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Index
Cover
About the author
Title Page
Contents
List of Figures
List of Contributors
Acknowledgements
Introduction
Róisín Kennedy and Riann Coulter
Censoring Art: Silencing the Artwork
1. Censorship in Disguise: Elusive Forms of Exclusion and the Examples of Cypriot Artists Socratis Socratous and Erhan Öze
Regulating Rumours
Language that Confines
Protocols that Bind
Conclusion
2. Silenced Voices? The Censorship of Art in Iran
Engaging with Censorship
Authorising Art and Culture in Iran: A Brief Overview
Silenced Voices?
Conclusion
3. Art and Censorship in Stalin’s Russia in the 1930s
Patronage and Oversight
Self-Policing
The Dawn of the Terror
The Anti-Formalist Campaign
Conclusion
4. Sex, Art and Museums: On the Changing Institutional Censorship of Shunga
What is Shunga?
Censorship in Edo Japan
Censorship in the UK
Changing Attitudes to Shunga in the British Museum
Exhibiting Shunga
Shunga and Modern Japan
Conclusion
5. ‘Naked Ladies’: The Censorship of the Nude in Canadian Modern Art
John Lyman’s ‘Travesties, Abortions, Sensual and Hideous Malformations’
John W. Russell and the 1927 Canadian National Exhibition
Canada’s Olympia
6. Censorship in the Irish Free State and its Implications for Irish Art
Censorship and the Irish Free State
Harry Clarke’s Geneva Window
Jack B. Yeats’s Jazz Babies
‘Defensive Attitudes’ – the Long-Term Implications of Censorship
7. Post-Soviet and Post-colonial Forms of Art Censorship in Central Asia
8. In the Shadow of Alexander the Great: Censorship, Ideology and Contemporary Art in Macedonia
An Ecology of Contemporary Art in Macedonia
Conclusion
9. The Contemporary Condition of Eilís O'Connell's The Great Wall of Kinsale
10. Corporate Censorship
Not Censorship but Something Else: The Art World
Not Censorship but Something Else: The Market
Corporate Censorship
The Self-Censoring Artist
Selected Bibliography
Index
eCopyright
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