CONTENTS

List of Illustrations

Acknowledgments

INTRODUCTION:

Where Film Meets Philosophy

1. PHENOMENOLOGY AND THE VIEWING SUBJECT

2. FILM CONNOTATION AND THE SIGNIFIED SUBJECT

3. SOUND, IMAGE, AND THE ORDER OF MEANING

4. ALAIN RESNAIS AND THE CODE OF SUBJECTIVITY

5. JEAN-LUC GODARD AND THE CODE OF OBJECTIVITY

CONCLUSION:

Where Film and Philosophy May Lead

Notes

Bibliography

Index