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Index
DOVER BOOKS ON ART INSTRUCTION
Title Page
Dedication
Copyright Page
Table of Contents
ACKNOWLEDGMENTS
INTRODUCTION
1. STENCILS—A SHORT HISTORY
2. WHAT IS SCREEN PRINTING?
Four Different Types of Printing
The Screen-Process Print
The Serigraph
Screen-Process Textile Printing
Where Do You Get Your Ideas and What Do You Do with Them?
The Possibilities and Limitations of Materials and Tools
Significant Expression Relates to a Living Contemporary Culture
3. A PRINT FOR THE BEGINNER
4. PRODUCING A SERIGRAPH STEP BY STEP
Two Wooden Printing Frames
Printing a Five-Color Serigraph Using Three Different Resists to Produce the Final Print
5. MAKING A FABRIC PRINT
‘The Textile Printing Frame and Printing Board
Preparing a Stencil Using a Light-Sensitive Gelatin Emulsion
Using a Presensitized Commercial Photo-Stencil Film to Print Textiles
6. POSSIBILITIES WITH RESISTS
The Paper Stencil
The Blockout Resist Stencil
The Washout Resist
The Cut-Film Stencil
The Photo-Emulsion Resist
7. TECHNIQUES FOR PRINTING
Construction of the Frame and Printing Base
The Screen Mesh
Selecting and Preparing Printing Paints, Inks, or Dyes
Correct Register Assures Printing Accuracy
Printing the Color Runs
8. CLEANING UP—UNAVOIDABLE AND MESSY
The Cleaning Area
Cleaning Solvents
Cleaning a New Screen
Cleaning Off the Printing Medium
Removing the Screen Resist
9. HANDLING THE COMPLETED PRINT
Evaluating Your Work
Identification of Work and Keeping Records
Matting and Framing a Print
Display of Textiles
Storing Your Work
Exhibition and Sale of Work
GLOSSARY
BIBLIOGRAPHY
INDEX
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