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Index
Cover
Half title
Title
Copyright
Dedication
Contents
Acknowledgments
Note on Transcription
List of Abbreviations and Library Sigla
Introduction: Rethinking Boundaries in Musical Practice and Circulation
1. Tudor Musical Theater: Sounds of Religious Change in Ralph Roister Doister
2. English Jesuit Missionaries, Music Education, and the Musical Participation of Women in Devotional Life in Recusant Households from ca. 1580 to ca. 1630
3. The Transmission of Lute Music and the Culture of Aurality in Early Modern England
4. Thomas Campion’s “Superfluous Blossomes of His Deeper Studies”: The Public Realm of His English Ayres
5. Oyez! Fresh Thoughts about the “Cries of London” Repertory
6. “Locks, Bolts, Barres, and Barricados”: Song Performance, Gender, and Spatial Production in Richard Brome’s The Northern Lass
7. “Lasting-Pasted Monuments”: Memory, Music, Theater, and the Seventeenth-Century English Broadside Ballad
8. The Challenge of Domesticity in Men’s Manuscripts in Restoration England
9. A Midcentury Musical Friendship: Silas Taylor and Matthew Locke
10. Music and Merchants in Restoration London
11. Daniel Henstridge and the Aural Transmission of Music in Restoration England
12. Courtly Connections: Queen Anne, Music, and the Public Stage
13. Disseminating and Domesticating Handel in Mid-Eighteenth-Century Britain
14. From London’s Opera House to the Salon? The Favourite (and Not So “Favourite”) Songs from the King’s Theatre
15. Education, Entertainment, Embellishment: Music Publication in the Lady’s Magazine
Selected Bibliography
List of Contributors
Index
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