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Index
Title
Copyright
Contents
List of Figures
Contributor Biographies
Acknowledgements
Introduction: Somewhere between the signifying and the sublime Marie Thompson and Ian Biddle
PART ONE Affective (re)thinking: Sound as affect and affect as sound
1 Non-cochlear sound: On affect and exteriority Will Schrimshaw
2 Felt as thought (or, musical abstraction and the semblance of affect) eldritch Priest
3 My mother's scream Patricia Ticineto Clough
PART TWO Hearing, playing, feeling: Music and the organization of affect
4 So transported: Nina Simone, 'My Sweet Lord' and the (un)folding of affect Richard Elliott
5 (I can't get no) affect John Mowitt
6 Listening to the talking cure: Sprechstimme, hypnosis, and the sonic organization of affect Clara Latham
PART THREE Affects of turbulence
7 Spread the Virus: Affective prophecy in industrial music Dean Lockwood
8 Brace and embrace: Masochism in noise performance Paul Hegarty
9 Three screams Marie Thompson
PART FOUR Palliative sounds and the marketing of affection
10 Music for sleeping Anahid Kassabian
11 Relax, feel good, chill out: The affective distribution of classical music Freya Jarman
12 Quiet sounds and intimate listening: The politics of tiny seductions Ian Biddle
Bibliography
Index
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