Page numbers refer to the print edition but are hyperlinked to the appropriate location in the e-book.
Adorno, Theodor W. 44, 272
Aesthetics 2, 4, 7, 45–8, 52, 56, 74, 100, 105–7, 141–2, 144, 147, 152, 154, 167, 257, 268, 271, 282, 288
American Underground cinema 47
Avant-garde 5, 27, 47, 58, 71–8, 101, 110, 142–4, 146, 152, 156–7, 160, 166, 206, 244, 256, 266, 272, 283, 289
Barthes, Roland 5, 14, 33–5, 49, 57, 67, 78, 81, 111, 120–8, 131–2, 138–9, 171, 181–2, 195, 240
Baudelaire, Charles 4, 295
Biancorosso, Giorgio 12, 35
Borges, Jorge Luis 20, 234
Boullée, Etienne-Louis 247
Burch, Noel 1, 3–8, 11–14, 16–21, 28–38, 41–55, 66, 98, 142, 163, 168, 207, 239, 244, 255–95
Carrière, Jean-Claude 64, 66
Coleridge, Samuel Taylor 17, 195
Consciousness 16–17, 20–35, 49, 77–8, 103, 122, 158, 165, 205, 217, 219, 237, 240, 266, 274, 284–5
Cultural Studies 12, 16, 44–5, 49, 54–5, 67–8, 142, 207, 231, 258, 264
Decadent movement, the 4, 295
Della Francesca, Pierro 187
Dialectic 7, 11, 13, 19, 22, 32, 34–5, 39–40, 44, 47, 49, 51, 72, 76, 80, 119, 141, 210, 231, 246, 257, 284
Difference 7, 17, 21–4, 27, 31, 34, 38, 42, 51, 86, 92, 94, 101, 106–7, 118, 122–3, 130, 138, 142–3, 209, 232, 234, 251, 263, 279, 289
Documentary (ies) (ists) 5–6, 22–33, 37–9, 59, 76, 114, 132, 135, 141–64, 166–7, 191–4, 197, 208, 217, 241, 248, 256, 259, 262, 269, 274, 289–90
Eisenstein, Sergei 34–5, 40, 58–64, 67–8, 85, 112, 147, 152, 155, 240, 248, 291
Film Studies 12, 16, 19, 102, 104, 109, 167, 192, 194–7, 231, 243, 258, 267, 278, 280
Filmic 2, 6, 11–13, 19–22, 29, 32–5, 37–8, 83, 105, 154, 164, 175, 241
French Impressionists 188
Gender 42–3, 45, 48–9, 55, 147, 157, 257, 267, 277, 279, 292
Godard, Jean-Luc 3–4, 6, 30–2, 35, 40, 42, 57–62, 66, 74, 100–1, 116, 152, 202, 204–6, 215, 219, 221–3, 227–9, 236–9, 244, 246, 248, 262, 266, 289
Gorenstein, Friedrich 140
Guru Kelucharan Mohapatrd 147–50
Hitchcock, Alfred 4, 43, 49, 54, 58, 60–2, 65–7, 84–5, 98, 136, 275–6
Hollywood 3, 6, 44, 46, 49, 54–5, 64–6, 71, 75, 78, 84, 109, 129–30, 151, 171, 195, 208–9, 213–14, 228, 232, 238, 248, 264, 274–6, 280, 292
Ideological State Apparatus 14
IMF [International Monetary Fund] 261
International Film School Wales 225, 239
Kieslowski, Krzysztof 105
Lacan, Jacques 21–2, 24–6, 38–9, 57, 85, 90, 92–3, 106, 110, 169–82
Literature 41, 55–6, 73, 85, 116, 123, 125, 130–1, 234–5, 240, 276, 278–9, 282
London Filmmakers Co-op 203–4
Lyotard, Jean-François 16, 92, 94
Modernism 4, 15, 41, 43–4, 47–8, 55, 71, 73, 79, 100– 2, 105, 110, 141–2, 257, 271, 277–8, 295
Mulvey, Laura 4, 7, 24, 29, 42, 58, 71–81, 109, 204, 233, 280–1
Narrative 2, 4, 12–20, 23, 28, 38, 41–3, 48, 55, 58–63, 65, 74–8, 84–6, 90, 99–102, 108–10, 123–6, 132–40, 146, 149, 163–5, 191–5, 211, 233, 249–50, 258, 284, 295
Netherlands Film and Television Academy 225
Philosophy 7, 16, 100–1, 153, 201–23, 228, 235, 237, 241, 243, 255, 270–2
Portsmouth Symphonium, The 206
Postmodernism 11, 15, 28–9, 55, 71, 196, 207, 244, 257, 264–6, 287
Reader-response theory 118
Rembrandt, Harmenszoon van Rijn 185, 239, 268
Revolutionary formalism 42, 256
Robbe-Grillet, Alain 20, 62
Rousseau, Jean-Jacques 32, 39, 48
Scratch Orchestra, The 206
SCS [Society for Cinema and Media Studies] 258, 265
Seurat, Georges-Pierre 187
Signifier 13, 16, 34, 36, 38, 78, 83–6, 104, 109, 124, 132, 170, 173, 176, 179–80
Situationist International 56
Stockhausen, Karlheinz 234
Taylor, Elizabeth 30, 228
Van Nypelseer, Jacqueline 116
Viswanathan, Jacqueline 111, 116
Von Sternberg, Josef 45, 172
Wittgenstein, Ludwig 107–8
Wollen, Peter 4, 34, 48, 57, 66, 68, 101, 110, 141, 204, 233