
THE KOREAN WAVE
THE KOREAN WAVE AS CULTURAL COLONIZATION
SEOUL AS ASSEMBLAGE REVISITED
CHAPTER 6: IMAGINING THE NATION: REINVENTING AND ITS CONDITIONS OF POSSIBILITY
CONDITIONS OF POSSIBILITY
THE POSTNATION AND THE (OTHER) NATION
THE IDEA OF “THE END OF HISTORY”
SEOUL AT THE END OF HISTORY
Appendix
Glossary
References
Index
About the Author
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