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Index
Cover
Title Page
Copyright
Contents
List of Contributors
Chapter 1: Introduction: re-integrating ‘Celtic’ Art
Chapter 2: The time and space of Celtic Art: interrogating the ‘Technologies of Enchantment’ database
Chapter 3: A Celtic mystery: some thoughts on the genesis of insular Celtic art
Chapter 4: Seeing red: the aesthetics of martial objects in the British and Irish Iron Age
Chapter 5: Reflections on Celtic Art: a re-examination of mirror decoration
Chapter 6: What can be inferred from the regional stylistic diversity of Iron Age coinage?
Chapter 7: Technologies of the body: Iron Age and Roman grooming and display
Chapter 8: Celtic Art in Roman Britain
Chapter 9: Material, style and identity in first century AD metalwork, with particular reference to the Seven Sisters Hoard
Chapter 10: On the aesthetics of the Ancient Britons
Chapter 11: Comment I. Contextualising Iron Age art
Chapter 12: Comment II. The unmaking of Iron Age identities: art after the Roman conquest
Colour Plates
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