Adductor group, col6.1, col6.2, col6.3
Albinus, Bernard Siegfried, Tabulae Sceleti et Musculorum Corporis Humani, plate 1, col6.1; plate 1, col6.2; plate 2, col6.3; plate 3, col6.4; plate 4, col6.5; plate 7, col6.6
Anatomy, artistic, 2.1, col2.1, 6.1, col7.1; and evolution, 6.2; and function, 6.3; learning, 6.4; medical, 6.5; of horses, col7.2
Bandinelli, Baccio, Male nude from Sistine ceiling
Bellini, Gentile, col3.1; Portrait of a youth, col3.2
Biceps, 6.1, col6.1, col6.2, col6.3
Bones, buying, 6.1; determine form, 6.2
Botticelli, Sandro, Study for the allegorical figure of Abundance
Boucher, François, col3.1; Study for the Judgment of Paris, col3.2
Brachialis anticus, col6.1, col6.2
Bruegel, Pieter, Summer, col5.1; The painter and the connoisseur, col2.1
Buonarroti, Michelangelo, see Michelangelo
Calf group, col6.1, col6.2, col6.3
Callot, Jacques, Anatomy studies, col6.1; Standing male nude, col6.2
Cambiaso, Luca, col1.1, col1.2; Christ leading the calvary, col1.3; Group of figures, col1.4
Carracci, Annibale, Polifemo, col4.1; Polifemo, col4.2; Standing figure of a nude woman, col1.1
Carpus, col6.1, col6.2, col7.1
Cast shadow, 3.1, col3.1, col3.2, col4.1, col5.1, col7.1, col7.2, col7.3, col7.4, col7.5, col7.6, col7.7, col7.8
Cheek bone, col3.1, col4.1, col5.1, col6.1, col6.2, col7.1, col7.2, col7.3
Clavicle; see also Collar bone
Composition, 7.1, col7.1, col7.2, col7.3, col7.4
Condyles, col6.1; external, col6.2
Construction line, see Line
Context, see Juxtaposition
Cube, see Form
Curved planes, col1.1, 2.1, 3.1
Cylinder, see Form
Da Pontormo, Jacopo, Head of a woman, col3.1; Male nude, col7.1; Nude boy seated, col2.1; Virgin annunciate, col5.1
Daumier, Honoré, Don Quixote and Sancho Panza
Da Vinci, Leonardo, col1.1, col4.1, col4.2, 7.1; Canon of proportions, col4.3; Cartoon for the Virgin with Saint Anne, col4.4; Hands, col6.1; Head of an old man, col4.5; Madonna and child and other studies, col1.2; Nude on horseback, col6.2; Pupil of, Head, col2.1; Surface Anatomy of the shoulder region and head, col5.1
Degas, Edgar, 7.1; Dancer adjusting her slipper, col5.1; Study for Les Malheurs, col7.1
Del Sarto, Andrea, Head of an Apostle, col7.1; Head of an elderly man, col7.2; Studies of Hands, col6.1; Study of feet and hands, col6.2; Two joined hands, col7.3
Deltoid, col3.1, col6.1, col6.2, col6.3, col6.4, col6.5, col7.1
Details, selecting, 4.1, col5.1
Direction, see Thrust
Drapery, col2.1, col2.2, 3.1, 5.1, col5.1, col7.1, col7.2, col7.3, col7.4, col7.5; and thrust, 5.2, col5.2, col5.3, col5.4
Dürer, Albrecht, col3.1; Christ on a cross, col7.1; Female nude, col3.2; Five nudes, study for a resurrection, col3.3; Head of a man, col2.1; Head of a Negro, col3.4; Standing female nude, col4.1
Dürer, copy of, Study of hands
Ear, col2.1, col4.1, col5.1, col7.1, col7.2, col7.3; see also Mastoid
Erector spinae, col6.1, col6.2, col6.3, col7.1
Extensor carpi radialis brevior, col2.1, col6.1
Extensor carpi radialis longus, col6.1, col6.2
Extensor carpi ulnaris, col2.1, col6.1, col7.1
Extensor communis digitorum, col6.1, col6.2
Extensor group, 6.1, col6.1, col6.2
External oblique, col1.1, 6.1, col6.1, col6.2, col6.3, col6.4, col6.5, col6.6, col6.7, col6.8, col7.1, col7.2, col7.3, col7.4
Eye, col3.1, 4.1; ball, col2.1, col2.2, col4.1; lashes, col2.3
Fascia lata, 1.1; tensor of, col1.1
Femur, col6.1, col6.2, col6.3, col6.4
