All maps and drawings are by Dr Patrick Gallagher, unless otherwise indicated.
Photo Martirene Alcantara: 84; Courtesy American Museum of Natural History: 31, 35, 41, 62, 92, 94, 118; Drawing after Aveni: 65; Based on R. H. Barlow, Extent of the Empire of the Culhua Mexica: 144; Bibliothèque Nationale, Paris: 168; Map Jean Blackburn: 34; Drawing Jean Blackburn: 98; Courtesy the Trustees of the British Museum: 153; Drawing Oralia Cabrera, modified from Plan 104 of the Proyecto Arqueologico de Teotihuacan 1980–1982: 76; Drawn from A. Caso, Exploraciones en Oaxaca, Quinta y Sexta Temporadas (pl. I): 101; Courtesy John E. Clark: 48; The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1973.3: 114; Courtesy Michael D. Coe: 2, 3, 15, 16, 20, 27, 38, 43, 47, 53, 58, 60 61, 82, 90, 100, 107, 111, 113, 116, 128, 130, 131, 132, 136, 137, 143; From M. D. Coe, The Jaguar’s Children: Pre-Classic Central Mexico: 57; Drawing Felipe Dávalos Gonzalez/National Geographic Image Collection: 44; Drawing courtesy Richard A. Diehl: 129, 135; Based on K. Dixon, Ceramics from Two Pre-Classic Periods: 19; Drawing courtesy Elbis Dominguez Covarrubias: 103; Drawing courtesy Katarina Faust: 141; Drawn from J. García Payón, “Una ‘palma’ in situ” (fig. 1): 115; Drawing courtesy the Great Temple Project: 160; Redrawn and modified after Jesper, Nielsen, and Christophe Helmke. 2011. “Reinterpreting the Plaza De Los Glifos, La Ventilla, Teotihuacan.” Ancient Mesoamerica 22 (02), 323–343, Fig. 6, detail: 89; David Grove: 37; Salvador Guilliem, courtesy of the Great Temple Project: 149, 161, 162, 164, 165; Courtesy Robert F. Heizer and the National Geographic Society: 51; From W. H. Holmes, “On a nephrite statuette from San Andres Tuxtla, Vera Cruz, Mexico.”: 55; Drawing Stephen Houston: 53; Instituto Nacional de Antropología e Historia: 7, 8, 9, 26, 34, 73, 78, 85, 123, 124, 139, 140, 154, 155, 156, 158; Irmgard Groth-Kimball: 64; Drawing Michael Kampen, courtesy of University of Florida Press: 113; Drawing David Kiphuth, after photo by Michael D. Coe: 105; Drawing David Kiphuth: 163; Courtesy J. J. Klejman: 25; Drawing Daniela Koontz: 96; Drawing courtesy Rex Koontz: 108; Photograph courtesy Rex Koontz: 77, 98, 99, 109, 110; Compiled from S. Linné, Archaeological Researches and Mexican Highland Cultures: 86, 88; Drawn from S. Linné, Archaeological Researches (figs. 62, 73, 112): 134; After S. Linné: 87; Based on J. L. Lorenzo, “A fluted point from Durango, Mexico”: 6; From Richard S. MacNeish, Second Annual Report of the Tehuacan Archaeological-Botanical Project: 11; Drawing after Ignacio Marquina, Arquitectura Prehispánica (Mexico, 1951): 79; Courtesy E. Matos Moctezuma: 159; Courtesy Metropolitan Museum of Art, New York: 28, 29, 32, 40, 95, 117; The Metropolitan Museum of Art, New York, The Michael C. Rockefeller Memorial Collection (1979.206.1134): 56; Museo Nacional de Antropología, Mexico: 33, 148; Mary Miller: 66, 72; Photo from René Millon, Urbanization at Teotihuacan, Mexico. © René Millon: 71; Drawing after R. Millon, “Teotihuacan,” Scientific American (1967), 5: 74; Drawing ML Design: 97, 146; Copyright Marco Antonio Pacheco/Arqueología Mexicana, Raíces. CONACULTA.-INAH.-MEX. Reproduccíon Autorizada por el Instituto Nacional de Antropología e Historia: 166; Photo Christine Niederber: 17; Robert S. Peabody Foundation for Archaeology, Phillips Academy, Andover, Massachusetts: 12; Courtesy Peabody Museum of Natural History, Yale University: 126; Courtesy Jorge Pérez de Lara: frontispiece; Drawn Annick Petersen: 59; Compiled from M. N. Porter, Tlatilco and the Pre-Classic Cultures of the New World: 21; Compiled from M. N. Porter ibid., and from R. Piña Chan, Tlatilco: 24; Courtesy Kent Reilly: 46; Drawn from E. Seler, Gesammelte Abhandlungen: 133; Courtesy Matthew W. Stirling and the National Geographic Society: 42, 45, 50, 52, 68, 91; Drawing courtesy George Stuart: 69; Saburo Sugiyama: 75; Drawing Karl Taube: 83; Drawing Drazen Tomic after William H. Bond in Stuart 1992, 122–123: 106; Drawing courtesy Javier Urcid: 122; Based on A. Villagra, “Teotihuacan, sus pinturas murales” (fig. 1): 81; After figs. 37 and 38 in Cuarenta Siglos de Plástica Mexicana, by Paul Westheim et al., Mexico 1969: 39; Photo Bruce M. White/Trustees of Princeton University: 22, 23; Courtesy Hasso von Winning: 30; From H. von Winning, “Representations of temple buildings as decorative patterns on Teotihuacan pottery and figurines” (fig. 1): 80; Courtesy Yale University Art Gallery and the Olsen Collection: 93, 158; Michel Zabé: 102, 121; Drawing courtesy Cherra Wyllie: 119, 120.