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Index
About The Author TABLE OF CONTENTS Foreword
LANDMARKS IN WEDDING PHOTOGRAPHY WPI and WPPI Denis Reggie The Digital Revolution Adobe Photoshop Times Have Changed
1. THE NATURE OF WEDDING PHOTOJOURNALISM
The Old vs. The New Powers of Observation The Beauty of Reality Storytelling Posed Shots Using Assistants Anticipation and Preparation Reaction Time Capturing the Emotion Sidebar: Dressing for Success Making the Average Extraordinary Uniqueness Style Awareness People Skills Having Fun
2. EQUIPMENT
The 35mm DSLR
Autofocus Technology Instant Feedback ISO Settings
Lenses
Zoom Lenses Prime Lenses Wide-Angles Telephotos Sidebar: Mike Colón’s Approach Focal Length and Chip Size
Flash
On-Camera Flash Off-Camera Flash Bounce-Flash Devices Barebulb Flash Studio Flash Systems
Lighting Accessories
Flashmeter Remote Triggering Devices Light Stands Reflectors
Backup and Emergency Equipment
3. PREPARATION AND THE WEDDING DAY
Meet with the Bride and Groom Scout the Wedding Locations Plan the Timing Engagement Portraits Sidebar: Get Information on the Vendors Pre-Ceremony Coverage
The Bride The Groom Watch for Details
Photographing the Ceremony
The Bride’s Arrival The Procession The Ceremony The Couple’s Exit Sidebar: Don’t Get Too Caught Up in the Emotion
Photographing the Reception
Your Approach Room Overviews and Details The Key Players Scheduled Events
Cutting the Cake The First Dance The Bouquet Toss Leaving the Reception
Sidebar: Table Shots Lighting
Pole Lighting Videographer’s Lighting
Rings Little Ones
4. COMPOSITION AND DESIGN
The Rule of Thirds Direction Pleasing Compositional Forms Subject Tone Focus Lines Shape Tension and Balance
5. POSING FOR “FORMALS”
Posing Principles
The Head-and-Shoulders Face Positions
The Seven-Eighths View The Three-Quarters View The Profile View
The Gaze The Arms The Hands The Feet
Portrait Lengths
Full-Length Portraits Three-Quarter-Length Portraits Head-and-Shoulders Portraits
Camera Height Sidebar: Scheduling the Important Formals Formal Portraits of the Bride Formal Portraits of the Groom Formal Portraits of the Bride and Groom
6. GROUP PORTRAITS
Types of Groups Backgrounds Composition Groupings
Couples Trios Even-Numbered Groups Larger Groups Really Big Groups
Sidebar: Panoramic Groups Focus and Depth of Field After You’ve Snapped the Shutter
7. WEDDING ALBUMS AND SPECIAL EFFECTS
Basic Design Principles
Title Page Left and Right Pages Variety Visual Weight Reading Direction
Traditional Albums
Post-Mounted Albums Bound Albums Library Binding
Magazine-Style Digital Albums
Covers Sidebar: Creativity Counts Layout Storytelling
David Anthony Williams Charles Maring
Design Templates The Design Factor Sidebar: Mini Albums Signing Off on the Design
Special Effects
Borders Cross-Processing Infrared Photography Handcoloring Panoramics and Gatefolds Tilting the Camera
Fine Printing
GLOSSARY THE PHOTOGRAPHERS INDEX
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