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Index
Half title page
Cambridge Companions to Music
Title page
Copyright page
Dedication
Contents
List of figures
List of music examples
Notes on contributors
Acknowledgments
Introduction: the interdisciplinary world of hip-hop studies
Part I Elements
1 MC origins: rap and spoken word poetry
2 Hip-hop dance
3 Hip-hop visual arts
4 DJs and turntablism
5 The fifth element: knowledge
6 Hip-hop and religion: from the mosque to the church
7 Hip-hop theater and performance
Part II Methods and concepts
8 Lyrics and flow in rap music
9 The musical analysis of hip-hop
10 The glass: hip-hop production
11 Hip-hop and racial identification: an (auto)ethnographic perspective
12 Thirty years of Rapsploitation: hip-hop culture in American cinema
13 Barbz and kings: explorations of gender and sexuality in hip-hop
14 Hip-hop and politics
15 Intertextuality, sampling, and copyright
Part III Case studies
16 Nerdcore hip-hop
17 Framing gender, race, and hip-hop in Boyz N the Hood, Do the Right Thing, and Slam
18 Japanese hip-hop: alternative stories
19 Council estate of mind: the British rap tradition and London’s hip-hop scene
20 Cuban hip-hop
21 Senegalese hip-hop
22 Off the grid: instrumental hip-hop and experimentalism after the golden age
23 Stylized Turkish German as the resistance vernacular of German hip-hop
24 “Bringin’ ’88 Back”: historicizing rap music’s greatest year
25 “Where ya at?” Hip-hop’s political locations in the Obama era
Select bibliography
Index
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