CONTENTS

PREFACE

INTRODUCTION by Helen Vendler

Finishing Up

OMMATEUM WITH DOXOLOGY (1955)

So I Said I Am Ezra

The Sap Is Gone Out of the Trees

In Strasbourg in 1349

I Broke a Sheaf of Light

Some Months Ago

I Went Out to the Sun

At Dawn in 1098

The Whaleboat Struck

Turning a Moment to Say So Long

Turning

Dying in a Mirthful Place

When Rahman Rides

With Ropes of Hemp

My Dice Are Crystal

Having Been Interstellar

Coming to Sumer

I Assume the World Is Curious About Me

I Struck a Diminished Seventh

Gilgamesh Was Very Lascivious

When I Set Fire to the Reed Patch

The Grass Miracles

I Came in a Dark Woods Upon

A Treeful of Cleavage Flared Branching

[Behind the I]

One Composing

In the Wind My Rescue Is

[I should have stayed longer idle]

A Crippled Angel

Dropping Eyelids Among the Aerial Ash

I Came Upon a Plateau

Doxology

EXPRESSIONS OF SEA LEVEL (1964)

Raft

Hymn (“I know if I find you I will have to leave the earth . . .”)

Risks and Possibilities

Terrain

Nelly Myers

Bridge

Requiem

Guide

Expressions of Sea Level

Unsaid

Mechanism

Batsto

Mansion

Close-Up

Mountain Liar

Prospecting

Jersey Cedars

Hardweed Path Going

Bourn

Grassy Sound

Silver

Concentrations

River

Motion for Motion

Identity

What This Mode of Motion Said

Still

The Golden Mean

Nucleus

CORSONS INLET (1965)

Visit

Moment

Winter Scene

Corsons Inlet

Dunes

Street Song

Lines

Coon Song

Portrait

Jungle Knot

Dark Song

Resort

Upright

Catalyst

Loss

World

Butterflyweed

Configurations

Glass

Morning Glory

The Strait

Spindle

The Yucca Moth

Anxiety

Four Motions for the Pea Vines

Hymn II (“So when the year had come full round . . .”)

Hymn III (“In the hour of extreme // importance . . .”)

Open

Epiphany

Prodigal

Motion

The Misfit

The Watch

Libation

The Wide Land

Thaw

Whose Timeless Reach

Ritual for Eating the World

Driving Through

March Song

Gravelly Run

TAPE FOR THE TURN OF THE YEAR (1965)

6 Dec: (“today I / decided to write / a long / thin / poem . . .”)

7 Dec: (“today / I feel a bit different . . .”)

8 Dec: (“the way I could tell / today / that yesterday is dead . . .”)

9 Dec: (“sunny again: // last night a plane . . .”)

10 Dec: (“sunshine & shade / alternate at 32 . . .”)

11 Dec: (“they changed the forecast / today . . .”)

12 Dec: (“clouds came in soon after / dark last night . . .”)

13 Dec: (“my book came today, Friday / the 13th . . .”)

14 Dec: (“today / came in an / opposite way / of rain turning into snow . . .”)

15 Dec: (“my poem went for a ride / today . . .”)

16 Dec: (“first I heard / on the radio this morning / it was / 19 degrees . . .”)

17 Dec: (“Sisyphus / struggling / with his / immortal / rock . . .”)

18 Dec: (“today / broke as if under water . . .”)

19 Dec: (“this ole world could be / one . . .”)

20 Dec: (“today is cold: hit / ten last night: / and it not winter / yet . . .”)

21 Dec: (“the jay was out / before sunrise / wheeling & dealing . . .”)

22 Dec: (“we lost our mule Kate in / the fall / to a chattel mortgage . . .”)

23 Dec: (“I was thinking when I woke / up . . .”)

26 Dec: (“today is bright, warm . . .”)

27 Dec: (“today is / cloudy / in several ways . . .”)

28 Dec: (“today / is dim / again . . .”)

30 Dec: (“today is 19 & / sunny . . .”)

31 Dec: (“today the dry burn in / my nose of a cold / coming on . . .”)

1 Jan: (“raining: / at the borderline & / promise / of snow . . .”)

2 Jan: (“today / feels above freezing & is / sunshiny . . .”)

3 Jan: (“today is warm & sunny: / may go up to 50 . . .”)

4 Jan: (“3:20 pm: today is near- / ly shot aready . . .”)

5 Jan: (“today is sunny & it may / be warm again . . .”)

6 Jan: (“today is splennid again . . .”)

7 Jan: (“today is rainy . . .”)

8 Jan: (“today is sunny & warming . . .”)

9 Jan: (“today ben / der clouds . . .”)

10 Jan: (“today is windy as March / & sunny . . .”)

NORTHFIELD POEMS (1966)

Kind

Height

Joshua Tree

Reflective

Landscape with Figures

The Constant

Contingency

One:Many

Halfway

Interference

Saliences

Trap

The Foot-Washing

Recovery

Two Motions

Composing

Ithaca, N.Y.

