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Index
Title Page
Acknowledgments
Gendered Frames, Embodied Cameras in Contemporary French Cinema (1987–2009)
Self-Authorization through Self-Representation
Reflected Reflexivity: Agnès Varda’s Aging Female Body
Enacted Reflexivity: Chantal Akerman par Chantal Akerman
Hybrid Reflexivity: Dominique Cabrera’s Half-Body, Half-Camera
Self-Construction through Faux Narratives
Orchestrated Reflexivity: Sophie Calle’s Narrative Body as Artist
Faux Reflexivity: Maïwenn’s Camera and the Female Body
Reflections on Gendered Frames, Embodied Cameras
Bibliography
Index
About the Author
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