LIST OF ILLUSTRATIONS AND MAPS
Maps
Illustrations
“Burning of the Theater in Richmond, [December 26, 1811],” colored aquatint by B. Tanner, 1812.
“Peter Francisco’s Gallant Action with Nine of Tarleton’s Calvary,” engraving by D. Edwin, 1814.
“View of Norfolk from Town Point,” watercolor by Benjamin Henry Latrobe, 1798.
“Rippon Lodge,” watercolor by Benjamin Henry Latrobe, 1796.
“But I did not want to go and I jumped out of the Window,” engraving by Jesse Torrey, 1817.
“Virginian Luxuries,” tavern sign by unknown artist, ca. 1825.
“St. George Tucker,” engraving by Charles B. J. F. de Saint-Memin, 1807.
“Extraordinary Appearances in the Heavens and on Earth,” watercolor by Benjamin Henry Latrobe, 1797.
Gilbert Hunt (1773–1863), portrait by unknown photographer.
“A Private of the Fifth West India Regiment,” aquatint by I. J. C. Stadler, 1814.
“Sectional Sketch of a Tellegraph on the Lever Principles,” sketch by William Tatham, 1812.
“Governor James Barbour of Virginia.”
“Admiral Sir John Borlase Warren, R.N.,” engraving by R. N. Stipple, 1800.
“Vice Admiral Sir Alexander F. I. Cochrane,” oil portrait by Sir William Beechey.
“Lelia Skipwith Carter Tucker,” oil painting by unknown artist, ca. 1815.
“Joseph Carrington Cabell,” from Alexander Brown, The Cabells and their Kin (1895).
Caricature by Thomas McLean, 1831.
“Admiral Sir George Cockburn,” oil painting by John James Halls, 1817.
“Colonial Marines Drilling at Tangier Island in 1814,” modern painting of Gerry Embleton.
“First View of the Battle of Patapsco Neck,” engraving by Andrew Duluc, 1814.
“View of the Capitol of the United States after the Conflagration,” engraving by Jesse Torrey, 1817.
“A View of the Town of St. George, Bermuda,” aquatint by I. J. C. Stadler, 1815.
“Philanthropie Moderne,” cartoon by a French pro-slavery artist, 1830s.
“Gabriel Hall,” photograph by George H. Craig, 1892.
“Halifax, from Dartmouth Point,” acquatint by G. I. Parkyns, 1817.
“Horrid Massacre in Virginia,” woodcut by unknown Virginian, 1831.
“The Noble Virginians Going to Battle,” engraving by William Hillhouse, 1820.