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Index
Copyright
Contents
Preface
Acknowledgments
Illustrations
i: Milan, 1571
ii: Carlo Borromeo and the Plague, 1576–1578
iii: Apprenticeship, 1584–1588
iv: The Counter-Reformation
v: The Flight from Milan, 1592
vi: Rome, 1592
vii: The Rulers of Rome, 1592
viii: The Hack Painter, 1592–1596
ix: Cardinal del Monte, 1596
x: Palazzo Madama, 1596–1600
xi: Homosexual or Heterosexual? 1596–1600
xii: “Nature the only subject fit for his brush,” 1596
xiii: The Year of Murders, 1599
xiv: The First Severed Heads, 1599
xv: The Contarelli Chapel, 1599–1600
xvi: The New Patrons, 1600–1602
xvii: The Swordsman, 1600–1606
xviii: “Wonderful Things at Rome,” 1603
xix: The First Baroque Pope, 1605
xx: The Killing of Ranuccio Jommasoni, May 1606
xxi: Outlaw in the Roman Hills, Summer 1606
xxii: Interlude at Naples, 1606–1607
xxiii: The Neapolitan Altarpieces
xxiv: The Prior of Naples
xxv: The Knights of Malta, July 1607
xxvi: The Novice, 1607–1608
xxvii: The Grand Master
xxviii: “Fra’ Michelangelo,” July 1608
xxix: The Unknown Knight, September 1608
xxx: A Dungeon Called the “Birdcage,” September 1608
xxxi: Syracuse, 1608–1609
xxxii: Messina, 1609
xxxiii: Palermo, 1609
xxxiv: “The Neapolitan Shrug,” 1609
xxxv: “Puerto Hercules,” July 1610
Epilogue
Appendix: Where to See Caravaggio’s Pictures
Sources
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