Introduction: New Critical Thinking – To Read so as to Become Acquainted
2‘Peering into the dark machinery’: Modernity, Perception and the Self in John Burnside’s Poetry
3Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio
4Little Did They Know: Toward an Experiential Approach to the Theory of History
6Reading Microhistory: Three Layers of Meaning
7Writing Fiction, Making History: Historical Narrative and the Process of Creating History
8Witnessing, Recognition and Response Ethics
9A Norwegian Abroad: Camilla Collett’s Travelogues from Berlin and Paris
10Alfred Jarry’s Nietzschean Modernism