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PHILIP HALE’S BOSTON SYMPHONY PROGRAMME NOTES
EDITOR’S NOTE
CONTENTS
INTRODUCTION
PHILIP HALE’S BOSTON SYMPHONY PROGRAMME NOTES
JOHANN SEBASTIAN BACH
THE BRANDENBURG CONCERTOS
THE CONCERTOS FOR PIANOFORTE
THE ORCHESTRAL SUITES
LUDWIG VAN BEETHOVEN
SYMPHONY NO. 1, IN C MAJOR, OP. 21
SYMPHONY NO. 2, IN D MAJOR, OP. 36
SYMPHONY NO. 3, IN E FLAT MAJOR “EROICA,” OP. 55
SYMPHONY NO. 4, IN B FLAT MAJOR, OP. 60
SYMPHONY NO. 5, IN C MINOR, OP. 67
SYMPHONY NO. 6, IN F MAJOR, “PASTORALE,” OP. 68
SYMPHONY NO. 7, IN A MAJOR, OP. 92
SYMPHONY NO. 8, IN F MAJOR, OP. 93
SYMPHONY NO. 9, IN D MINOR, WITH FINAL CHORUS ON SCHILLER’S “ODE TO JOY,” OP. 125
TO JOY
OVERTURE TO “LEONORE NO. 3,” OP. 72
OVERTURE TO “EGMONT,” OP. 84
OVERTURE TO “CORIOLANUS,” OP. 62
CONCERTO FOR PIANOFORTE, NO. 4, IN G MAJOR, OP. 58
CONCERTO FOR PIANOFORTE, NO. 5, IN E FLAT MAJOR, OP. 73
CONCERTO FOR VIOLIN, IN D MAJOR, OP. 61
HECTOR BERLIOZ
SYMPHONIE FANTASTIQUE, IN C MAJOR, OP. 14 a
“PROGRAMME OF THE SYMPHONY
“Part I “DREAMS, PASSIONS
“Part II “A BALL
“Part III “SCENE IN THE FIELDS
“Part IV “MARCH TO THE SCAFFOLD
“Part V “WALPURGISNIGHT’S DREAM
OVERTURE, “THE ROMAN CARNIVAL,” OP. 9
ERNEST BLOCH
“SCHELOMO” (SOLOMON), HEBREW RHAPSODY FOR VIOLONCELLO AND ORCHESTRA
ALEXANDER PORPHIRIEVITCH BORODIN
SYMPHONY NO. 2, IN B MINOR, OP. 5
JOHANNES BRAHMS
SYMPHONY NO. 1, IN C MINOR, OP. 68
SYMPHONY NO. 2, IN D MAJOR, OP. 73
SYMPHONY, NO. 3, IN F MAJOR, OP. 90
SYMPHONY NO. 4, IN E MINOR, OP. 98
VARIATIONS ON A THEME BY JOSEF HAYDN, IN B FLAT MAJOR, OP. 56a
“TRAGIC” OVERTURE, OP. 81
ACADEMIC FESTIVAL OVERTURE, OP. 80
CONCERTO FOR PIANOFORTE, NO. 1, IN D MINOR, OP. 15
CONCERTO NO. 2, IN B FLAT MAJOR, FOR PIANOFORTE AND ORCHESTRA, OP. 83
CONCERTO FOR VIOLIN, IN D MAJOR, OP. 77
ANTON BRUCKNER
SYMPHONY NO. 7, IN E MAJOR
SYMPHONY NO. 8, IN C MINOR
JOHN ALDEN CARPENTER
SUITE. “ADVENTURES IN A PERAMBULATOR”
CLAUDE ACHILLE DEBUSSY
“PRÉLUDE À L’APRÈS-MIDI D’UN FAUNE” (ECLOGUE DE STÉPHANE MALLARMÉ)
NOCTURNES
“LA MER,” TROIS ESQUISSES SYMPHONIQUES
Debussy and the Sea
“IBÉRIA”: “IMAGES” FOR ORCHESTRA, NO. 2
ANTON DVOŘÁK
SYMPHONY NO. 5, IN E MINOR, “FROM THE NEW WORLD,” OP. 95
EDWARD WILLIAM ELGAR
VARIATIONS ON AN ORIGINAL THEME, “ENIGMA,” OP. 36
THEME
VARIATIONS
MANUEL DE FALLA
BALLET-PANTOMIME: “EL AMOR BRUJO”
THREE DANCES TAKEN FROM THE BALLET “THE THREE-CORNERED HAT”
CÉSAR FRANCK
SYMPHONY IN D MINOR
GEORG FRIDERIC HANDEL
TWELVE CONCERTI GROSSI, FOR STRING ORCHESTRA
FRANZ JOSEF HAYDN
LONDON SYMPHONIES SYMPHONY NO. 104, IN D MAJOR (B. & H. NO. 2)
LONDON SYMPHONIES SYMPHONY NO. 94, IN G MAJOR, “SURPRISE” (B. & H. NO. 6)
