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Index
Cover Title Page Table of Contents What You’ll Get From This Book What Show, Don't Tell Really Means What Show, Don’t Tell Doesn’t Mean Do You Always Have to Show? The Problems With Telling Problems Readers Face Problems Writers Face Why Explanations Feel Told Exposition and Explaining Why Telling Happens Things That Affect Telling Narrative Distance Pitfalls of Narrative Distance Which Narrative Distance Should You Use? Filtering the Point of View When Telling is Better Than Showing Telling to Catch Characters Up Telling for Dramatic Impact Telling to Convey Necessary Information Identifying Told Prose Telling at the Sentence Level Telling at the Paragraph Level The Difference Between Backstory and Infodump Spotting Told Infodumps Telling at the Scene Level Spotting Told Backstory Telling Yourself What to Show Common Places to Find Told Prose Story Setup Infodumps Are You Infodumping? Finding Infodumps Infodumps in Dialogue Backstory Descriptions Internalization Fixing Told Prose Turning Told Prose into Shown Prose Without Messing it up Use the Right Word for the Job Revise Red Flag Words Motivational Tells Emotional Tells Overly Self-Aware Characters Mental Tells Stage Direction Tells Descriptive Tells Passive Tells Adverbs and Telling One Last Thought on Red Flag Words Make Details Come Alive Consider Who's Looking Let Your Characters Do the Work Character Voice: Your "Get Out of Tell Free" Card Show Your Infodumps Show Your Backstory Common Trouble Spots Showing a Character's Age Three Ways to Show a Character’s Age Showing Emotions Showing Sounds Showing Tone and Mood Time to Show! Appendix Thanks! Acknowledgments Sign up for Janice Hardy's Mailing List
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