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Index
Cover
Series Page
Title Page
Copyright
Dedication
Contents
Preface
Acknowledgments
Introduction by Robin Wood
Part One: Hollywood Cinema
Cary Grant: Comedy and Male Desire
A New Servitude: Bette Davis, Now, Voyager, and the Radicalism of the Woman’s Film
The Devil, Probably: The Symbolism of Evil
Sideshows: Hollywood in Vietnam
Blissing Out: The Politics of Reaganite Entertainment
Part Two: Hollywood Movies
Meet Me in St. Louis: Smith, or The Ambiguities
Alfred Hitchcock’s Spellbound: Text and Countertext
Detour
Notes on Pursued
The Family in The Reckless Moment
Betrayed by Rita Hayworth: Misogyny in The Lady from Shanghai
The Exorcist
Jaws
Mandingo
10
The Great Waldo Pepper
The Other Side of Midnight
Part Three: European Cinema
Sexuality and Power, or the Two Others
Their Finest Hour: Humphrey Jennings and the British Imperial Myth of World War II
Metaphor and Mimesis: Madame de . . .
Thinking about Father: Bernardo Bertolucci
Living Historically: Two Films by Jean-Luc Godard
“Foxed”: Fox and His Friends
Part Four: Film and Cultural Theory
In Defense of Criticism
For Interpretation: Notes Against Camp
The Ideology of Screen
The Philosophy of the Pigeonhole: Wisconsin Formalism and “The Classical Style”
The Myth of Postmodernism: The Bourgeois Intelligentsia in the Age of Reagan
Consuming Culture: The Development of a Theoretical Orthodoxy
Invisible Eye
Notes
Bibliography
Index
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