CONTENTS
- List of Illustrations
- Acknowledgments
- Introduction
- 1 Histories of Cultural Fabrication
- Making nations
- Who studies whom and how
- The study of culture
- Statelessness and dispossession
- 2 Occidentalizing the Orient: Modern Turkey
- Turkey and Orientalism
- Turkey, modernization, and reform
- Early reforms and hats
- Headscarves, veils, and women’s clothing
- Banning the headscarf
- 3 The Global Turkish Artist
- Ahmet Öğüt’s poetic transpositions
- Hatice Güleryüz’s heteroglossias
- Servet Kocyigit’s reconstructions
- Halil Altindere’s defamations
- 4 Art and the Islamic Female Diaspora
- Shirin Neshat: From darkness to dignity
- Ghada Amer: The provocation of pleasure
- Nasim Nasr: Layered destinies
- Mona Hatoum: Forever in transit
- 5 “China,” or Contemporary Chinoiserie
- “China” is a room of mirrors
- Filmic projections and interjections
- Ip Man: Kinship from conflict
- Marco Polo: Discovery and displacement
- 6 Japanese Recreations: Between Kawakubo and Cosplay
- Meiji and modernization
- “Japanese” fashion
- Kawakubo: “I want to be forgotten”
- Nabokov meets Nippon: Lolita and cosplay
- 7 Indian Interdependence
- A culture of estrangement
- Contemporary Indian fashion
- 8 From Primitive to Provocative: First Nations in End Times
- Noble savagery, guilt, and globalization
- Aboriginal art: Origins
- Miscegenated cultures
- Aboriginal art is white, or not black enough
- Occupying multiple spaces
- 9 Conclusion: Floating Signifiers
- Notes
- Bibliography
- Index