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Index
Introduction
Music Theory Companion Book
1. Western Musical Notation
1.1. The Musical Staff and Its Elements
1.2. Title/Subtitle
1.3. Composer
1.4. Arranger
1.5. Instrument(s)
1.6. Staff Lines
1.7. Ledger Lines
1.8. Clef
1.9. Key Signature
1.10. Time Signature
1.11. Tempo
1.12. Bars and Bar Lines
Single Bar Lines
Double Bar Lines
Heavy Double Bar Lines
1.13. Notes
1.14. Rests
Beat-length Rests
Bar-length Rests
“Tacet”
1.15. Repeats
1.16. Codas
1.17. Endings
1.18. Form
Introductions
Form Letters/Section Titles
Tags
1.19. Brackets and Accolades
2. Understanding Clefs
2.1. Standard Pitch and Middle C
2.2. The Role of Clefs and the Most Common Types
2.3. The Treble Clef
2.4. The Bass Clef
2.5. Remembering the Notes
2.6. The Grand Stave
2.7. Octave Transposition
2.8. Other Clefs
2.8.1. Percussion Clef
2.8.2. Tablature
3. Time for Signatures
3.1. Time Signatures
3.2. Key Signatures
3.3. The Circle of Fifths
3.4. Rules and Guidelines to Keep in Mind
3.5. How to Read Key Signatures Quickly
3.6. Key Signatures in Four Most Common Clefs (Reference)
4. Solfege
4.1. Fixed “Do”
4.2. Moveable “Do”
5. How to Read Notes
5.1. Note Values
5.2. Sharps, Flats and Naturals (Accidentals)
5.3. Reading Single Notes
5.4. Reading Chords
5.4.1. Chord Symbols
5.5. What is a Lead Sheet?
6. How to Read Rhythm
6.1. Rhythmic Values
6.2. Note Durations
6.2.1. Dotted Notes
6.2.2. Tuplets
6.2.3. Rests
6.2.4. Ties and Slurs
6.3. Beat Counting
6.4. Building Blocks of Rhythm - Make Complex Rhythms Easy to Read
6.5. Tempo
6.6. Clapping the Beat
6.7. Polyrhythm
6.8. Polymeter
7. Dynamics and Articulation
7.1. Dynamics
7.2. Articulation
7.3. Techniques
Conclusion
APPENDIX A – how to practice
APPENDIX B - Exercises
Other Books by Nicolas Carter
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