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ALSO BY STEVEN PRESSFIELD
For Phil , and for Henry
TABLE OF CONTENTS
GOLFERS & WRITERS
FINDING THE IDEA
GROWING UP IN THE YARD
RIPPING OFF KRISHNA
“YOU CAN’T DO THIS TO ME!”
WHERE DO IDEAS COME FROM?
NEW IDEAS
CADDYSHACK
HABITS
MY HOUSE
SHOULD A BOOK HAVE A CONCEPT?
A SIDENOTE ON STEALING STRUCTURES
WHERE AM I GONNA SET THIS DAMN THING?
MAGIC
WHERE DO CHARACTER NAMES COME FROM?
A GREAT STEAL IN GOLF IN THE KINGDOM
WHAT I STOLE
HOW A WRITER THINKS
FINDING THE THEME
A SUBJECT THAT GRABS YOU
GOLF IS AN INDIVIDUAL SPORT
IN GOLF, YOUR OPPONENT MAY NOT IMPEDE YOU
IN GOLF, YOU PLAY IT AS IT LAYS
GOLF IS PLAYED FROM A STANDING START
IN GOLF, THE PLAYER POLICES HIMSELF
THE GOLFER CAN PLAY ONLY ONE SHOT AT A TIME
THE GOLFER CAN ONLY SWING HIS OWN SWING
IN GOLF, THE PLAYER HAS TIME TO THINK
GOLFERS CHOKE
THE GOLFER’S GREATEST ENEMY IS HIMSELF
GOLF IS A MENTAL GAME
THE GOLFER HAS A CADDIE
WRITING IT
COVER THE CANVAS
INSTINCT
HOW WRITING WORKS
RESEARCH
A CHARACTER’S VOICE
NOVELS AND SCREENPLAYS
I NTERMEDIARY CHARACTERS
MULTIPLE POINTS OF VIEW
A CHARACTER SMARTER THAN I AM
STORIES ARE ALWAYS WISER THAN WE ARE
THE AUTHENTIC SWING
HOW WRITING WORKS, PART TWO
THE AUTHENTIC SWING
WALKING THE COURSE
DOES A STORY NEED A PHILOSOPHY?
THE MENTOR -PROTEGE STORY
HOW WRITING WORKS, PART THREE
THE GOLF SWING IS NOT LEARNED, IT IS REMEMBERED
JUNAH LOSES HIS AUTHENTIC SWING
MY PHILOSOPHY
FINDING OUR VOICE
“WHO ARE YOU, JUNAH?”
THE PHILOSOPHY OF THE AUTHENTIC SWING
THE AUTHENTIC SWING, PART TWO
THE FIELD AND THE PLAYER
JUNAH’S PROBLEM
BAGGER IS JUNAH
LIVING ON TWO LEVELS AT ONCE
THE MOVIE
JAKE CALLING
TIMING
THE PREMIERE
GOOD MANNERS
IT’S HARD TO MAKE A MOVIE ABOUT GOLF
THE BEST THING ABOUT THE MOVIE
THE SECOND BEST THING ABOUT THE MOVIE
ROBERT REDFORD AND THE HON. ANDER CRENSHAW (R-FL)
A PROCESS OF SELF-DISCOVERY
WRITE THE NEXT ONE
SMART WRITERS AND DUMB WRITERS
WHAT THE MOVIE BUSINESS TEACHES YOU
YOUR CAREER IS OVER, KID
THE MUSE IS A LADY
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