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Index
Preface
Introduction
I. CHRIST’S POSITION IN THEO-DRAMA
A. The Impact of the Meteor
B. The Dramatic Aspect of Inclusion in Christ
C. The Acting Area
II. AN OUTLINE OF CHRISTOLOGY
A. The Problem of Method
1. Christology’s Elliptical Form and the Impact of Historico-Critical Neutrality
2. Overcoming the Hiatus between “Historie” and “Geschichte”
3. Christology between Exegesis and Dogmatics
4. The Theme Transposed
B. Christ’s Mission and Person
1. Mission as a Basic Concept
2. Jesus’ Consciousness of Mission
3. Mission: The Aspect of Being
4. Inclusion in Christ
III. THEOLOGICAL PERSONS
A. Chosen and Sent Forth
1. Election, Vocation, Mission
2. Person, Mission, Community
B. Woman’s Answer
1. Woman as Answer
2. Prolegomena to Mariology
3. Mariology I: The Woman for Christ and the Church
4. Mariology II: Mary as Dramatic Character
5. The Answer of the Church
C. The Church of Jews and Gentiles
1. The Church as a “People” Gathered from Many “Peoples”
2. Israel
3. The “Nations”
4. The Church as Union
D. The Individual
1. The Pathos of the Christian Individual
2. The Individual in the World
IV. ANGELS AND DEMONS
A. Preliminary Questions
B. The Biblical Witness and Speculation
C. Dramatis Personae?
V. DEUS TRINITAS
A. The Living God and the Drama
1. The Economic and the Absolute Trinity
2. The Person and the Trinity
3. The Course of the Drama and the Trinity
B. From the Person of Christ to the Personal Trinity
1. From the Mission of Jesus to the Son
2. From the Mission of the Son to the Spirit
C. The Trinity’s Presence in the World Drama
1. “Likeness” in the “Image”
2. Transcendence and Immanence
3. The Transition to the Drama
Notes
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