A Poet's Notebook by Sitwell, Edith -- Read -- Imperial Library of Trantor

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Index

Cover Title Page Contents Foreword I. On The Poet’s Nature. II. Notes on the Nature of Poetry

1. On Poetry of the Greatest Kind 2. Of the Great Poems from the Depths 3. Of Lyrical Poems and other Poems of a Small, but Perfect, Kind 4. Applicable to Modern Poetry 5. Applicable to Works of a Certain Kind

III. Notes on Technical Matters

1. On Texture 2. On Technical Perfection 3. On the Essence of Sound 4. On Rhythm 5. On the Modern Use of Rhythm 6. On Form 7. On Harmony and Proportion 8. On Style 9. On Technical Experiments 10. Applicable to Free Verse 11. On Rhyme 12. On the Sonnet

IV. On a Necessity of Poetry : The Centre, the Core V. On Morality in Poetry VI. On Simplicity VII. On The Senses VIII. On Over-Civilisation IX. The Need for the Refreshing of the Language X. On the Poet’s Labour XI. On Imagery in Poetry XII. On the Poet, the Natural World, and Inspiration XIII. On the Power of Words XIV. Of the Deaths of Two Poets (Sidney and Shelley) XV. Of Ben Jonson XVI. Applicable to the Augustans XVII. Some Notes on Alexander Pope

1. Of his Personal Character 2. Of the Perfection of Pope 3. Applicable to the Work of Pope 4. Of the Technical Side of Pope’s Work 5. Of the Heroic Couplet 6. Of Pope’s Sense of Texture

XVIII. A Note on Byron XIX. Applicable to Blake XX. Applicable to Baudelaire XXI. Applicable to Verlaine XXII. A Note on the Earliest English Poetry XXIII. Notes on Chaucer XXIV. Notes on Certain Poems by Dunbar, Skelton, Gower, and a Poem by an Anonymous Poet XXV. Notes on Herrick XXVI. Notes on Smart, with a Note on Gerard Manley Hopkins XXVII. Notes on Wordsworth

1. Applicable to Wordsworth 2. On Wordsworth 3. On Certain Flaws in this Great Poet 4. Of the Differences between Sorrow in the Poems of Wordsworth and Shelley

XXVIII. Notes on Shakespeare

1. On Elisions in Shakespeare 2. A Note on Sonnet XIX

Epilogue : Two Poems by Edith Sitwell

(I) A Mother to her Dead Child (II) Green Song

Footnote

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