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Index
Contents
Foreword
Preface
Acknowledgments
Introduction
Chapter 1: C. P. E.—Thinking Outside the Bachs
Chapter 2: Soler’s Fandango
Chapter 3: Lyricism and Lightness in the Piano Music of Felix Mendelssohn
Chapter 4: Interior Virtuosity: Grasping Fauré’s Piano Music
Chapter 5: Reflections on Performing Ernst von Dohnányi’s Variations on a Nursery Song for Piano and Orchestra
Chapter 6: Francis Poulenc’s Early Writing: A Critical Analysis of Trois Pièces (1918) and Mouvements Perpétuels (1919)
Chapter 7: Drinking from the “Source of Universal Folklore”: Villa-Lobos, Bach, and Chorões
Chapter 8: The Musical Imagination of Dmitri Kabalevsky
Chapter 9: Remembering Alberto Ginastera
Chapter 10: Improving the Long Line through Score Markings in Piano Repertoire
Chapter 11: Aaron Copland and the Musical Idea
Chapter 12: Some Suggestions for Playing the Piano Music of Samuel Barber
Chapter 13: A Practical Pianist’s Introduction to Messiaen: Technical and Theoretical Approaches via the Vingt Regards sur l’Enfant-Jésus
Chapter 14: A Pianist Looks at the Music of John Cage, 1946–1948
Chapter 15: The Importance of New Music in the Pianist’s Repertoire
About the Editor
About the Contributors
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