Flexor group, col1.1, 6.1, col6.1, col6.2, col6.3, col6.4, col6.5
Form, determined by bones, 6.1; geometric, 1.1, 1.2, col1.1, col1.2, col1.3, col1.4, col1.5, 2.1, col2.1, col2.2, col2.3, col2.4, 4.1, 7.1; in motion, 5.1, col5.1, col7.1; shape, lighting, and position, 1.3
Fuseli, John Henry, col2.1; Man embracing a woman, col2.2; The dead Achilles mourned by Thetis, col1.1
Gastrocnemius, col6.1, col6.2, col6.3, col7.1
Geometric form, see Form
Gluteus maximus, 6.1, col6.1, col6.2, col6.3, col7.1
Gluteus medius, col6.1, col6.2, col7.1
Goya, Francisco, 7.1; Three men digging, col7.1; Waking from sleep in the open, col7.2
Gravity, and man, 6.1; and the four-footed animal, 6.2
Great trochanter, col4.1, col6.1, col6.2, col7.1
Hamstring, col6.1; group, 6.1, col6.2, col6.3, col6.4, col6.5, col7.1; inner, col1.1, col6.6, col6.7, col7.2, col7.3, col7.4; outer, col1.2, col7.5
Hands, col2.1, col3.1, col5.1; see also Phalanges; Carpals; Metacarpals
Highlight, violating, 3.1, col7.1
Homer, Winslow, A fisher girl on the beach
Horses, col1.1, col2.1, col5.1, col6.1, col6.2, col7.1
Humerus, col6.1, col6.2, col6.3, col6.4, col6.5, col6.6, col6.7
Infraspinatus group, col6.1, col6.2
Ingres, Jean Auguste Dominique, Portrait of Paganini
Latissimus dorsi, col6.1, col6.2, col6.3, col6.4, col6.5, col6.6, col7.1, col7.2
Light, and planes, 3.1; and shade, 1.1, col1.1, col2.1, 3.2; and three dimensional form, 3.3; changing on plane, col2.2; destroying form, 3.4, inventing, 3.5, 3.6, col3.1, 4.1, col4.1, col5.1, col7.1; jumping, 3.7, col5.2; selecting, col7.2; sources of, col1.2, col1.3, col2.3, col2.4, 3.8, col7.3, col7.4; see also Tone
Line, 2.1; and functional groups, 6.1; and thrust, 5.1; as color meets color, 2.2, col2.1, col2.2, col2.3; as outer edges, 2.3, col2.4; as plane meets plane, 2.4, col2.5, col2.6, col2.7, col2.8, col2.9; as tone meets tone, 2.5, col2.10, col4.1; concave, col3.1, col3.2; construction, col5.1, col5.2, col7.1, col7.2; convex, col3.3, col3.4; explaining shape, 2.6, col2.11, col2.12; made with dots, col2.13; practicing, 1.1; suggesting changing tones, 2.7; to indicate direction, col2.14
Lippi, Filippino, Athletic youth
Longissimus dorsi, col6.1, col6.2
Mantegna, Andrea, Judith and her servant
Mass, 4.1, col7.1; and detail, 4.2; and general shape, 4.3; and perspective, col7.2; and proportion, 4.4; as symbols, col4.1
Mastoid, col7.1; processes, col7.2
Metacarpals, col5.1, 6.1, col6.1, col6.2, col6.3, col7.1, col7.2
Metatarsals, col6.1, col6.2, col6.3, col6.4
Michelangelo, 4.1, col4.1; Figure of male nude, col6.1; Head in profile, col7.1; Nude youth, col7.2; Studies for the Libyan Sibyl, col4.2; Study for Christ, col6.2; Study of the back and legs of a man, col6.3; Study of a nude, col7.3
Models, copying from, col2.1, col2.2, col3.1, col5.1, col5.2, col6.1, col7.1, col7.2; drawing without, 6.1
Muscles, and function, 6.1; origin and insertion of, 6.2; see also Anatomy
Nose, col2.1, col2.2, col3.1, col4.1, col4.2, col5.1, col7.1, col7.2
Palmaris brevis, col6.1, col6.2
Patella, col6.1, col6.2, col7.1
Pectoralis major, col2.1, col2.2, col6.1, col6.2, col6.3
Pelvis, 4.1, col4.1, col4.2, 6.1, col6.1, col6.2, col6.3, col6.4, col6.5, col6.6, col6.7, col6.8, col6.9, col6.10, col7.1, col7.2, col7.3, col7.4
Peroneal group, col6.1, col6.2, col6.3
Perspective, col2.1, col3.1, col5.1, 7.1, col7.1, col7.2, col7.3, col7.4
