Chapter 3
In This Chapter
Standing as an art
Using standing postures to enhance body and mind
Practicing fundamental standing postures
The simple act of standing upright brings your spine, muscles, tendons, and ligaments into play. Ordinarily, these parts do their assigned tasks quite automatically. But to stand efficiently and elegantly, you also need to bring awareness to the act, and that’s where yoga enters the picture. In this chapter, you can find ten of the most common and favored yoga standing postures to practice. They can help you discover the art of standing consciously, efficiently, and beautifully.
The yogic standing postures make up the foundation of asana practice. You may hear that you can derive everything you need to master your physical practice from the standing postures. The standing postures help you strengthen your legs and ankles, open your hips and groin, and improve your sense of balance. In turn, you develop the ability to “stand your ground” and “stand at ease,” which are important aspects of the yogic lifestyle. The standing postures are versatile. You can use them in the following ways:
This section introduces you to ten standing postures and describes the step-by-step process for each exercise. You can also find discussions on the benefits and the classic (traditionally taught) version of the posture. If you’re a beginner, avoid the classic version because, in most cases, the postures are more difficult and sometimes risky. Here are a few tips before you get started with the standing postures:
The mountain posture is the foundation for all the standing postures. Tadasana aligns the body, improves posture and balance, and facilitates breathing.
Stand tall but relaxed, with your feet at hip width (down from the sits bones, not the outer curves), and hang your arms at your sides, with your palms turned toward your legs.
The sits bones, also known as the ischial tuberosity, are the bony parts you feel underneath the flesh of your buttocks you when you sit up straight on a firm surface.
Visualize a vertical line connecting the opening in your ear, your shoulder joint, and the sides of your hip, knee, and ankle.
Look straight ahead, with your eyes open or closed, as in Figure 3-1.
Note: In the classic version of this posture, the feet are together and the chin rests on the chest.
The Sanskrit word uttana (pronounced oo-tah-nah) means “extended,” and this posture certainly fits that bill. The standing forward bend (see Figure 3-2) stretches the entire back of the body and decompresses the neck (makes space between the vertebrae), thus freeing the cervical spine and allowing the neck muscles to relax. It also improves overall circulation and has a calming effect on the body and mind. The following steps walk you through the process.
As you exhale, bend forward from your hips.
When you feel a pull in the back of your legs, soften your knees (as in the Forgiving Limbs discussion in Book I, Chapter 3) and hang your arms.
If your head isn’t close to your knees, bend your knees more.
If you have the flexibility, straighten your knees but keep them soft. Relax your head and neck downward, as Figure 3-2b illustrates.
As you inhale, roll up slowly, stacking the bones of your spine one at a time from bottom to top, and then raise your arms overhead.
Rolling is the safest way to come up. If you don’t have back problems, after a few weeks, you may want to try the two more advanced techniques discussed earlier in the section.
Note: In the classic posture, the feet are together and the legs are straight. The forehead presses against the shins, and the palms are on the floor.
The Sanskrit word ardha (pronounced ahrd-ha) means “half.” The half standing forward bend strengthens your legs, back, shoulders, and arms, and improves stamina.
Bend your knees and, as you inhale, raise your torso and arms up from the front so that they’re parallel to the floor, as in Figure 3-3.
If you have any back problems, keep your arms back by your sides; then, over a period of time, gradually stretch them out to the sides like a T and eventually in front of you so they’re parallel to the floor.
Bring your head to a neutral position so that your ears are between your arms; look down and a little forward.
To make the posture easier, move your arms back toward your hips instead of having them extend forward or out to the sides — the farther back, the easier.
Note: In the classic version of this posture, the feet are together and the legs and arms are straight.
The asymmetrical forward bend stretches each side of the back and hamstrings separately. The Sanskrit word parshva (pronounced pahr-shvah) means “side” or “flank,” and this posture indeed opens the hips, tones the abdomen, decompresses the neck, improves balance, and increases circulation to the upper torso and head.
Stand in the mountain posture and, as you exhale, step forward about 3 to 3½ feet (or the length of one leg) with your right foot.
Your left foot turns out naturally, but if you need more stability, turn it out even more — but not past 45 degrees.
As you exhale, bend forward from the hips, soften your right knee and both arms, and hang down, as Figure 3-4b illustrates.
If your head isn’t close to your right knee, bend your knee more. If you have the flexibility, straighten your right knee — but keep it soft.
As you inhale, roll up slowly, stacking the bones of your spine one at a time from the bottom up, and then raise your arms overhead; relax your head and neck downward.
Rolling up is the safest way to come up, but if you don’t have back problems, you may want to try the more advanced techniques covered earlier in the section after a few weeks.
Note: In the classic version of this posture, both legs are straight and the forehead presses against the forward leg.
The Sanskrit word utthita (pronounced oot-hee-tah) means “raised,” and trikona (pronounced tree-ko-nah) means “triangle.” The triangle posture stretches the sides of the spine, the backs of the legs, and the hips. It also stretches the muscles between the ribs (the intercostals), which opens the chest and improves breathing capacity.