PARIS SYMPHONIES SYMPHONY NO. 88, IN G MAJOR (B. & H. NO. 13)
PAUL HINDEMITH
“KONZERTMUSIK” FOR STRING AND BRASS INSTRUMENTS
ARTHUR HONNEGER
“PACIFIC 231,” ORCHESTRAL MOVEMENT
PAUL MARIE THÉODORE VINCENT d’INDY
SYMPHONY NO. 2, IN B FLAT MAJOR, OP. 57
SYMPHONIC VARIATIONS, “ISTAR,” OP. 42
FRANZ LISZT
A “FAUST” SYMPHONY IN THREE CHARACTER PICTURES (AFTER GOETHE)
SYMPHONIC POEM, NO. 3, “LES PRÉLUDES” (AFTER LAMARTINE)
PIANOFORTE CONCERTO, NO. 1, IN E FLAT
CHARLES MARTIN LOEFFLER
“A PAGAN POEM” (AFTER VIRGIL), OP. 14, FOR ORCHESTRA, PIANOFORTE, ENGLISH HORN, AND THREE TRUMPETS OBBLIGATI
EDWARD MacDOWELL
ORCHESTRAL SUITE NO. 2, IN E MINOR, “INDIAN,” OP. 48
GUSTAV MAHLER
THE SYMPHONIES
SYMPHONY NO. 5, IN C SHARP MINOR IN THREE PARTS
FELIX MENDELSSOHN-BARTHOLDY
SYMPHONY IN A MAJOR, “ITALIAN,” OP. 90
OVERTURE AND INCIDENTAL MUSIC TO SHAKESPEARE’S LAY, “A MIDSUMMER NIGHT’S DREAM”
CONCERT OVERTURE, “THE HEBRIDES,” OR “FINGAL’S CAVE,” OP. 26
CONCERTO FOR VIOLIN, IN E MINOR, OP. 64
MODESTE PETROVITCH MOUSSORGSKY
“A NIGHT ON BALD MOUNTAIN” (“UNE NUIT SUR LE MONT-CHAUVE”); FANTASY FOR ORCHESTRA Posthumous Work Completed and Orchestrated by Rimsky-Korsakov
WOLFGANG AMADEUS MOZART
SYMPHONY IN E FLAT MAJOR (KOECHEL NO. 543)
SYMPHONY IN G MINOR (KOECHEL NO. 550)
SYMPHONY IN C MAJOR, “JUPITER” (KOECHEL NO. 551)
OVERTURE TO THE OPERA, “THE MARRIAGE OF FIGARO”
OVERTURE TO THE OPERA “THE MAGIC FLUTE”
CONCERTOS FOR VIOLIN
MOZART AS PIANIST
SERGE SERGIEVICH PROKOFIEFF
SCYTHIAN SUITE, “ALA AND LOLLI,” OP. 20
CLASSICAL SYMPHONY, OP. 25
SERGEI VASSILIEVICH RACHMANINOFF
SYMPHONY NO. 2, IN E MINOR, OP. 27
CONCERTO NO. 2, IN C MINOR, FOR PIANOFORTE WITH ORCHESTRA, OP. 18
JOSEPH MAURICE RAVEL
“MA MÈRE L’OYE” (MOTHER GOOSE), FIVE CHILDREN’S PIECES
“DAPHNIS ET CHLOÉ,” BALLET IN ONE ACT, ORCHESTRAL FRAGMENTS, SECOND SERIES “DAYBREAK,” “PANTOMIME,” “GENERAL DANCE”
BOLERO
OTTERINO RESPIGHI
SYMPHONIC POEM, “PINES OF ROME”
NICOLAS ANDREJEVITCH RIMSKY-KORSAKOV
SYMPHONIC SUITE, “SCHEHERAZADE” (AFTER “THE THOUSAND NIGHTS AND A NIGHT”), OP. 35
CAPRICE ON SPANISH THEMES, OP. 34
CHARLES CAMILLE SAINT-SAËNS
SYMPHONY NO. 3, IN C MINOR (WITH ORGAN), OP. 78
ARNOLD SCHOENBERG
“VERKLÄRTE NACHT” (RADIANT NIGHT), ARRANGED FOR STRING ORCHESTRA, OP. 4
FRANZ PETER SCHUBERT
SYMPHONY NO. 8, IN B MINOR (“UNFINISHED”)
SYMPHONY NO. 7, IN C MAJOR
ROBERT ALEXANDER SCHUMANN
SYMPHONY NO. 1, IN B FLAT MAJOR, OP. 38
SYMPHONY NO. 2, IN C MAJOR, OP. 61
SYMPHONY NO. 3, IN E FLAT MAJOR, “RHENISH,” OP. 97
SYMPHONY NO. 4, IN D MINOR, OP. 120
CONCERTO IN A MINOR, FOR PIANOFORTE AND ORCHESTRA, OP. 54
ALEXANDER NICOLAIEVITCH SCRIABIN