Consignee

February Beach

Self-Portrait

Passage

Peak

Zone

Muse

Sitting Down, Looking Up

Belief

Song

Orientale

Mays Landing

Sphere

First Carolina Said-Song

Second Carolina Said-Song

Discoverer

A Symmetry of Thought

Holding On

Uh, Philosophy

The Numbers

Empty

Unbroken

Fall

The Wind Coming Down From

Interval

Way to Go

UPLANDS (1970)

Snow Log

Upland

Periphery

Clarity

Classic

Conserving the Magnitude of Uselessness

If Anything Will Level with You Water Will

The Unifying Principle

Runoff

Transaction

Then One

Further On

Hope’s Okay

Life in the Boondocks

Spiel

Guitar Recitativos

Laser

Virtu

Choice

Body Politic

Apologia pro Vita Sua

Offset

Mountain Talk

Impulse

Needs

Help

Love Song (“Like the hills under dusk . . .”)

Love Song (2) (“Rings of birch bark . . .”)

Mule Song

Script

Holly

Small Song

Possibility Along a Line of Difference

Cascadilla Falls

Summer Session

BRIEFINGS: POEMS SMALL AND EASY (1971)

Center

Mechanics

Up

After Yesterday

Event

High & Low

Peracute Lucidity

Increment

Bees Stopped

Storm

Two Possibilities

Medicine for Tight Spots

Brooks & Other Notions

Cougar

This Black Rich Country

Attention

Return

This Bright Day

Look for My White Self

Undersea

Auto Mobile

Wagons

September Drift

Civics

He Held Radical Light

Locus

Circles

Working Still

Tooling Up

Father

Sumerian

Hippie Hop

Garden

Hymn IV (“I hold you responsible . . .”)

The Mark

Loft

Poetics

Working with Tools

Doubling the Nerve

Making

Dominion (“I said / Mr. Schafer . . .”)

Round

Tight

The Woodsroad

WCW

Saying

Looking Over the Acreage

Gain

Off

Treaties

Convergence

Project

North Jersey

Ship

Play

Spinejacking

Shore Fog

Meteorology

Exotic

Hosts

Crevice

Transducer

Mean

Banking

Elegy for a Jet Pilot

Countering

The Quince Bush

Square

Autumn Song

Early Morning in Early April

Reversal

The Confirmers

Involved

Admission

Mission

Cut the Grass

The Limit

Concerning the Exclusions of the Object

The Makers

Levitation

Medium

Transfer

Monday

Pluralist

Here & Now

The Run-Through

The Put-Down Come On

The City Limits

PREVIOUSLY UNCOLLECTED POEMS FROM COLLECTED POEMS 1951–1971 (1972)

The Pieces of My Voice

Chaos Staggered Up the Hill

Eolith

Hymn V (“Assure us you side with order . . .”)

Spring Song

Come Prima

Terminus

Back Country

Christmas Eve

Communication

The Whole Half

Bay Bank

Money

Fall Creek

Utensil

The Fall

April

Lion::Mouse

Breaks

Heat

Definitions

Path

Mediation

Snow Whirl

Reward

Timing

Trouble Making Trouble

Rome Zoo

Alternatives

Positions

Reassessing

Renovating

Devising

Emplacement

Touching Down

Spring Coming

Ocean City

Chasm

Bearing Mercy

Tossup

Plexus

Three

Miss

Celestial

Correction

Mirrorment

Coming To

Even

Windy Trees

Photosynthesis

Making Waves

Clearing

The Account

Winter Saint

The Imagined Land

The King of Ice

Village, Town, City—Highway, Road, Path

Lonely Splendor

The Swan Ritual

He Said

One More Time

Drought

Image

Equinox

Russet Gold

Essay on Poetics

Plunder

Triphammer Bridge

Lollapalooza: 22 February

Satyr Formalist

Late Romantic

Spaceship

Cleavage

Schooling

Space Travel

High Surreal

Sharp Lookout

Right On

Rectitude

Object

Ground Tide

Translating

Sorting

The Next Day

Extremes and Moderations

Mid-August

Clearing the Dark Symbiosis

Viable

Precursors

Lonesome Valley

Delaware Water Gap

Day

Staking Claim

The Eternal City

The Shoreless Tide

Grace Abounding

Phase

Hibernaculum

Eyesight

Left

The Arc Inside and Out

SPHERE: THE FORM OF A MOTION (1974)

For Harold Bloom

Sphere: The Form of a Motion

DIVERSIFICATIONS (1975)

