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Index
Cover
Front Matter
1. Introduction
Part I. Arthur Miller and the American Dramatic Canon
2. Arthur Miller and American Tragedy
3. Pipe Dreams and the Self: Eugene O’Neill’s and Arthur Miller’s Conceptions of Tragedy
4. Arthur Miller, Tennessee Williams, and the American Family
5. Arthur Miller, Edward Albee, and Crises of the American Family: American Civilization and Its Discontents
6. Arthur Miller and Contemporary American Women Dramatists
7. Shaming, Rebellion, and Tragedy: Arthur Miller and African American Drama
8. “Some Men Don’t Bounce”: Miller’s The Price, Mamet’s American Buffalo, and Shepard’s The Late Henry Moss
Part II. Arthur Miller, the Writer
9. Approaches to Teaching All My Sons: Making the Play Matter Across the Curriculum
10. Irish Immigrant Rebellion in O’Neill’s The Hairy Ape and Miller’s A Memory of Two Mondays
11. Before the Empty Bench: The Equivocal Motif of “Trial” in Arthur Miller’s Works
12. Reaganism in The Ride Down Mt. Morgan
13. Arthur Miller, Essayist
14. Viewing the Playwright Through a Different Lens: Miller’s Fiction and How It Connects to His Life and Drama
15. Miller in China
Part III. Arthur Miller and Contemporary Issues
16. Human Rights and the Freedom to Write
17. “What a Man”: Performing Masculinity in Arthur Miller’s and Tennessee Williams’ Plays
18. Devouring Mechanization: Arthur Miller and the Proto-Posthuman
Back Matter
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