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Index
Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Table of Contents
List of figures
Acknowledgements
Introduction
1. “My field is the world”: HAPAG, Hamburg, Germany, and the globe
2. “One of the greatest marvels devised by the human spirit”: The transnational career, image, and appeal of the Imperator-class liners
3. Picturing the Imperator: Making and debating seagoing monuments in Germany’s popular culture
4. Swimming symbols of German art and design? Aby Warburg, Karl Scheffler, and German modernism at sea
5. Outdoing Britain at what it did best? The Imperator-class liners in the context of Anglo-German relations
6. Masterpieces “Made in Germany”: The Imperator and Vaterland as ambassadors to the United States
Conclusion
Bibliography
Index
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