Aaron Copland by Pollack, Howard -- Read -- Imperial Library of Trantor

Index

Title Page Copyright Notice Dedication Introduction 1. A Copland Portrait 2. Background Matters 3. Early Education and First Works 4. Paris 5. Copland and the Music of Europe 6. From Sonata Movement to Grohg (1921–24) 7. Return and Rediscovery 8. The Usable Past 9. From the Organ Symphony to “Vocalise” (1924–28) 10. From Vitebsk to the Piano Variations (1928–30) 11. Copland Among His Peers 12. Copland and Younger American Composers 13. South of the Border 14. Personal Affairs 15. Copland and the American Theater 16. An Engaged Citizen 17. From the Short Symphony to A Prairie Journal (1933–37) 18. From Billy the Kid to John Henry (1938–40) 19. Music for the Movies and for Keyboard (1939–41) 20. From Lincoln Portrait to Danzón Cubano (1942) 21. From The North Star to Appalachian Spring (1943–44) 22. From “Jubilee Variation” to Four Piano Blues (1945–48) 23. From The Red Pony to the Piano Quartet (1948–50) 24. The Changing Scene 25. From Old American Songs to the Piano Fantasy (1950–57) 26. From Dance Panels to Connotations (1959–62) 27. From Emblems to Proclamation (1964–82) 28. Identity Issues 29. The Later Years Conclusion Appendix: List of Works Notes Selected Bibliography Index Also by Howard Pollack About the Author Newsletter Sign-up Contents Copyright

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