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Index
About The Author
TABLE OF CONTENTS
Foreword
LANDMARKS IN WEDDING PHOTOGRAPHY
WPI and WPPI
Denis Reggie
The Digital Revolution
Adobe Photoshop
Times Have Changed
1. THE NATURE OF WEDDING PHOTOJOURNALISM
The Old vs. The New
Powers of Observation
The Beauty of Reality
Storytelling
Posed Shots
Using Assistants
Anticipation and Preparation
Reaction Time
Capturing the Emotion
Sidebar: Dressing for Success
Making the Average Extraordinary
Uniqueness
Style
Awareness
People Skills
Having Fun
2. EQUIPMENT
The 35mm DSLR
Autofocus Technology
Instant Feedback
ISO Settings
Lenses
Zoom Lenses
Prime Lenses
Wide-Angles
Telephotos
Sidebar: Mike Colón’s Approach
Focal Length and Chip Size
Flash
On-Camera Flash
Off-Camera Flash
Bounce-Flash Devices
Barebulb Flash
Studio Flash Systems
Lighting Accessories
Flashmeter
Remote Triggering Devices
Light Stands
Reflectors
Backup and Emergency Equipment
3. PREPARATION AND THE WEDDING DAY
Meet with the Bride and Groom
Scout the Wedding Locations
Plan the Timing
Engagement Portraits
Sidebar: Get Information on the Vendors
Pre-Ceremony Coverage
The Bride
The Groom
Watch for Details
Photographing the Ceremony
The Bride’s Arrival
The Procession
The Ceremony
The Couple’s Exit
Sidebar: Don’t Get Too Caught Up in the Emotion
Photographing the Reception
Your Approach
Room Overviews and Details
The Key Players
Scheduled Events
Cutting the Cake
The First Dance
The Bouquet Toss
Leaving the Reception
Sidebar: Table Shots
Lighting
Pole Lighting
Videographer’s Lighting
Rings
Little Ones
4. COMPOSITION AND DESIGN
The Rule of Thirds
Direction
Pleasing Compositional Forms
Subject Tone
Focus
Lines
Shape
Tension and Balance
5. POSING FOR “FORMALS”
Posing Principles
The Head-and-Shoulders
Face Positions
The Seven-Eighths View
The Three-Quarters View
The Profile View
The Gaze
The Arms
The Hands
The Feet
Portrait Lengths
Full-Length Portraits
Three-Quarter-Length Portraits
Head-and-Shoulders Portraits
Camera Height
Sidebar: Scheduling the Important Formals
Formal Portraits of the Bride
Formal Portraits of the Groom
Formal Portraits of the Bride and Groom
6. GROUP PORTRAITS
Types of Groups
Backgrounds
Composition
Groupings
Couples
Trios
Even-Numbered Groups
Larger Groups
Really Big Groups
Sidebar: Panoramic Groups
Focus and Depth of Field
After You’ve Snapped the Shutter
7. WEDDING ALBUMS AND SPECIAL EFFECTS
Basic Design Principles
Title Page
Left and Right Pages
Variety
Visual Weight
Reading Direction
Traditional Albums
Post-Mounted Albums
Bound Albums
Library Binding
Magazine-Style Digital Albums
Covers
Sidebar: Creativity Counts
Layout
Storytelling
David Anthony Williams
Charles Maring
Design Templates
The Design Factor
Sidebar: Mini Albums
Signing Off on the Design
Special Effects
Borders
Cross-Processing
Infrared Photography
Handcoloring
Panoramics and Gatefolds
Tilting the Camera
Fine Printing
GLOSSARY
THE PHOTOGRAPHERS
INDEX
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