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Index
Cover
Title Page
Copyright
Contents
Preface
Acknowledgments
Part I: From Philosophy to Film
1. Philosophy, Democracy, and the Turn to Film
2. Freedom and Persuasion
3. On Interpretation
Part II: Film and the Social Imaginary
4. Violence and the State
5. Love, Romance, and Pornography
Conclusion: Film, Faith, and Love
Notes
Bibliography: Essays on Sources
Index
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