Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Title Page
Copyright Page
Contents
List of Figures
List of Tables
List of Music Examples
List of Appendices
Manuscript Sigla and Abbreviations
Notes on Contributors
Foreword
Preface and Acknowledgements
1 Introduction
2 The Interconnection of Religious, Social and Musical Networks: Creating a Context for the Keyboard Music of Peter Philips and its Dissemination
3 The Liber fratrum cruciferorum Leodiensium and the Dissemination of Organ Repertoire in the Netherlands during the Seventeenth Century
4 The Pious Mr Philips and his Few-Voiced Motets at Isabella’s Confraternity of Our Lady
5 The Ear of the Lynx: The Musical Legacy of the Accademia dei Lincei
6 Politics, Religion, Style and the Passamezzo Galliards of Byrd and Philips: A Discussion of Networks Involving Byrd and his Disciples
7 Musical Rhetoric Lost in Translation: National, Religious and Linguistic Networks and the Determination of Title in Sweelinck’s Organ Variations on Psalm 36
8 What is a Composer? Problems of Attribution in Keyboard Music from the Circle of Philips and Sweelinck
9 Orlando Gibbons’s Keyboard Music: The Continental Perspective
10 A Pattern Recognition Approach to the Attribution of Early Seventeenth-Century Keyboard Compositions using Features of Diminutions
11 ‘Full of Art, and Profundity’: The Five-Part Consort Pavan as a Medium for Sophisticated Musical Expression and Compositional Cross-Reference in Late Renaissance England
12 Networking, Patronage and Professionalism in the Early History of Violin Playing: The Case of William Brade (c.1560–1630)
13 Practice and Dissemination of Music in the Catholic Network as Suggested by the Music Collection of Edward Paston (1550–1630) and Other Contemporary Sources
14 Social Networking in Seventeenth-Century Italy: The ‘Harmonious Letters’ of a Monk-Musician
Bibliography
Index
← Prev
Back
Next →
← Prev
Back
Next →