Phalanges, col5.1, col6.1, col7.1
Plane, meeting plane; see also Light; Line
Pollaiuolo, Antonio, Figure of Adam
Position, see Thrust
Proportion, col4.1, col4.2, col4.3, col5.1; and bones, col7.1; of the head, col4.4
Quadriceps femoris group, col6.1, col6.2, col6.3, col6.4, col6.5, col7.1
Raphael, 7.1; Combat of naked men, col3.1; Combat of nude men, col6.1; Fight between man on a horse and two nude soldiers, col2.1; Hercules and the centaur, col7.1; Study for the transfiguration, col6.2; Study of David after Michelangelo, col7.2
Rectus femoris, col6.1, col6.2
Rectus abdominis, col4.1, col5.1, 6.1, col6.1, col6.2, col7.1
Rembrandt, col2.1; Female nude, col7.1; Girl sleeping, col7.2; Saskia carrying Rumbartus downstairs, col7.3; Two butchers at work, col5.1; Woman with clasped hands, col2.2
Rhomboid group, col6.1, col6.2
Rib cage, 1.1, col2.1, col2.2, col3.1, col3.2, 4.1, 4.2, 4.3, 5.1, col6.1, col6.2, col6.3, col6.4, col7.1, col7.2, col7.3, col7.4, col7.5
Robusti, Jacopo, see Tintoretto
Rodin, Auguste, Figure disrobing
Rubens, Peter Paul, 4.1; Nude woman, col7.1; Portrait of a little boy, col7.2; Portrait of Isabella Brant, col3.1; Studies of arms and legs, col6.1; Studies of heads and hands, col5.1; Study for Abraham and Melchizedek, col7.3; Study for Mercury descending, col5.2
Sacrum, col1.1, col4.1, 6.1, col6.1, col6.2, col7.1, col7.2
Sanzio, Raphael, see Raphael
Sartorius, 6.1, col6.1, col6.2
Semimembranosus, 6.1, col6.1, col6.2
Semitendinosus, 6.1, col6.1, col6.2
Serratus magnus, 6.1, col6.1, col6.2
Shade, 3.1, 3.2; see also Cast shadow; Light; Shading
Shadow, see Cast shadow; Shading
Shoulder blade, col6.1, col6.2, col6.3, col6.4, col7.1, col7.2
Shoulder girdle, col6.1, col6.2
Signorelli, Luca, Nude man from rear
Soleus, col6.1, col6.2, col6.3
Sphere, see Form
Spinalis dorsi, col6.1, col6.2
Sternomastoid, 6.1, 6.2, col6.1, col6.2, col7.1
Supinator group, 6.1, col6.1, col6.2, col6.3, col6.4
Symphysis pubis, 4.1, col4.1, col4.2, col6.1, col6.2, col6.3, col7.1
Tensor, col6.1, col6.2, col7.1, col7.2
Tensor fascia femoris, col6.1, col6.2, col6.3
Teres, major, col6.1, col6.2, col6.3, col7.1; minor, col6.4, col6.5, col7.2
Thrust, col5.1, col5.2, col7.1, col7.2, col7.3, col7.4, col7.5; and drapery, 5.1, col5.3, col5.4, col5.5; and light, 3.1; and line, 5.2; and tones, 5.3; and true shape, 5.4; determining, 5.5
Tibia, col6.1, col6.2, col6.3, col7.1, col7.2, col7.3, col7.4
Tibialis anticus, col2.1, col6.1, col6.2, col7.1, col7.2
Tiepolo, Giovanni Battista, Angel
Tintoretto, Design for archer, col2.1; Design for Venus and Vulcan, col3.1; Draped standing figure, col5.1
Tones, and color, 3.1; and direction of form, 5.1; and interior planes, 3.2; meeting tone, col2.1; movement of, 1.1, col3.1, col3.2, col7.1, col7.2; reversing, 3.3, col7.3; see also Light; Shade
Trapezius, col3.1, col6.1, col6.2, col6.3, col6.4, col7.1, col7.2
Triceps, col6.1, col6.2, col6.3
Ulna, col2.1, col6.1, col6.2, col7.1
Van Rijn, Rembrandt, see Rembrandt
Vastus externus, col6.1, col6.2
Vastus internus, col6.1, col6.2, col6.3
Vecelli, Tiziano, see Titian
Vesalius, Andreas, De Humani Corporis Fabrica, plate 21, col6.1; plate 22, col6.2; plate 23, col6.3; plate 26, col6.4; plate 32, col6.5; plate 33, col6.6; plate 35, col6.7
Watteau, Antoine, Nine studies of heads, col5.1; Woman seated on the ground, col2.1