Turn your right foot out 90 degrees. On your left foot, have your toes turned slightly in rather than straight ahead.
An imaginary line drawn from the right heel (toward the left foot) should bisect the arch of the left foot.
As you exhale, reach your right hand down to your right shin as close to the ankle as is comfortable for you, and then reach and lift your left arm; as much as you can, bring the sides of your torso parallel to the floor.
Bend your right knee slightly, as in Figure 3-5b, if the back of your leg feels tight.
Soften your left arm and look up at your left hand.
If your neck hurts, look down or halfway down at the floor.
Note: In the classic version of this posture, the arms and legs are straight and the trunk is parallel to the floor. The right hand is on the floor outside the right foot.
The Sanskrit word parivritta (pronounced pah-ree-vree-tah) means “revolved,” which makes perfect sense with this posture. The action of twisting and untwisting increases circulation of fresh blood to the discs between the spinal vertebrae (intervertebral discs) and keeps them supple as you grow older. The reverse triangle also stretches the backs of your legs, opens your hips, and strengthens your neck, shoulders, and arms.
Raise your left arm toward the ceiling and look up at your left hand; soften your knees and your arms, and then bend your left knee, or move your right hand away from your left foot (and more directly under your torso), as in Figure 3-6b, if necessary.
If you feel neck strain, turn your head toward the floor.
Note: In the classic version of this posture, the feet are parallel and the legs and arms are straight. The torso is parallel to the floor, and the bottom hand rests lightly outside the opposite side foot.
Stand in the mountain posture and, as you exhale, step forward approximately 3 to 3½ feet (or the length of one leg) with your right foot (see Figure 3-7a).
Your left foot turns out naturally, but if you need more stability, turn it out more (so that your toes point to the left).
As you inhale, raise your arms forward and overhead, and bend your right knee to a right angle (so that your knee is directly over your ankle and your thigh is parallel to the floor), as in Figure 3-7b.
If your lower back is uncomfortable, lean your torso slightly over your forward leg until you feel a release of tension in your back.
Like the warrior I posture covered in the preceding section, warrior II strengthens your legs, back, shoulders, and arms. It focuses more on your hips and groin, and it increases strength and stamina; it also improves balance. Use the following steps as your guide.
Turn your right foot out 90 degrees, and have the toes of your left foot turned slightly in rather than forward.
An imaginary line drawn from your right heel toward your left foot should bisect the arch of your left foot.
The Sanskrit word prasarita (pronounced prah-sah-ree-tah) means “outstretched,” and pada (pronounced pah-dah) means “foot.” This posture, also called the wide-legged standing forward bend, stretches your hamstrings and your adductors (on the insides of the thighs) and opens your hips. The hanging forward bend increases circulation to your upper torso and lengthens your spine. Figure 3-9 illustrates this posture.
Note: In the classic version of this posture, the legs are straight, the head is on the floor (and the chin presses the chest), and the arms reach back between the legs, with the palms on the floor.
The Sanskrit word ardha (pronounced ahrd-ha) means “half,” and utkata, (pronounced oot-kah-tah) translates as “powerful.” The half chair posture strengthens the back, legs, shoulders, and arms and builds overall stamina. If you find this posture difficult or you have problem knees, you may want to skip this position for now and return to it after your leg muscles become a little stronger. Don’t overdo this exercise (either by holding the position too long or by repeating it more than recommended), or you’ll have sore muscles the next day. But there’s no harm in experiencing some muscle soreness, either, especially if you haven’t exercised in a long time. Check out Figure 3-10 for guidance.
Note: In the classic version of this posture, the feet are together and the arms are straight, with the fingers interlocked and the palms turned upward. The chin rests on the chest.
The Sanskrit word adhomukha (pronounced ahd-ho-mook-hah) means “downward facing,” and shvan (pronounced shvahn) means “dog.” Inspired by a dog’s leisurely stretching, the downward-facing dog practice stretches the entire back of your body and strengthens your wrists, arms, and shoulders. This posture is a good alternative for beginning students who aren’t yet ready for inversions like the handstand and headstand. Because the head is lower than the heart, this asana circulates fresh blood to the brain and acts as a quick pick-me-up when you’re fatigued.
Start on your hands and knees; straighten your arms, but don’t lock your elbows (see Figure 3-11a).
Be sure that the heels of your hands are directly under your shoulders, with your palms on the floor, your fingers spread, and your knees directly under your hips. Emphasize pressing down with the thumbs and index fingers, or the inner web of your hand.
Press your heels toward the floor and your head toward your feet, as in Figure 3-11b.
If your hamstrings feel tight, try putting a little bend in your knees to help you straighten your spine.
Don’t complete Step 3 if doing so strains your neck.
Note: In the classic posture, the feet are together and flat on the floor, the legs and arms are straight, and the top of the head is on the floor, with the chin pressed to the chest.