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Index
Acknowledgments
Abbreviations
Prologue
Works Cited
Introduction
Reinventing Sherlock for the Digital Age
Transmedia Narrative/Transmedia Fan Engagement
Sherlock and the Adventure of Peer-to-Peer Digital Review
Chapter Overview
Works Cited
Part One: Transmedia and Collective Intelligence
Sherlock’s Epistemological Economy and the Value of “Fan” Knowledge
Introduction
Work Cited
Winning “The Grand Game”
Introduction
Learning the Rules: Sherlock and the Nature of “The Grand Game”
Playing the Game: Sherlock and the Web of Intertexts
Breaking the Rules: Sherlock and the Tradition of Fan Writing
Works Cited
Part Two: Sherlock Then and Now
“But It’s the Solar System!”
Introduction
The Victorian Holmes
The Modern-Day Sherlock
Fan Fiction and the Modern-Day Sherlock
Conclusion
Works Cited
Terror, Nostalgia, and the Pursuit of Sherlock Holmes in Sherlock
Introduction
Degeneracy and Decadence in Conan Doyle
Sherlock and the Great Game
“I have made up my mind to kill Sherlock Holmes”
Terror in Conan Doyle and Sherlock
Nostalgia, Resolution, and the Pleasures of Sherlock
Works Cited
Decoding the Industrial and Digital City
Introduction
Of Sociopathy and Social Control: Imperial and Millennial Politics of the Science of Deduction
The Place of Technology in Sherlock
Digital London
Works Cited
Part Three: Adaptations and Intertextuality
Shaping Sherlocks
Introduction
The Other Holmeses: Institutional Practice and the Adaptation of Character
Warner Bros.’ Action Star
The Asylum’s Sci-Fi Sidekick
Institutional Practice and Character Adaptation
Sherlock’s Sherlock: A Thoroughly Modern, Victorian Holmes
Character Construction and Institutional Practice: Quality, Prestige, and the Global Public Service Broadcaster
Conclusion
Works Cited
Sherlock’s Webs
Introduction
Transmedial Storytelling, Intertextual Referencing, and Kinds of Remembering
Holmes and Doctor Who in History
Production Links
Transmedial Techniques
Conclusions
Works Cited
Holmes in the Small Screen
Introduction
Sherlock and Television Adaptations
Sherlock and Television Production
Sherlock and Television Conventions
Works Cited
Part Four: Interpreting Sherlock
“Good Old Index”
“Good Old Index” (The Adventure of the Sussex Vampire)
“That web has a thousand radiations” (The Final Problem)
“The inhabitants of this great city” (A Study in Scarlet)
“The impressions of a woman may be more valuable than the conclusion of an analytical reasoner” (The Man with the Twisted Lip)
Works Cited
Sherlock
Introduction
The Role of Television Critics
The BBC’s Pre-Image
The Meaning Framework: What the Critics Wrote
Linkage to the Literary Sherlock Holmes
A Contemporary Twist
The Canon of Adaptations
The Creative Talent Behind Sherlock: Producers and Writers
The Talent in Sherlock: Actors
Sherlock as Must-See Television
Audiences / Fans
Conclusion
Works Cited
Holmes Abroad
Introduction
Transmediality and Active Readers
Dutch Sherlock Fans
A Modern Spin
Heroes, Sidekicks, and Villains
Knitting Detectives
Conclusion
Works Cited
Part Five: Postmodern Sherlock
Sherlock and the (Re)Invention of Modernity
Introduction
Pomo or Faux-Mo? The Visual Aesthetic of Sherlock
The Future Is Then; the Past Is Now: Sherlock and the Modern Misdirection
Sherlock’s Fan: Moriarty and the Portrayal of Fandom
Works Cited
Sherlock as Cyborg
Introduction: Sherlock as Cyborg
The Lie of the Mind
The Truth of the Body
A Case in Point: Asexual Sexuality
Works Cited
Conclusion
London Burning
Neoliberal Sherlock
Millennial Sherlock
Fandom and Agency
About the Contributors
List of Names and Terms
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