Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Table of Contents
List of Illustrations
Maps
Figures
List of Tables
Notes on Contributors
Acknowledgments
Map of Etruria
Introduction
REFERENCES
PART I: History
CHAPTER 1: Beginnings
1. Introduction
2. Origins and Dating
3. The Transition from Prehistory
4. The Villanovan Period
5. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 2: Materializing the Etruscans
1. Introduction
2. The Orientalizing Period (700–575)
3. The Archaic Period (575–480)
4. The Classical Period (480–323)
5. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 3: The Romanization of Etruria
1. Introduction
2. Roman Expansion
3. Roman Infrastructures: Roads and Centuriation
4. Roman Colonies
5. Political Changes
6. Romanization as Latinization
7. The Hellenistic Gods
8. Religion
9. Funerary Iconography
10. The Revival of the Etruscans
11. Conclusion
REFERENCES
GUIDE TO FURTHER READING
PART II: Geography, Urbanization, and Space
CHAPTER 4: Etruscan Italy
1. Introduction
2. The Structural Landscape
3. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 5: City and Countryside
1. Introduction
2. Countryside
3. The Rural Landscapes of Urbanism
4. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 6: The Etruscans and the Mediterranean
1. Introduction
2. Sources of Evidence
3. The Etruscans in the Mediterranean: A Chronological Survey
4. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 7: Urbanization and Foundation Rites
1. Introduction
2. From the Classicistic Prejudice to the Etruscan Non-polis
3. Urban Networks and Diversity
4. Urban Beginnings and Ritual Foundations
5. At the Heart and on the Margins of Settlements
6. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 8: Poggio Civitate
1. Introduction
2. Poggio Civitate during the Orientalizing Period (c.675–650 – c.600)
3. Poggio Civitate in the Archaic Period (c.600–550/530)
4. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 9: Southern and Inner Etruria
1. Introduction
2. Orvieto/Volsinii/Velzna
3. Tarquinia/Tarchna
4. Cerveteri/Caere/Cisra(Greek Agylla)
5. Vulci
6. Veio/Veii
7. Sovana
8. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 10: Etruscan Domestic Architecture, Hydraulic Engineering, and Water Management Technologies
1. Introduction
2. Domestic Architecture
3. Hydraulics and Water Management
4. The Manufacturing of Architectural Elements
5. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 11: Rock Tombs and the World of the Etruscan Necropoleis
1. Introduction
2. The Rock Tombs of Southern Etruria
3. Case Study: The Rock Tombs at Pian di Mola in Tuscania
4. Hellenistic Period Barrel-Vaulted Tombs in Etruria
5. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 12: Communicating with Gods
1. Introduction: Ritual, Religion, and Space
2. Sacred Space: Sanctuary, Altar, and Temple
3. Sacred Space and the Topography of Ritual
4. Conclusion
REFERENCES
GUIDE TO FURTHER READING
PART III: Evidence in Context
CHAPTER 13: Etruscan Skeletal Biologyand Etruscan Origins
1. Introduction
2. A Brief History of Skeletal Studies in Etruria
3. Skeletal Studies at Tarquinia: 1981–2013
4. Interpretive Problems: Biological Evidence for Genetic Continuity or Cultural Change
5. DNA Studies and the Origins of the Etruscans
6. Conclusions
Acknowledgments
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 14: Language, Alphabet, and Linguistic Affiliation
1. The Etruscan Language
2. The Origins of the Alphabet in Italy
3. Etruscan Alphabets and Orthography
4. Etruscan Texts
5. Language
6. Linguistic Affiliation
7. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 15: Bucchero in Context
1. Introduction
2. Context of Production
3. Geographical and Economic Contexts
4. Context of Use
5. Context of Recovery
6. Context of Display
7. Conclusions: Context of Study
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 16: Etruscan Textiles in Context
1. Introduction
2. The Material Remains of Textiles and Textile Implements in Etruria
3. Case Study: Poggio Civitate and Poggio Aguzzo (Murlo)
4. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 17: Etruscan Wall Painting
1. Introduction
2. Chronology
3. Themes
4. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 18: Votives in their Larger Religious Context
1. Introduction
2. The Votive Offering
3. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 19: Etruscan Jewelry and Identity
1. Introduction
2. Evidence for Etruscan Jewelry: Objects and Images
3. The Bulla: A Case Study for Life-Stage Use
4. Beyond the Bulla: Children’s Jewelry
5. Adult Women
6. Male Etruscan Jewelry
7. The Materials of Jewelry
8. How Did They Do That?
9. The Afterlife of Etruscan Jewelry
10. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 20: Luxuria prolapsa est
1. Introduction
2. Etruscan Wealth
3. Etruscan Dominance
4. Etruscan Opulence and Decadence
5. Etruscan Wealth at War
6. Lars Porsenna and Conspicuous Consumption
7. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 21: Tanaquil
1. Introduction
2. Tanaquil, the Etruscan Queen
3. Tanaquil and Ceremonial Textiles
4. Elite Etruscan Women and Ceremonial Textiles
5. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 22: The Obesus Etruscus
1. Introduction
2. The Literary Trope
3. Perpetrating the Slur: The Link to Artistic Representations
4. Conclusion
REFERENCES
GUIDE TO FURTHER READING
PART IV: Art, Society, and Culture
CHAPTER 23: The Etruscans, Greek Art, and the Near East
1. Introduction
2. Sources and Chronology
3. “Orientalizing” Etruria
4. Etruscans, Greeks, and Phoenicians
5. Developments in Funerary Practices
6. Foreign Artisans and Artistic Technologies
7. Banqueting and Its Visual and Material Culture
8. Conclusion
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 24: Etruscan Artists
1. Introduction
2. What is Art?
3. Who are the Artists? Greeks or Etruscans?
4. Conclusion
Abbreviations
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 25: Etruscan Bodies and Greek Ponderation
1. Introduction
2. Ponderation
3. The Reception of Ponderation in Etruria
4. Ponderation in the François Tomb
5. Ponderation in Etruscan Bidimensional Art from the Late Classical Period
6. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 26: Myth in Etruria
1. Introduction
2. The Villanovan and Orientalizing Periods
3. The Archaic Period
4. The Classical Period
5. The Late Fourth Century and the Hellenistic Period
6. Conclusion
Abbreviations
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 27: The “Taste” for Violence in Etruscan Art
1. Introduction
2. The Contexts of Violent Imagery in Etruria
3. Case Study: Violent Imagery on Engraved Bronze Mirrors
4. Violence and Gender in Etruria
5. Conclusions
REFERENCES
GUIDE TO FURTHER READING
PART V: The Etruscan Legacy and Contemporary Issues
CHAPTER 28: Annius of Viterbo and the Beginning of Etruscan Studies
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 29: Tyrrhenian Sirens
1. Introduction
2. Enhanced Etruscan Bronzes
3. Etruscan Terracotta Forgeries
4. Conclusions
REFERENCES
GUIDE TO FURTHER READING
CHAPTER 30: Looting and the Antiquities Trade
1. Losing Context: An Introduction to Looting in Central Italy
2. The Antiquities Market
3. National and International Approaches to Protecting Central Italian Antiquities
4. Conclusion
REFERENCES
GUIDE TO FURTHER READING
PART VI: Appendix
Appendix
REFERENCES
Index
End User License Agreement
← Prev
Back
Next →
← Prev
Back
Next →