American Cinematographer Manual by Press, The Asc -- Read -- Imperial Library of Trantor

Index

Title Page Copyright Foreword Table of Contents Origins of the American Society of Cinematographers Responsibilities of the Cinematographer Summary of Formats Basic Digtal Concepts A Primer for Evaluating Digital Motion Picture Cameras Digtal Cinematography on a Budget Putting the Image on Film Comparisons of 35mm 1.85, Anamorphic and Super 35 Anamorphic Cinematography Exposure Meters Lenses Camera Filters Camera-Stabilizing Systems Previsualizatio 3-D Stereoscopic Cinematography Day-for-Night, Infrared and Ultraviolet Cinematography Aerial Cinematography Underwater Cinematography Arctic and Tropical Cinematography Filming Television and Computer Displays Digital Postproduction for Feature Films ASC Color Decision List The Academy of Motion Picture Arts and Sciences The Cinematographer and the Laboratory Emulsion Testing Finding Your Own Printer Light Adjusting Printer Lights to Match Sample Clips Cinemagic of the Optical Printer Motion-Control Cinematography Greenscreen and Bluescreen Photography Photographing Miniatures In-Camera Compositing of Miniatures with Full-Scale Light Sources, Luminaires and Lighting Filters LED Lighting For Motion Picture Production An Introduction to Digital Terminology Safety On The Set Preparation of Motion Picture Film Camera Equipment Preparation of Digital Camera Equipment Camera-Support Systems Camera Section

35mm 16mm Super 8mm 65mm VistaVision 35mm Imax Digital Cameras Onboard recorders

Table Reference

Cine Lens List Formulas Lenses Extreme Close-Up Filters Mired Shift Values Light Source Color Balancing

Handheld Apps for Production

SunPATH Film Stocks Incident Light EI Reduction T-Stop Compensation Shutter Compensation Shutter Speeds Footage Tables 16mm/35mm–Frame Totalizers Panning Speeds Time/Speed Effects Projection/Process

Quick Picture Monitor Set-Up

Lighting Fixture Intensity

Further Reference Index

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