CREDITS

Chapter 1: p. 1: Kiowa Gomda Dawgyah (“Wind Songs”) by Maurice Boyd, Texas Christian University Press; p. 4: Daniel J. Gelo; p. 5: National Archives [557189]; Edward S. Curtis/Library of Congress Prints and Photographs Division[LC-USZ62-90821]; p. 6: Roger Coulam/Alamy; p. 8: David Hiser/Stone/Getty Images.

Chapter 3: p. 46: Catlin, George (1794–1872)/The Art Gallery Collection / Alamy; p. 53 Edward S. Curtis/ Library of Congress Prints and Photographs Division [LC-USZ62-130189]; p. 55: The Library of Congress Prints and Photograph Division [LC-USZ62-61937]; p. 57: National Archives [530974]; p. 62: State Historical Society of North Dakota 0086–0281.

Chapter 4: p. 67: MPI/Archive Photos/Getty Images; p. 75: “Death Songs” by Maurice Boyd, Texas Christian University Press; p. 79: Daniel J. Gelo.

Chapter 5: p. 95: Edward S. Curtis/The Library of Congress Prints and Photograph Division [LC-USZC4-8814]7]; p. 106: Daniel J. Gelo; p. 117: National Archives [530913]; p. 124: “Onetime, when I was a young boy …” by Charles S. Brandt, Dover Publications, Inc.

Chapter 6: p. 133: National Archives [530913]; p. 136: William Henry Jackson/Bettmann/Corbis; p. 138: Institute of Texan Cultures, UTSA, #089–0140, Courtesy of Private Collection; p. 142: Edward S. Curtis/Library of Congress Prints and Photographs Division [LC-USCZ62-46966]; p. 145: shield, Southern Cheyenne, 1870 Denver Art Museum Collection: Native Arts Acquisition Funds, 1968.330; Photo © Denver Art Museum. All Rights Reserved; p. 149: Paris Pierce/Alamy; p. 153: Edward S. Curtis/Library of Congress Prints and Photographs Division[LC-USCZ62-136594]; p. 155: Ivy Close Images/Alamy; p. 164: Silverhorn (James Silverhorn; Haungooah) “The Exploits of Sun Boy,” c. 1880–1900, Gift of Muskogee Public Library, 1982.6 © 2011 Philbrook Museum of Art, Inc. Tulsa, Oklahoma; p. 165: Silverhorn (James Silverhorn; Haungooah) “The Exploits of Sun Boy,” c. 1880–1900, Gift of Muskogee Public Library, 1982.6 © 2011 Philbrook Museum of Art, Inc. Tulsa, Oklahoma; p. 166: Silverhorn (James Silverhorn; Haungooah) “The Exploits of Sun Boy,” c. 1880–1900, Gift of Muskogee Public Library, 1982.6 © 2011 Philbrook Museum of Art, Inc. Tulsa, Oklahoma; p. 167: Daniel J. Gelo.

Chapter 7: p. 171: John Reddy/Alamy; p. 176: Yankton peyote song “Pray! yo, yo …” by William K. Powers, Powers William; “The Kiowa Flag Song” after Rhodes 1959:26; “Shoshone Naraya” or “Ghost Dance” song, by Judith Vander, UCLA; p. 176 “Just because you left me …” Daniel J. Gelo 1988b, by Tom Mauchahahty-Ware; Millard Clark, Daniel J. Gelo; p. 179: Photograph courtesy of the Milwaukee Public Museum.

Chapter 8: p. 190: “Deserted Children Story, …” Version 2., Arapaho by Dorsey; Kroeber, University of Nebraska Press; pp. 190–91: “Deserted Children” by Kardiner, Columbia University Press; pp. 190–91: “Deserted Children Story” by Kardiner, Curley, Ellin; p. 192: “Iktiniki meets Coyote on a walk …” Viking Penguin, Inc.; “Coyote is starving and goes,…” University of Nebraska Press; “Wi-sak-a-chak eats many berries …” by Dusenberry, Acta Universitatis Stockholmieusis; p. 193: “Inktomi thinks only of copulating …” by Erdoes; Ortiz, Viking Penguin, Inc.; “Inktomi marries at the age of 14 …” “Forbidden Fruit …” by Erdoes; Ortiz, Viking Penguin, Inc.; “Nihansan asks for the power …” by Dorsey; Kroeber, University of Nebraska Press; “Veeho encounters a man …” by Erdoes; Ortiz, Viking Penguin; “Old Man Coyote is cold …” by Erdoes; Ortiz, Viking Penguin; “Saynday meets a (female) ant” by Marriott, Harper Collins Publishers, Inc.; p. 194: “Coyote commands Turkey …” by Dorsey, University of Oklahoma Press; “Coyote comes” by Erdoes; Ortiz, Viking Penguin, Inc.; p. 195: A young man goes hunting University of Nebraska Press; p. 196: Double Woman, 1971 casein on paper 18 1/8 × 22 1/2 University Art Galleries at the University of South Dakota on loan from the Howe Family; p. 197: Manuscript Acee Blue Eagle Papers: “Painting and Drawings” by Blue Eagle, National Anthropological Archives, Smithsonian Institution; p. 198: “Wa-kon’da … here needy he stands …” by Fletcher, University of Nebraska Press; p. 199: “What is the most …” by Dorsey; Kroeber, Powers, William.

Chapter 9: p. 205 William R. Cross/Library of Congress Prints and Photographs Division [LC-USZ62-104571]; p. 207: Smithsonian Institution Catalog No. 229,900; p. 221: System of Lakota symbols by Willliam K. Powers, William Powers; p. 225: Interfoto/Alamy; p. 229: Edward S. Curtis/ Library of Congress Prints and Photographs Division [LC-USCZ62-99611].

Chapter 10: p. 238: Smithsonian American Art Museum, Washington, D C/Art Resource, NY; p. 246: MPI/Getty Images; p. 247: Lakota George Sword circa 1908. “A hoop covered …” by James R Walker; Raymond J. DeMallie; Elaine A Jahner, University of Nebraska Press; p. 252: B. Anthony Stewart/National Geographic Image Collection/ Alamy; p. 253: National Archives [530915]; p. 263: Allen Russell/Alamy; p. 270: “Mary Lou Stone Road Prairie Chief …” by Giglio. Virginia.

Chapter 11: p. 276: MPI/Archive Photos/Getty Images; p. 283: Kiowa Gwoh-dawgyah. “Going away on a war …” by Boyd, Texas Christian University Press; p. 284: Kiowa Gwoh-dawgyah. “You young men sitting …” by Boyd, Texas Christian University Press; pp. 284–85: “The Oglala Black Elk, …” by Neihardt, John G. Neihardt Trust; p. 292: MPI/Archive Photos/Getty Images; p. 302: SPC BAE 4420 Vol. 6 01003705, National Anthropological Archives, Smithsonian Institution.

Chapter 12: p. 311: National Archives[531079]; p. 312: Walter Rawlings/Robert Harding Picture Library Ltd/Alamy; p. 314: “Population Decline Among” by Raymond Wood: Margot Liberty; Parks, Liberty Margot; p. 314: “Population Decline Among Plains …” by Raymond Wood; Margot Liberty; Parks, Liberty, Margot; p. 319: “Morning Schedule …” by Fixico, Greenwood Publishing Group; p. 322; Denver Public Library, Western History Collection; p. 329: Bettmann/Corbis; p. 330: Jacques Brinon/AP Images.

Chapter 13: p. 339: Ray Ozman/AP Images; p. 346: Greg Ryan/Alamy; p. 355: Mike Simons/Getty Images.