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Index
Cover Page
Title Page
Copyright
Contents
Acknowledgments
Chapter One Introduction: Ethnomusicology in the Twenty-first Century
Chapter Two Musical Life in Softcity: An Internet Ethnography
Chapter Three A Riddle Wrapped in a Mystery: Transnational Music Sampling and Enigma’s “Return to Innocence”
Chapter Four “Ethnic Sounds”: The Economy and Discourse of World Music Sampling
Chapter Five Technology and the Production of Islamic Space: The Call to Prayer in Singapore
Chapter Six Plugged in at Home: Vietnamese American Technoculture in Orange County
Chapter Seven Technology and Identity in Colombian Popular Music: Tecno-macondismo in Carlos Vives’s Approach to Vallenato
Chapter Eight The Nature/Technology Binary Opposition Dismantled in the Music of Madonna and Björk
Chapter Nine Before the Deluge: The Technoculture of Song-Sheet Publishing Viewed from Late-Nineteenth-Century Galveston
Chapter Ten Stretched from Manhattan’s Back Alley to MOMA: A Social History of Magnetic Tape and Recording
Chapter Eleven Tails Out: Social Phenomenology and the Ethnographic Representation of Technology in Music Making
Chapter Twelve “There’s not a problem I can’t fix, ’cause I can do it in the mix”: On the Performative Technology of 12-Inch Vinyl
Chapter Thirteen Sounds Like the Mall of America: Programmed Music and the Architectonics of Commercial Space
Chapter Fourteen Consuming Audio: An Introduction to Tweak Theory
Chapter Fifteen Fairly Used: Negativland’s U2 and the Precarious Practice of Acoustic Appropriation
Afterword: Back to Basics with the Roland 303
List of Contributors
Index
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