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Index
Cover Page
Title Page
Copyright Page
Introduction to the Series
Acknowledgments
0: One or To Final Thoughts (a retrospective preface)
1: Marinetti, Boccioni and Electroacoustic Poetry Futurism and After
2: The Limits of Intertextuality Barthes, Burroughs, Gysin, Culler
3: Postmodernity, MéTaphore ManquéE, and The Myth of the Trans-avant-garde
4: Baudrillard’S AméRique and the “Abyss of Modernity”
5: Jameson’S Complaint Video Art and the Intertextual “Time-wall”
6: Postmodernism and the Multimedia Sensibility Heiner MüLler’S Hamletmachine the Art Of Robert Wilson
2: The Europe of Women
3: Scherzo
4: Pesti In Buda/Battlefield for Greenland
5: Fiercely Enduring/Milleniums/In The Gruesome Armour
7: Baudrillard, Modernism, and Postmodernism
8: “Apocalyptic”? “Negative”?“Pessimistic”? Baudrillard, Virilio, and Technoculture
9: Baudrillard, Giorno, Viola and the Technologies of Radical Illusion
10: Zurbrugg’S Complaint, or How An Artist Came to Criticize a Critic’S Criticism of the Critics
I
II
III
IV
V
Notes
Notes to Introduction
Notes to Chapter One
Notes to Chapter Two
Notes to Chapter 3
Notes to Chapter Four
Notes to Chapter Five
Notes to Chapter Six
Notes to Chapter Seven
References for Chapter Eight
Notes to Chapter Nine
Notes to Chapter Ten
Sources
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