Transcendence

Insouciance

Narrows

Salt Flats

Full

Uppermost

Lightning

The Marriage

Self-Portraits

Double Exposure

Currencies

Bonus

Emerson

Meeting the Opposition

Appearances

Measure

Delight

The Stemless Flower

Imperialist

Poem

Imago

Light Orders

History

Self-Projection

Outside-the-Household Hint

Metaphysic

Tussock

The Make

Juice

Terminations

Fundamental Constant

Making It

Scope

Weight

Ballad

Three Travelogues

Sight Unseen

Facing

Glass Globe

Separations

Circling

Fix

Weather

Coward

Crying Out

Certainty

The Flaw

Triplet

Design

Rocking

Ars Poetica

Course Discourse

Obtrusion

Louise

80-Proof

Having to Do with Birth

Limp Lump

Mind

Attenuations

Turning

Swipe

Paradise

Satisfaction

The Unmirroring Peak

Pray Without Ceasing

THE SNOW POEMS (1977)

Words of Comfort

One Must Recall as One Mourns the Dead

Things Change, the Shit Shifts

My

Here I Sit, Fifty in the

My Father Used to Bring Banana

Have You Seen the Severe Waters

Early October

Terror of

Ivy, a Winding)

The Hieroglyphic Gathered, the Books

Your Full-Service Mover, Madam

When in Early

The Arc

There! the Light of Human Reason!

Hard Lard

Hard Fist

8:45 A.M.—Doorbell Rings: Wife

Shall Will Be Used Properly or Will Shall

No Tirement Like Retirement

Light Falls Shadow and Beam through the Limbo

Mist Curtains Lower and Dissolve

The Snow Is Fine-Sightless Today the Ground

The Hen Pheasants Streak Out of the

Dawn Clear

If You Were Standing under the Elm and

In the Old

Forecast for Today (Winter’s Firstday)

I Come in from the Snowy World

Poetry Is the Smallest

Christmas Eve Morning

Analysis Mines and Leaves to Heal

Snowed Last Night a Lot but Warmed Up

Those in Ledge Fright Seek

But If the Way Will

The Sun Climbs Daily Higher

A Seventeen Morning &

The First Morning in a Few

This Is

Quilted Spreads

Dung Ball, Round Graveyard

I See Downhill a Patch

The Stomach Is Quite

My Neighbor Shakes Feed along

Nature As Waterfalls

The Wind Picks Up Slick

Cold Didn’t Keep the Stuff

Teeth Out

When I Think of “the Poet

You Can’t Get It Right

The Perfect Journey Is

Snow of the

[here a month of snow]

The Prescriptive Stalls As

After the Dissolve

A Sift, Sprinkling, or Veil

Structureless Rage, Perhaps

Tell What Will Not Tell Direct

Spread It Thin

Dark Day, Warm and Windy

Like Fifty

A 41 Morning, Still Cloudy

Produce and Fuctifry

I Look Up Guff and Find the First

One at One with His Desire

Dull Lull

The Temperature Rose 15 Degrees over

As for Fame I’ve Had It

When One Is a Child One Lives

Cloud Strays Rounded Up

It’s Half an Hour Later Before

This Poem Concerns

The Word Cries Out

I Woke Up at 6 and It Was

A Flock of My Days

You Can’t Imitate

Spring’s Old Hat Is Older

The Temperature Fell

You Can

Cunit

It’s a Wonder the Body

Today Was Like Vomiting

It’s April 1

I’m Unwilling

The Sky Clabbered Up with

A Single Fact

It Does Not Rain in

One Loves

The Miltonic (Miltownic) Isn’t

My Father Used to Tell of an

Arm’s Length Renders One

I’m the Type

Snow Showed a Full Range

No Matter

It’s So Dry the Brook, Down

Today Will Beat Anything

Sight Can Go Quickly, Aerial, Where

These Days Most

The Cardinal, Slanted Watershed

One Desires the Cutting

I Wonder if Pagan Is

Rage Spells More of My Words Right

On This Day Noteworthily Warm

Some Nights I Go Out to Piss

My Structure Is, Like the

You Think of the Sun That It

Snow

It Snowed All Night Snow

Drip Drip

Some Fluffy, Long-Swaggly Catkins

My Father, I Hollow for You

I Knew

I Cannot Re-wind the Brook

Considering the Variety

Variable Cloudiness Windy

On Walks I Go a Long Way along

One Trains Hard for

Will Firinger Be Kissed: Will

If Walking through Birdy Trees

They Say It Snowed

HIGHGATE ROAD (1977)

Shuffling

Enterprise

For Louise and Tom Gossett

Significances

Release

Modality

Meanings

Handle

Speechlessness

Gardening

Blue Skies

Camels

Immediacy

Recording

Early Woods

Enough

North Street

Reading

One Thing and Another

Self

For Doyle Fosso

Generation Gap

Natives

Catch

Lofty

Famine

Imaginary Number

Fortitude

Ghosts

Soaker

NOTES

INDEX OF TITLES

INDEX OF FIRST LINES