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Index
Title Page
Acknowledgments
Introduction
The Theater between Craft and Commodity
Crafty Performance in City Comedy
Casting Apprentices in Beaumont’s The Knight of the Burning Pestle
Thinking with the Feet in Dekker’s The Shoemaker’s Holiday and Rowley’s A Shoemaker, A Gentleman
Labor and Theatrical Value on the Shakespearean Stage
Afterword
Bibliography
Index
About the Author
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