“THE POEM OF ECSTASY” (LE POÈME DE L’EXTASE), OP. 54
JEAN JULIUS CHRISTIAN SIBELIUS
SYMPHONY NO. 1, IN E MINOR, OP. 39
SYMPHONY NO. 2, IN D MAJOR, OP. 43
SYMPHONY NO. 4, IN A MINOR, OP. 63
SYMPHONY NO. 5, IN E FLAT MAJOR, OP. 82
SYMPHONY NO. 7, OP. 105 (In one movement)
“FINLANDIA,” SYMPHONIC POEM FOR ORCHESTRA, OP. 26, NO. 7
“THE SWAN OF TUONELA” (“TUONELAN JOUTSEN”), LEGEND FROM THE FINNISH FOLK EPIC “KALEVALA”
RICHARD STRAUSS
“DON JUAN,” TONE POEM (AFTER NICOLAUS LENAU), OP. 20
“TOD UND VERKLÄRUNG” (DEATH AND TRANSFIGURATION) TONE POEM, OP. 24
“TILL EULENSPIEGEL’S MERRY PRANKS, AFTER THE OLD-FASHIONED ROGUISH MANNER—IN RONDO FORM,” OP. 28
“THUS SPAKE ZARATHUSTRA,” TONE POEM (FREELY AFTER FRIEDRICH NIETZSCHE), OP. 30
“DON QUIXOTE,” FANTASTIC VARIATIONS ON A THEME OF KNIGHTLY CHARACTER, OP. 35 INTRODUCTION, THEME WITH VARIATIONS, AND FINALE
Introduction
Theme
Variation I
Variation II
Variation III
Variation IV
Variation V
Variation VI
Variation VII
Variation VIII
Variation IX
Variation X
Finale
“EIN HELDENLEBEN” (A HERO’S LIFE), TONE POEM, OP. 40
The Hero
The Hero’s Antagonists
The Hero’s Helpmate
The Hero’s Battlefield
The Hero’s Mission of Peace
The Hero’s Escape from the World, and Conclusion
IGOR FEDOROVITCH STRAVINSKY
SUITE FROM “L’OISEAU DE FEU” (THE FIRE-BIRD) A Danced Legend
SUITE FROM THE BALLET, “PETROUCHKA”
“LE SACRE DU PRINTEMPS” (“THE RITE OF SPRING”), PICTURES OF PAGAN RUSSIA
I. The Adoration of the Earth
II. The Sacrifice
JOSEPH DEEMS TAYLOR
“THROUGH THE LOOKING GLASS,” SUITE, FIVE PICTURES FROM LEWIS CARROLL, OP. 12
Ia. Dedication
Ib. The Garden of Live Flowers
II. Jabberwocky
III. Looking-Glass Insects
IV. The White Knight
PETER ILITCH TCHAIKOVSKY
SYMPHONY NO. 4, IN F MINOR, OP. 36
SYMPHONY NO. 5, IN E MINOR, OP. 64
SYMPHONY NO. 6, IN B MINOR, “PATHETIC,” OP. 74
“ROMEO AND JULIET,” OVERTURE FANTASIA (AFTER SHAKESPEARE)
CONCERTO FOR PIANOFORTE NO. 1, IN B FLAT MINOR, OP. 23
CONCERTO FOR VIOLIN, IN D MAJOR OP. 35
RICHARD WAGNER
OVERTURE TO “RIENZI, THE LAST OF THE TRIBUNES”
OVERTURE TO “DER FLIEGENDE HOLLÄNDER” (“THE FLYING DUTCHMAN”)
OVERTURE TO TANNHÄUSER
PRELUDE TO “LOHENGRIN”
PRELUDE AND LIEBESTOD FROM “TRISTAN UND ISOLDE”
PRELUDE TO “DIE MEISTERSINGER VON NÜRNBERG”
A SIEGFRIED IDYL
“THE RIDE OF THE VALKYRIES,” FROM “DIE WALKÜRE”
PRELUDE TO “PARSIFAL”
“GOOD FRIDAY SPELL,” FROM “PARSIFAL”
CARL MARIA VON WEBER
OVERTURE TO THE OPERA “OBERON”
OVERTURE TO THE OPERA “DER FREISCHÜTZ”
OVERTURE TO THE OPERA “EURYANTHE”
RALPH VAUGHAN WILLIAMS
A LONDON SYMPHONY
“Second Movement
“Third Movement
“Fourth Movement
FOOTNOTES
INDEX
Transcriber’s Notes
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