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Index
DOVER BOOKS ON ART INSTRUCTION Title Page Dedication Copyright Page Table of Contents ACKNOWLEDGMENTS INTRODUCTION 1. STENCILS—A SHORT HISTORY 2. WHAT IS SCREEN PRINTING?
Four Different Types of Printing The Screen-Process Print The Serigraph Screen-Process Textile Printing Where Do You Get Your Ideas and What Do You Do with Them? The Possibilities and Limitations of Materials and Tools Significant Expression Relates to a Living Contemporary Culture
3. A PRINT FOR THE BEGINNER 4. PRODUCING A SERIGRAPH STEP BY STEP
Two Wooden Printing Frames Printing a Five-Color Serigraph Using Three Different Resists to Produce the Final Print
5. MAKING A FABRIC PRINT
‘The Textile Printing Frame and Printing Board Preparing a Stencil Using a Light-Sensitive Gelatin Emulsion Using a Presensitized Commercial Photo-Stencil Film to Print Textiles
6. POSSIBILITIES WITH RESISTS
The Paper Stencil The Blockout Resist Stencil The Washout Resist The Cut-Film Stencil The Photo-Emulsion Resist
7. TECHNIQUES FOR PRINTING
Construction of the Frame and Printing Base The Screen Mesh Selecting and Preparing Printing Paints, Inks, or Dyes Correct Register Assures Printing Accuracy Printing the Color Runs
8. CLEANING UP—UNAVOIDABLE AND MESSY
The Cleaning Area Cleaning Solvents Cleaning a New Screen Cleaning Off the Printing Medium Removing the Screen Resist
9. HANDLING THE COMPLETED PRINT
Evaluating Your Work Identification of Work and Keeping Records Matting and Framing a Print Display of Textiles Storing Your Work Exhibition and Sale of Work
GLOSSARY BIBLIOGRAPHY INDEX
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